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Perhaps for the first time in the history of music, here is two violas, double bass, and drums quartet featuring the New York-based Mat Maneri & Tanya Kalmanovitch, and Copenhageners Tomo Jacobson & Kresten Osgood. Calling their music chamber free improv gives some clues about the sound world you are entering, but it also falls very short in the face of the multitudes presented here. ‘Variations On No Particular Theme’ is a pregnant name in which we can look for the key to this album. Of course,…
*2023 stock. 50 copies limited edition* After his oneiric, Casio-centric 'Nullpluss' that Kristian Tangvik released two years ago, the time has come for his next move. In Kristian's own words: "The Cod and the Cat has developed over the course of two years. It came to me in a dream. Some compositions arrived while traveling, others in a complete standstill. And so I have gathered a fresh combination of exceptional performers from the rich and exciting underground of Copenhagen's music scene, and…
*2023 stock* Bloodstock themes, cascading drum fills, pumping bass lines, and flamethrower saxophone cries - Litterjug is a rollercoaster ride of joyful anarchy. Litterjug is a Copenhagen-based contemporary trash jazz trio featuring three original improvisers from Poland, Lithuania, and Denmark. The band's explorations are heavily rock-inspired, with a dose of abrasive free flow improvisations. The trio offers contrast-filled, action-packed music, sometimes rocking a simple groove, and other tim…
"The almost five year span bookended in this particular Ayler revisitation marks, in a certain sense,
the beginning and end points of the most lasting and creative portion of his remarkable, though
sadly brief, career." – Brian Olewnick
"The emerging credo of western society’s post-Beat counterculture was egalitarian and
anti-hierarchical, be the hierarchy social, political or on the bandstand. Evans and Ayler shared
the belief; only their lexicons were different. If hearing Spiritual Unity was akin, as Ted Joans
wrote, to someone shouting “Fuck!” in St. Patrick’s" – Chris May
"On a good day it is strenuous to stay current with pianist Matthew Shipp's imposing and voluminous output. On an even better day it is a fool's hardy errand to say the least. Now with the planned re-issuing of some of his great early deconstructions of musical thought and theory, starting here with 1990's daringly incongruous yet hypnotically accessible, Circular Temple, keeping up just got a whole lot harder. With William Parker on bass and Whit Dickey on drums, this four-movement suite for pi…
*2023 stock* "John Coltrane's Crescent from the spring of 1964 is an epic album, showing his meditative side that would serve as a perfect prelude to his immortal work A Love Supreme. His finest quartet with McCoy Tyner, Jimmy Garrison, and Elvin Jones supports the somewhat softer side of Coltrane, and while not completely in ballad style, the focus and accessible tone of this recording work wonders for anyone willing to sit back and let this music enrich and wash over you.
While not quite at th…
*2023 stock* "A brilliant album from Fela Kuti – and one that shows him really coming into his own, with that tremendous new sound that would go onto influence decades of musicians! The title track – Roforofo Fight – is a side-long jam that instantly sets a new standard for African funk – skittish drums, a sweet keyboard line that snakily sets the groove, and a wonderful long alto solo that's got even more raspy soul than Fela's vocals! Those vocals are sometimes more broken up, verbally – and h…
*2023 stock* "Gongs have been part of my life since 1970, when as Jazz Swiss School student in Bern (Switzerland), I had the lucky opportunity to visit the Paiste, Cymbal and Gongs factory. I was immediately fascinated by the sonic world of the gong and related metal percussion and I started dreaming a future that could possibly include those marvelous instruments. Few years later, while in New York on my first US trip, I found few Albums of Balinese Music in a small record store in the Greenwic…
*2023 stock* "In 1978, thanks to Eugene Chadbourne, Davey Williams and John Zorn I was able to organize a memorable US tour. On this CD you’ll find the original New York recording session with a sextet of great musicians. The tape has been released in the past on Ictus LP in a reduced version and on CD in an unfortunate cut full of wrong edit. Now you can finally enjoy the music as it was conceived and performed. Environment for sextet LP was made possible by a generous loan from the unforgettab…
