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2017 release. We're Only in It for the Money is the third studio album by the Mothers of Invention. Released on March 4, 1968 on Verve Records. As with the band's previous two albums, We're Only in It for the Money is a concept album, and satirizes left and right-wing politics, particularly the hippie subculture, as well as the Beatles' album Sgt. Pepper's Lonely Hearts Club Band. It was conceived as part of a project called No Commercial Potential, which produced three other albums: Lumpy Gravy…
2017 release. Reissue on 180-gram vinyl with a free download code. Lumpy Gravy is the debut solo album by Frank Zappa, an album of orchestral, electric and concrete sound written by Zappa and performed by a group of session players he dubbed the Abnuceals Emuukha Electric Symphony Orchestra. Zappa conducted the orchestra but did not perform on the album. It is his third album overall: his previous releases had been under the name of his group, The Mothers of Invention. It was commissioned and br…
An early 70s set from Captain Beefheart & The Magic Band – but one that was actually recorded in the mid 60s – a bit before the classic Trout Mask Replica! The set shows Beefheart and the band at their most unbridled – really jamming with bluesy roots, but into the very trippy outer limits – with the Captain on vocals, harmonica, and "first-time musette" – plus Alex St Claire Snoufer and Antennae Jimmy Simmons on guitars, Jerry Handley on bass, and Drumbo on drums (Dustygroove)
Edition of 100. Recorded, mixed and mastered at the Outside Inside Studio on a Sunday afternoon in October 2013 by Matt Bordin, who also plays guitar an mandolin. Squadra Omega is a psych/avant/kraut rock collective devoted to free improvisation, psychedelic jams and mind blow ups
Some artists like Cluster, Tangerine Dream and Klaus Schulze have become quite popular and synonymous with the Kosmische Electronic music that rode the wave alongside the Krautrock explosion, but also nestled within the explosion of creative electronic music emerging from Germany in the early 70s, others have been left in the vaults of obscurity and discovered only by those jumping into their time capsules and searching high and low for some of the less heard acts. And obscure does not mean for …
Available previously only as a private cassette release, this Shub Niggurath reissue features the bands very 1982 first recordings. While the influence of Magma, Art Zoyd and Univers Zero are strongly in evidence at various points along these five long tracks, Shub Niggurath took it all several steps further in every direction making them one of the most extreme and uncompromising bands of the mid-80s French avant-garde scene; and while this demo was never intended to be an official release, the…
Esa Kotilainen’s Ajatuslapsi was a very moderate success at the time of its release in 1977 (on Love Records label, also responsible for the Sperm releases), but over the years its cult status has become immense. Svart Records presents the first ever vinyl reissue, with the mastering and cutting of the lathe supervised by Kotilainen himself. Ajatuslapsi is quite a magical record. One of the first ambient synthesizer records ever in Finland, it is quite unlike much of the similar stuff produced e…
Though recorded in England, Bert Jansch’s time in America recording the preceding ‘L.A. Turnaround’ and ‘Santa Barbara Honeymoon’ is still much in evidence. The breezy, bluesy style carries effortless across standout tracks ‘Looking For a Home’ and ‘3AM’, alongside the more familiar UK folk territory of ‘The Curragh of Kildare’ and ‘Pretty Saro’. Recorded at London’s now-legendary Air Studios, the production – steered by Jansch and new collaborator Rod Clements – has a wonderful lightness of tou…
"What is Woo? Woo are two - the brothers Mark and Clive Ives, who in the 1980s made a pair of addictively appealing yet largely unknown records. Their second, It's Cosy Inside, released in 1989, qualifies as some of the most electronic organic music ever made. We hearken back to a friendlier time, the 1970s, when Woo first began recording their relaxing and mysterious mood music, using electronically treated acoustic instruments without pretension, creating a sort of pop music for another univer…
Faust stand among the most influential creative forces to have emerged from Germany in the late '60s and early '70s. Along with Can, Agitation Free, Neu! and others, they rejected the Anglo-American norms of rock 'n' roll to start a back-to-basics and uniquely Teutonic revolution in sound – later dubbed by the UK press with the semi-derogatory term "krautrock." They would reach near-mythical status through a series of classic albums recorded between 1970 and 1973 at their secluded Wümme studio.A…
This solely album of Hamburg's six piece is a crossover of progressive- and jazz rock, notably with influences as wide-ranging as Blodwyn Pig and Curved Air. Long jammings by highly talented musicians, all blending into an unique sound with the distinct spirit of krautrock. Comes with insert including band story and rare photos.
