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Berlin-based Swedish bassist and producer Petter Eldh returns with a new Koma Saxo album Post Koma, out on We Jazz Records, 10 November. The title Post Koma aptly describes the vibe of this one: The Koma Saxo sound continues its evolution, morphing into a holistic vision of jazz now and soon, where live instrumentation and repurposed sampling lose their boundaries. Over the course of its three iterations (self-titled debut in 2019, LIVE in 2020, Koma West in 2022) Koma Saxo has sounded at times …
The tenth issue of We Jazz Magazine, "Dominoes" for Donald Byrd. 128 pages, 170 x 240 mm in size and printed on 140g Edixion paper with laminated 300g Invercote covers. All articles presented in English. Donald Byrd by Andy Beta, Lonnie Liston Smith by Anton Spice, Charles Gayle by Seymour Wright, Anoushka Shankar & Arooj Aftab in conversation by Debra Richards, Billy Harper by Bret Sjerven, Anni Kiviniemi by Wif Stenger, Kenneth Jimenez by Andrey Henkin, Sun Ra by Francis Gooding, Muffins by Ma…
"Rare & Lost Tapes" is a compilation of singles by the renowned band Cortex that were never put on an album. This album collects previously unpublished and rare songs such as "Les Oiseaux Morts" (Alternative Take 76), which was only available as a test pressing, "Mary & Jeff" (Fender Rhodes Version 77) recorded for TV, and "Californie" & "Stevie" issued for the Side Project Caribou as 7". This iconic set by Cortex is a classic example of jazzy funky fusion from the French scene of the 1970s, wit…
Fumio Karashima, who was active in Jazz Machine led by Elvin Jones, recorded this work in 1981 when he returned to Japan. The trio is led by George Otsuka, the drummer who gave Kashima his breakthrough, and Richard Davis, the famous bassist from Chicago, and their performance is the most attractive of all. Kashima's piano is vivid and fresh, like a fish moving in a large current.
In contrast to their previous work "Impact", which had a large ensemble, they welcomed Kazutoki Umezu as a guest and performed a relaxed performance with a small ensemble. A masterpiece released in 1986, which he himself admits was a really good one, with an effortless performance (from the LP liner). What shines is the trio composition of "Alicante" and "Don't Say Goodbye," a masterpiece that allows you to enjoy Itabashi's singing spirit. "Don't ~" can be said to be an answer song to the popula…
Seikatsu Kōjyō Iinkai (Committee for the Improvement of Life) began its activities in the early 1970s, led by Kazutoki Umezu and Yoshiyuki Harada. Many musicians came and went and engaged in multifaceted activities, but one of the pillars was the so-called Life Improvement Committee (Matsugumi), centered on Koichi Shofaze. This work, recorded live in Masuda City, Shimane Prefecture, is the only work left by Matsugumi with the same members. The saxophone cuts like a knife into the solid trio's pe…
The Japanese jazz cult work is one of the most popular Japanese jazz collectors around the world, including Tetsu Aizawa quartet and Yukasasasa Hino, and the original Jazz Rality series has been released as the world's first CD. As a musician, the prestigious Independent Jazz Label and Acetaz's Disc was reissued in the early 23 works of the famous Tokyo independent Jazz Label, and Acetaz's Disc. 11 of the 12 pieces released as the first release was released in the world for the first CD. These c…
CD reissue of Eiji Nakayama’s incredible 1978 album, a crate diggers dream find for many years, this is deep spiritual jazz, post-modal impressionism and grooves at the top
Dive into the brilliance of 1970s Japanese jazz with this exceptional bass-led trio session. While piano trios had their spotlight, the bassists led equally enchanting ensembles. Eiji Nakyama's bass takes center stage, weaving lyrical lines complemented by energetic guitar and drums. The album seamlessly blends straight jazz and modal explorations, showcasing creativity without gimmicks. A testament to Japanese jazz greatness, this session stands out for its dynamic and innovative approach.