*2023 stock* "The West Coast Chamber Jazz Trio, recently formed, remains faithful to its name, in the sense that the undoubted chamber size and the jazz component, apparent in rhythmic melodic lines and improvisation always kept under control, are beautifully conjugated in the narrative modes, colloquialisms and relaxed of the Californian jazz, not only from the fifties and sixties, but also that one of the most recent landings …" - Libero Farnè
*2023 stock* "The release of the two volumes of October Wind, on the tenth anniversary of Steve Lacy death, has a special meaning for me. Not only because it’s probably the last unreleased recording of this extraordinary trio, but also because I was working on it with my dearest friend Gilles Laheurte, who had been one of the best friend of the late Steve Lacy. Gilles was a scholar of Steve Lacy music and I had the privilege to have his liner notes on the previous re-discovered trio recording re…
*2023 stock* "The release of the two volumes of October Wind, on the tenth anniversary of Steve Lacy death, has a special meaning for me. Not only because it’s probably the last unreleased recording of this extraordinary trio, but also because I was working on it with my dearest friend Gilles Laheurte, who had been one of the best friend of the late Steve Lacy. Gilles was a scholar of Steve Lacy music and I had the privilege to have his liner notes on the previous re-discovered trio recording re…
*2023 stock* "Celebrating a label's 35th anniversary at a venue as iconic as The Stone in New York City is already quite revealing of the nature of the music to be heard, i.e. definitely unusual and daring, definitely with no piano bar and no noisy cash register... But with the present celebration, there was an added element of surprise, as Andrea Centazzo — founder of the creative Ictus label and curator of the 12 nights Festival (April 1-14, 2012) -- brought for the first time ever to the hear…
*2023 stock* "Celebrating a label's 35th anniversary at a venue as iconic as The Stone in New York City is already quite revealing of the nature of the music to be heard, i.e. definitely unusual and daring, definitely with no piano bar and no noisy cash register... But with the present celebration, there was an added element of surprise, as Andrea Centazzo — founder of the creative Ictus label and curator of the 12 nights Festival (April 1-14, 2012) -- brought for the first time ever to the hear…
Tip! The two recent Outspan 1 & 2 in a (slightly discounted) bundle. Joining their longstanding dedication to the back catalog of the legendary German imprint, FMP, Cien Fuegos returns with the first ever reissues of two towering artefacts of European free jazz / improvisation from the 1970s, the quartet of Peter Brötzmann, Han Bennink, Albert Mangelsdorff, and Fred Van Hove’s Outspan No 1, and the trio of Peter Brötzmann, Han Bennink, and Fred Van Hove’s Outspan No 2. Both recorded live in 1974…
*2023 stock. White vinyl edition* If you know the score, you might actually think of the piece's title as a bit of an understatement. After all, it is made of 50 densely-written pages, which might cause some interpreters to lose track of sight. For Michael Wertmüller's composition Sketches And Ballads is full of seemingly unplayable rhythms, which hail from his extensive experience as a percussionist: complex 256th parts and 512th parts are no exception in Wertmüller's work. Even the visual appe…
*50th Anniversary reissue* These percolating, horn-heavy grooves simmer while Fela Kuti lays down his trademark rants, often in deliberately skewered pidgin English....totally unstoppable in its mix of music and message. His voice, interlocking guitars and percussionist Tony Allen turn grooves that often have 1 or 2 chords into complex statements - minimalism made for dancers.
*2023 stock* "A great blend of funky jazz and wooden flute – the Japanese shakuhachi reed instrument, blown by Kifu Mitsuhashi here – then mixed with some larger backings that almost have a CTI Records sort of groove! The approach is similar to some of the best 70s projects from Hozan Yamamoto – and like those, updates older Japanese styles with just the right dose of jazz – never getting in the way of the soulful lines from the lead instrument, but also really warming things up nicely with Fend…