Who's Gonna Buy?
Who’s Gonna Buy? by The Lemon Dips is a shadow‑streaked 1969 relic of UK library psych, where fuzz garage, freakbeat hooks and eerie cues for film and TV collide into a strangely compelling, collector‑beloved ghost of the De Wolfe catalog.
The Ipcress File
Quartet Records presents its fifth newly recorded release of a classic film score, and its third devoted to the music of John Barry, following Séance on a Wet Afternoon and the three television films starring Katharine Hepburn. The unforgettable music of this five-time Oscar-winning composer continues to be celebrated around the world, and the impact of his innovative scores for dozens of films from the 1960s through the ’90s still reverberates today. The Ipcress File, directed by Sidney J. Furi…
Poco zucchero
On Poco zucchero, Faust'O sharpens Italian songwriting with new‑wave edge, threading synth‑driven melancholy through eight compact tales of absence and longing, anchored by "Oh! Oh! Oh!", the 1979 Festivalbar hit that made his name stick.
La Luce dell'Alba
La Luce dell’Alba is the new LP by Jolly Mare, conceived as an imaginary meeting with Piero Umiliani (on the centenary of his birth) and made possible by access to the original multitrack tapes provided by the Maestro’s family. Recorded between the legendary Sound Workshop in Rome and Oister Studio in Milan, the album weaves rearrangements and new overdubs, creating a suggestive dialogue between past and present. An ambitious, visionary project that renews Umiliani’s sonic legacy through Jolly M…
Segreti Nel Nero
In Italy, during the 1970s, the state television (the only one available; no other channels existed yet) used to entertain evening viewers with multi-part fiction that often dealt with dark, esoteric, mysterious, science fiction, or even outright horror themes. At the time, television were only in black and white, and this further enhanced the arcane mood of that tv fiction that over time have become true cult classics.
The most famous series were Gamma (1975), Ritratto di donna velata (Portrait…
Pas Un Pas Sans... The Boleros Of O.K. Jazz 1957-77
'This compilation Pas Un Pas Sans… The Boleros of O.K. Jazz 1957-77 is a selection of songs from what is one of the most unique and passionate music genres on earth, the Congolese bolero. 'Of all Congolese bands venturing into the bolero, the O.K. Jazz orchestra is by far the king of this musical style which originated in the late 19th century in Cuba. In its nearly forty years of existence, the illustrious band released dozens of boleros, with beautiful compositions, mainly by Franco and Vicky,…
Delitto sull'Autostrada (7")
Tava Tava Rare is pleased to announce the first release on 7" of Franco Micalizzi's main theme to the film “Delitto Sull'Autostrada”, directed by Bruno Corbucci and starring the Italian-Cuban-American actor Tomas Milian. Eclectic, innovator, full of life and energy, out of the ordinary, the composer is best known for his scores in poliziotteschi films such as “Roma A Mano Armata”, “Napoli Violenta” or “Italia A Mano Armata”, whose theme was used also in Quentin Tarantino's “Death Proof”. The mus…
Italia a Mano Armata
*100 copies limited edition* A driving Italian soundtrack from the height of the cop/crime years – done with really full arrangements by Franco Micalizzi, in a way that easily rivals some of the best American work of the genre in the 70s! This score from 1976 (here reissued on wax) features an amazing band, spacey grooves, some jazz atmospheres, timeless brass-crescendos, the charm of '70s funk and the untameable talent of the maestro! Most of the orchestrations are quite bold – upbeat rhythms w…
Coffy
On Coffy, Roy Ayers turns Pam Grier’s 1973 vigilante flick into a vibraphone‑driven fever dream, fusing slinky funk, string‑soaked soul and jazz finesse into a soundtrack that’s as deadly on its own as any of the film’s set‑pieces.
Ascenseur pour l'échafaud
*2026 repress!* Representing a more intimate and spontaneous side of Miles Davis, this expanded re-release of the soundtrack to Ascenseur pour l'échafaud is a welcome event. Louis Malle was already a jazz fan when Jean-Claude Rappeneau suggested to him that Miles, who was in France for a brief tour, be asked to record the soundtrack; he readily agreed. By creating a relaxed environment in the studio, where the musicians could view main scenes of the film in a loop and then improvise in response …
Music For Stage & Screen (Volume I)
Tbilisi Records proudly presents its second release – the first volume of a new series titled Giya Kancheli – Music for Stage and Screen.
