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Glitter in my tears’ marks the 20th anniversary of Janek Schaefer’s career as a recording artist, having now released 30 albums. His music is best comprehended through examining his time as an architect, and how that forged his innate sense for constructing tactile atmospheres, that navigate through unknown structures and forgotten spaces, creating profound new places. Over his career he has placed focus on the relationship between body, medium, and sound, creating a field of work that defies ea…
Typically enchanting electro-acoustic enigma from Philip Jeck, forming a richly abstract narrative from the reactive fizz and and timbral thizz of smeared shellac textures and their keening, dissonant harmonics Philip Jeck studied visual arts at Dartington College of Arts in the 1970's and has been creating sound with record-players since the early 80's. He has worked with many dance and theatre companies and played with muscians/composers such as Jah Wobble, Steve Lacy, Gavin Bryars, Jak…
**In process of restock** "Pentiments continues its collaboration with the legendarily enigmatic American sound art pioneer Leif Brush, this time with an extensive double LP release representing the most comprehensive collection of his recorded work to date. In plumbing the depths of his archives, weve unearthed and gathered a great breadth of his decades-long sonic research, spanning from his early work as a grad student to various lecture documents from his eventual tenure at UMD, with many cu…
Destroy All Monsters are known by some for their role as a bastion of resistance of Detroit's rock; for being, during their second period, the band in which Ron Asheton would reappear. For others, they are a pivotal reference point in the copious but relatively unknown avant-garde underground from the same city, after Thurston Moore and Byron Coley dug up their first recordings in 1996 and the original line-up reunited. Destroy All Monsters comprises two complementary and interconnected poles th…
Japanese CD reissue of The Nihilist Spasm Band's second album, originally released in 1978 on the Michael Snow'sMusic Gallery Editions label. Recorded live at the Toronto Music Gallery, February 4th 1978.The NSB was formed in 1965 by a group of people who enjoyed music and wanted to play in a band. There was no desire to learn to play traditional instruments so kazoos were bought and assorted noise makers modified or built from scratch. The band started playing regularly every Monday night in 19…
"In 1965, eight guys from London, Ontario, decided to start a free-improv group — 'free' to the point of building their own instruments, which they decided couldn't be set up to produce specific pitches... Their vocalist, schoolteacher Bill Exley, banged on a cooking pot and bellowed hilariously about stupidity and destruction and Canada. They didn't treat what they were doing as an advanced, visionary form of experimental music, but as a big, stupid, fun, ecstatic noise. By the '90s, noise arti…
2014 Release. * Limited edition of 100 copies worldwide. Hand signed and numbered by Marina Abramovic * 512 Hours is the first major performance by Marina Abramović since her monumental piece The Artist is Present, at the Museum of Modern Art, New York in 2010, in which visitors were invited to sit in silence opposite the artist and gaze into her eyes for an unspecified amount of time. Abramović performed this work every day for three months. In a unique work created for the Serpentine, Abra…
2016 release. When David Greenberger first embarked on what has become a life-long journey, drummer Chris Corsano was not yet five years old! In 1979, after graduating from art school in Boston, Greenberger took the job of activities director at the Duplex Nursing Home, an all-male elder care facility in Jamaica Plain, Massachusetts, and began collecting the stories, poems and music reviews of its aged patients for what became his Duplex Planet project, an undertaking that would eventually…
2013 release. Boris Hegenbart takes a dub-like approach to musique concrète. Rich contrasts, drawn between synthetic and recorded sounds, allow texture and space to flourish in place of melody. First / Dewbranches away from the very beginnings of Hegenbart's [#/TAU] series. It takes his debut album, Hikuioto (a self-published CD released in 1996), and reimagines it on vinyl.
