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A cornerstone of avant-garde jazz, B-X0 NO-47A captures Anthony Braxton at a pivotal moment in his career and in the history of the Association For The Advancement Of Creative Musicians (AACM). Recorded in Paris in 1969 and newly restored from the original master tapes, this classic session finds Braxton leading a quartet of fellow AACM visionaries: trumpeter Leo Smith (before adopting the name Wadada), violinist Leroy Jenkins, and drummer Steve McCall.
The group’s instrumentation is strikingly …
On September 30, 1963, American saxophonist and multi-instrumentalist Rahsaan Roland Kirk and his quartet gave a small concert in the TV studios of Radio Bremen. The concert was broadcast on ARD in the spring of 1964 as part of the popular "Domino" series.
Now the original tapes have resurfaced in the station's archives. Sensational! The former sideman of Charles Mingus, Gil Evans and Quincy Jones had come to Germany not only with his successful Mercury albums "Domino" and "We Free Kings" in his…
Alto saxophonist Marion Brown was an initially underrated hero of the jazz avant-garde. It was only after he moved from Atlanta to New York and joined John Coltrane that the public and the critics took notice of him.Dedicated to discovering the far-reaching possibilities of improvisational expression, Brown possessed a truly lyrical voice. In the early seventies, she played with Anthony Braxton, Andrew Cyrille, Bennie Maupin, Jeanne Lee, and Chick Corea, among others. On this recording he was ac…
Some of soprano saxophonist Steve Lacy's most interesting recordings are his earliest ones. After spending periods of time playing with Dixieland groups and then with Cecil Taylor (which was quite a jump), Lacy made several recordings that displayed his love of Thelonious Monk's music plus his varied experiences. On this particular set, Lacy's soprano contrasts well with Charles Davis' baritone (they are backed by bassist John Ore and drummer Roy Haynes) on three of the most difficult Monk tunes…
2025 stock Bringing together three of the most voracious and energetic musical minds in new music, Painkiller was one of the most intense live bands ever. Here they are captured at their absolute peak. Culminating their legendary 1994 tour of Japan in a masterful set featuring one of their longest and most inspired improvisations, the thirty-five minute Batrachophrenoboocosmomachia. Beautifully recorded by the unsung fourth member of the group sound engineer Oz Frith and packaged in deliriousl…
2025 stock John Zorn and Bill Laswell are two of the Downtown scene’s most consistently intrepid musical explorers, and PainKiller, formed in 1991 is their longest running project together. “The Prophecy,” the first official PainKiller release in over ten years, was recorded live in Europe in 2004–5 and pulls together music from several concerts into a powerful and mind blowing suite unlike anything the group has ever released before. Featuring master drummer Yoshida Tatsuya (Ruins, Korekyojin)…
2025 stock Tzadik is proud to release a new recording by Steve Lacy, MacArthur Fellow and for 40 years the undisputed master of the soprano saxophone. Recorded at his home in Paris from February to April 1998, Sands is Steve Lacy's most personal and remarkable solo document, and explores a wide variety of musical and dramatic subjects. Portraits of close friends Barney Wilen and William Burroughs; collaborations with the texts of Allen Ginsberg and Samuel Beckett; and of course his own peculiar…
2025 stock A breathtakingly beautiful document of new compositions from a founding member of Chicago's AACM and one of the world's most important contemporary creative musician/composers. Featuring his ensemble Nda-Kulture and the California E.A.R. Unit, Tao-Njia blends jazz, blues, poetry and the cultural traditions of Africa, Asia, Europe, Indonesia and America into lyrical and profoundly moving music. Wadada Leo Smith-trumpter, multi-instrumentalist, composer and improviser-has been active f…
2025 stock If you went looking for a poster-child for Chicago's multidirectional, cross- pollinating, interstylistic music scene, you couldn't find a better one than Jeff Parker. Parker: jazz guitarist with pro credentials, widely travelled and prized by top soul-jazzers and hard-boppers. Parker: inveterate rocker who revitalized Tortoise with his ferocious improvising and tasty licks. Parker: experimentalist willing to try new dub, hip- hop, electronic, collage, free, chamber - anything worthwh…
German pianist Georg Graewe reunites with drummer Hamid Drake and bassist Brad Jones in a fiery 2024 trio debut at Konfrontationen Festival. Capturing the spirit of his 1990s Chicago collaborations, More Than Anything showcases masterful free improvisation and Graewe’s genre-blurring brilliance.
Org Music releases Sahib’s Jazz Party by legendary saxophonist Sahib Shihab. This classic album showcases his vibrant, innovative jazz, preserving his legacy for fans and collectors.
Strut proudly presents a new edition of one of Sun Ra's most celebrated albums, Sleeping Beauty, reissued in its original artwork for the first time. Originally released in 1979 on his independent Saturn label, Sleeping Beauty captures Sun Ra and his Arkestra at their most soulful and serene. A masterclass in cosmic jazz, the album blends lush grooves, celestial soul, and meditative funk with Ra’s singular spiritual vision — a sound both grounded and otherworldly. The album emerged during an ext…
On Jupiter by Sun Ra blends deep funk, avant-garde jazz, and cosmic soundscapes, capturing the Arkestra’s 1979 creative peak. Remastered by Technology Works, this reissue features original sleeve art and new liner notes.
Saxophonist Steve Lehman and trio, with Mark Turner, celebrate Braxton’s 80th in a live set: intense emotion meets cool articulation and rhythmic mastery.
Balloons On Grass is a collaborative album by Tony Orzano, Bryan Rohmer, and Jeremy Wexler that thrives on the unpredictable energy of improvisation. Recorded in a single, free-form session, the album is a vivid journey through the intersecting worlds of post-rock, noise, and free jazz. Each track unfolds organically, with the musicians responding to each other in real-time, creating a dynamic tapestry of sound that is both spontaneous and deeply intentional.
The album opens with shimmering guit…