Woman's Colours
One of the most iconic Italian library music albums ever, Woman’s Colours by the Giancarlo Barigozzi Group (with Sergio Farina and Oscar Rocchi) emerged from Milan’s vibrant studio scene. Originally released in 1974 under the supervision of Fabio Fabor, it’s a refined concept work blending jazz-funk, jazz-rock, bossa nova and exotica, featuring Wurlitzer, Fender Rhodes, fuzz guitars and expressive flutes, balancing groove and elegance. Over time it has attained cult status, now regarded as a cor…
Costa Sud
Five years after their radiant debut Ufo Bar, Italian cinematic funksters Banda Maje are back with Costa Sud to take us deeper into their land of ‘Salifornia’—a Southern province of sun-drenched coastlines and decaying buildings where dreams of exotic escapism sprout and bloom.
Once again, behind the eight tracks in the album—and behind the wheel of the fiery red Alfasud on the cover—is composer and keyboardist Peppe Maiellano. He has meticulously tailored each piece to his virtuoso partners in …
Collected Works and War of the Martian Ghosts
On Collected Works and War of the Martian Ghosts, Charles Joseph Smith steps out of Chicago legend and into focus, weaving 30 years of church-forged piano, bedroom electronics and sci‑fi opera fragments into a fiercely personal cosmology of sound.
From Ear To Ear
From the streets of Brooklyn comes La Fantástica, a brash, big‑band Latin orchestra whose debut on Joe Bataan’s Ghetto Records produced an underground salsa gem laced with unexpected psychedelic soul. Originally released in 1971, From Ear To Ear pairs hard‑driving Latin rhythms with the beguiling, English‑language slow‑burn of “Latin Blues,” a track that blurs salsa, soul, and psych textures.
Ghetto Records was Joe Bataan’s bold bid for independence — a label born from frustration with an indust…
Change Up The Groove
Dive into the vibrant soundscape of the 1970s with “Change Up the Groove”, a hidden gem from Roy Ayers Ubiquity's early years on Polygram. Often overlooked compared to his more famous records, this work overflows with soul and is a true masterclass in fusing jazz and funk, perfectly capturing Ayers' evolution as he connected his jazz roots with the sharp, driving rhythms of 1970s funk. From the very first track, Ayers' signature vibraphone shines brightly, bringing emotion and rhythm. The album …
Heavy Soul Dance Party
On Heavy Soul Dance Party, Saint Tropez Orchestra boil their library‑funk fantasies down to pure floor business: 11 cuts of raw, four‑track psych‑soul and break-heavy grooves that sound like they’ve been beamed straight from a 1972 basement to your local sound system.
Thèmes et Atmosphères Volume Two
On Thèmes et Atmosphères Volume Two, Saint Tropez Orchestra turbo‑charges its fake‑soundtrack brief into a sweat‑slicked library‑funk fantasia: breaks, bass and Hammond‑driven strut custom‑built for crate‑diggers, b‑boys and imaginary 1970s spy reels.
The Singles Collection (1975 - 1979)
White vinyl edition. Gatefold cover with extensive liner notes. A prog band that topped the Italian singles chart. A horror soundtrack that sold over a million copies and sat in the charts for a full year. A group of Roman session musicians who, almost by accident, invented a new language for cinema. Goblin's story is full of contradictions, and the 7-inch single - that most concise, most commercial of formats - turns out to be the sharpest lens through which to view them all.
The Singles Collec…
Amore Libero = Free Love
Pearly light blue vinyl edition. 30x30cm insert with extensive liner notes. An origin story, pressed in wax. Before Profondo Rosso. Before Suspiria. Before the name Goblin became synonymous with the sound of Italian horror cinema. There was this.
Amore Libero - Free Love is the first film score ever composed by Fabio Frizzi - written in 1974 when he was just twenty-three, for Pier Ludovico Pavoni's sun-drenched erotic drama of the same name, shot entirely on location in the Seychelles. The film …