Repress. From New York City, The Tea Company was one of the early birds from the US psychedelic underground scene, with an LP on the market, originally released on Smash Records, in '68. This album stands for the evolution of the 45 rpm psych-garage bands to the upcoming LP-generation with extended improvisation parts. Tea Company evolved from the Naturals, which were founded in 1963 and played the big ballroom supporting Mamas and the Papas, The Lovin Spoonful, Bob Dylan, Ritchie Havens, and ma…
Victor Peraino was the final keyboardist in Arthur Brown's great, unusual, drummerless band Kingdom Come. When that band fell apart, Victor took the name for his new band and the band put out one hopelessly rare album in the 70s which was recently reissued.Now, Victor is back, Kingdom Come is back and Arthur Brown is back and it's a excellent comeback album for both of them. There's some new material and some re-workings of old material and Victor plays a ton of his old, analog keyboards, which …
We begin by saying that this is an album unlike any other. A bold statement, perhaps. Yet look in the Scented Gardens of the Mind book and you will see this description: "a revelation of a folk album, with songs of incredible beauty and innovative arrangements. It features traditional instruments you've hardly ever heard before and touches of the avant-garde. Play this album directly after that of another randomly chosen female folk album, and you will notice the difference! This is one of the b…
It's the rebirth of Mystic Siva, who are without any doubt one of the ultimate US psychedelic underground bands from the earliest 1970s. Finally, this album is now available with a more superior sound than anyone of us could ever have expected. The original album release featured guitar overdubs on three tracks, done with the intention to give the sound more power. However, the band wasn't entirely happy with the result. This Lp is remastered and remixed from the original tapes, with all the ori…
Remastered reissue of German prog rock band Grobschnitt's 1978 live
masterpiece "Solar Music-Live" is without a doubt one of the most intense, and downright mindblowing German Acid Krautrock live
album of the 70s. Ranging from blistering guitar solos to intricate
jazz patterns weaved into subtle spacey keyboard dynamics coupled with
vocals that range from beautiful melody to monstrous freak out vocals
straight from the void, "Solar Music-Live" has everything
acidhead/space rock fans, prog…
"This disc offers the only known recording of the first version of Gila, a group that gigged constantly to build a considerable reputation as a formidable live act. Taken from a live Cologne radio broadcast from February 26, 1972 (a few months before the group's demise), Night Works is all that one could hope for, long space rock acid jamming and much better fidelity than one would get from a recording by an audience member. Swirling organ tones and acid guitar burnouts surge out of the throbbin…
Superb live recordings of a heavily underrated early '70s band from Germany, playing a sophisticated style of progressive krautedelic jazz-rock, mostly instrumental. Eiliff's guitarist (and sitar playr) Houschäng Nejadpour would later become part of an embryonic line-up of Kraftwerk. This LP is pressed in an edition of 1.000 copies.
These legendary recordings were shelved in ’67 for being too freaked-out! Today, they are sweet freak-outs to our ears. As strange as the Red Krayola's debut album was, their proposed follow-up, Coconut Hotel, was far stranger. This all-instrumental recording was more appropriately classified as twentieth-century avant-garde music than rock, and was rejected by International Artists for release in 1967, finally seeing the light of day on Drag City in 1995. All power to the Krayola for doing thin…
Klaus Schulze is a German electronic music pioneer, composer and musician that needs very little introduction. In the late sixties & early seventies he was a member of several iconic bands such as Tangerine Dream, The Cosmic Jokers and Ash Ra Tempel before launching a solo career consisting of more than 60 albums released across five decades. Collaborations were numerous and highlights include working with Steve Winwood, Brian Eno and Alphaville… just to name a few.Klaus Schulze’s proto moog-syn…