Lucky restock, sold-out at source - "Don Cherry delves into Turkish rhythms, accompanied by his long-time Don Cherry Trio members: Turkish drummer Okay Temiz and South African bassist Johnny Dyani. The vinyl LP is manufactured in Istanbul under the guidance of Mr. Okay Temiz, the only living member of this iteration of the Don Cherry Trio. The LP has been remastered from original material housed in BYG Records' vaults by Okay Temiz & Mert Ucer and licensed from BYG Records, France.
This LP featu…
Tip! Space is the place! That classic piece - in a historically early version without lyrics - opens the album Paradiso Amsterdam 1970, which shows how the Netherlands was first introduced to Afrofuturism. A pivotal moment in the Dutch jazz experience. It was always thought that the recordings of the long-awaited first concert that the Sun Ra Arkestra gave in the Netherlands were useless for an album release.After all, the entire Arkestra, booked by Hans Dulfer, marched among the massive crowd a…
Tip! This is the lost pearl, this is the most secret album coming from the ancient land of Sicily, the oyster island of the Mediterranean sea, on the borders of Italy. No Holy Grails here, we are not at the crusades, but in the presence of one of the busiest ensembles on the Italian scene during the 70s and 80s of the last century, devoted to only one creed: To Play!
Enzo Randisi and his son Riccardo, take us into a world of visionary spiritual jazz atmospheres on the track "Windows", an opening…
Alpacas Collective once again invites you for an enchanting musical trip. After finding their voice and soul on their well received debut album ‘Seven Wisdoms of Plutonia’ (October 2022), they are excited to release the second collection of Alpacas tunes one year after! From of the adventurous spaces of Plutonia , from where Alpacas Collective emerged, this gang of fanatic music lovers continue their trip through new places with new friends on the new album ‘Big Words’. ‘Seven Wisdoms of Plutoni…
One of the rarest albums ever from the mighty Masahiko Satoh, a composer and arranger,as well as a key figure in the avantgarde music from Japan. Originally issued on Japan Columbia in 1970, the two sides of very free piano show a sensitivity that's really amazing – still moments of freedom that reflect Satoh's connection to the avant garde of the time, interwoven with his own sense of cosmic creation, in ways that are similar to his later projects. Born in Tokyo, in 1941, Masahiko Satoh's earli…
*2023 stock* Sparkling acoustic duo featuring a contemporary wild chamber attitude, improvising instant compositions, sound texture explorations and sudden lyrical flights. Their improvisation, that has been defined "A Gentle Vertigo", freely crosses boundaries and welcomes rich contradictions between melody and blessed chaos. Experimental flavors, multi-perspective intuitions and reciprocal listening are the extremely well balanced blend of this duo that strives for an improvisation where "thin…
*2023 stock* "To watch two butterflies in flight is to see a complex intertwining of zigs and zags, dips and weaves, as each—seemingly erratically--rides the turbulence its wings create to carry it along. Together they trace an unchoreographed but nevertheless coherent set of variations on the line as they move with, against and through each other’s paths.
The intricate pattern of two butterflies’ interwoven flight paths stands as a fitting analogue for the nuanced complexity of Busy Butterflie…
"Second album for Clairvoyance, a trio that sublimates improvisation through a blessed chemistry, delivering a perfectly balanced music where elements coming from different derivations and attitudes find grace and essentiality, freshness and solidity. Narrative spots and timbral consciousness inform this classy band and make this record unmissable!!
Clairvoyance's fundamental orientation--an orientation that, collectively and individually, represents a compositional stance toward improvisation. …
"Amirani Records, the label founded and run by Milanese soprano saxophonist Gianni Mimmo, ends its eighteen-year run with three final releases. The last of the three, a recording of the Sestetto Internazionale, was reviewed here earlier; preceding it a duet for Mimmo and Finnish soprano and sopranino saxophonist Harri Sjöström, and a solo recording by Milanese cellist Walter Prati.
Mimmo and Sjöström are frequent collaborators, whether in the Sestetto Internazionale or as duet partners, and on W…