Sound artist Akio Suzuki crisscrosses the world with his self-made instruments. British tenor/soprano sax player John Butcher is a leading figure in improvised music. These two musicians have been carrying out duo performances since 2002. The six tracks on this CD are recordings of their duos in Scotland in 2006 and Tokyo in 2015. In June 2006, an event was held in which Suzuki and Butcher visited and performed in places around Scotland that have highly distinctive acoustic characteristics. Butc…
"Attempt No. 6 is the result of a cooperation between Swedish organist Hampus Lindwall and the Stockholm-based artists Joakim Forsgren and Leif Elggren with the Werkleitz Gesellschaft e.V. in Halle (Saale), Germany. Upon the invitation of curator Martin Hartung, the audio-visual performance Attempt No. 6 formed the core of the Werkleitz Festival 2016, titled Trans-Positionen, which was addressed to the power of the imagination associated with radio broadcasting. In conjunction with the internati…
Spectral Arrows is an ongoing series of long-duration performances for guitar and electronics by Marco Fusinato. In Spectral Arrows, Fusinato arrives at the venue when it opens for business, sets up his equipment facing a wall and proceeds to play for the whole day until the end of business hours. Fusinato presents himself here in the guise of a worker, clocking on and unceremoniously clocking off at the end of his 8-hour day, refusing to allow the behind-the-scenes mystery of rehearsals and pre…
Original copies, few in stock, long out of print. Larry Wendt is an extraordinary but very little known pioneer of live computer electronics and text-sound, while Nicolas Collins is here with the legendary 'Devil Music'. Devil’s Music is a performance piece about global media, local culture and individual interference. It developed in 1985 out of the confluence of Collin's fascination with early Hip Hop DJs, a Cagean love of the splendor of radio, the introduction of the first affordable, portab…
Original copies, few in stock, long out of print. Gordon Mumma is best known for his pioneering role in the development and evolution of electronic and live-electronic, and this selection is truly important, as it contains pieces that are only available here, as Schoolwork (1970) recorded with the help of David Behrman and Katherine Morton
Tapes 1 represents the first ever sound recordings to be released from the archive of cult Dutch film director Frans Zwartjes. The sound is unlike anything you may have heard -- dream-like, disjointed, disturbing, peculiar, sexy, unexpected, and totally unique. Frans Zwartjes is famous for his art-house films. A Dutch underground auteur, his prolific output dates from 1968. A unique talent, Zwartjes produced, directed, and edited his own films, but more importantly he created and improvised the …
Recital present a reissue of Dick Higgins's Poems And Metapoems, originally released on cassette by New Wilderness Audiographics in 1982. Label head Sean McCann on the reissue: "Since the beginning of Recital, I have been trying to publish the work of Dick Higgins. He is a chief figure in my artistic world, a hero of mine. And now, with the assistance of Charlie Morrow, it has finally happened. The first vinyl album ever published of Higgins! Many know Dick Higgins as the father of intermedi…
This rare & highly collectible original 7" single from 1971 introduced electronic voice phenomena (EVP) to the wider British public. Recorded by Konstantin Raudive & issued to accompany the publication of his seminal book 'Breakthrough - an amazing experiment in electronic communication with the Dead'. Grab yourself a copy in its original sleeve still with the orginal erratum insert plus new sleeve notes from the publisher explaining the origins of this remarkable & highly influential recording.…
Katharina Klement was born in Graz, Austria, and is a ‘composer-performer’ in the field of notated and improvised, instrumental and electronic music. She has participated in numerous crossover projects in the areas music-text-video-performance, several works for mechanically and electronically customised piano, sound installations, and is the founder or a member of many ensembles for improvised and composed music. "In 2014, I spent nine weeks in Belgrade, focusing on the questio…
Magazine is the inaugural issue of Blank Forms' journal, bringing together a combination of never-before published, lost, and new materials that supplement the non-profit's live programs. It is envisioned as a platform for critical reflection and extended dialogue between scholars, artists, and other figures working within the world of experimental music and art. Following "Let Freedom Fry" -- a short statement by Joe McPhee drawing out the contemporary political climate in relation to his pract…
Henry Andersen is a Brussels-based visual artist and composer. Trained as a minimal and reductionist composer under the wings of Peter Ablinger, he moved from music into visual art, writing and sound performances. His debut vinyl is a recording of the longrunning piece ‘Stanzas’ or ‘the Law of the Good Neighbour’. On each side, a pair of his friends reads simultaneously from a list of words. The list is an unfinished result of a word game Andersen has been playing for several years. Stanzas… see…