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Glass Orchestra was a Toronto-based new music ensemble that works exclusively in the medium of glass, employing custom- or hand-made instruments (eg, glass harmonica, flute, xylophone) and 'found' objects (bowls, wine glasses, bottles, tubes, etc). The Glass Orchestra dates its beginnings to late 1977, it was based initially at the Music Gallery and has given many of its concerts in museums and art galleries. The ensemble performed at the Ontario Science Centre in 1979, 1987 and 1988, at Expo 86…
In 2001 Thomas Buckner organized a series of concerts at the Merkin Hall in New York City asking contemporary classic composers to perform together with another artist of their choice. When Robert Ashley – already one of the most anticipated guests – decided to invite his old friend Walter Marchetti to perform together, the peak event of the series was set. It was the first concert of Italian composer Marchetti in the States for more than 30 years.The night of October 25th, 2001, the audience at…
edition limited to 300 copies only, and long sold out now, the spectacular hardcover book and gatefold double LP presentation... "Two years ago Alga Marghen issued the third compact disc by Walter Marchetti, the mysterious and inaccessible De musicorum infelicitate. The edition included a folded poster with the presentation written by Gabriele Bonomo, a series of aphorisms to introduce the listeners to this work. The composer had then decided to let this edition circulate with no extra informati…
bradycard, a medical term means: to have a very slow heart-rhythm, mostly under 60 beats per minute. the soundwork consists of digitally processed hackbrett (cymbalon), a combination of minimal digital soundscapes, fieldrecordings and acoustic phrases. it is built of very slow, from meditative to almost lethargic gestures that bring the mind into a smoothly, flowing state.
This CD contains tracks that are based on works for specific spatial and temporal conditions. Sound installations are very different from compositions for CD, because circumstances differ widely from one situation to the other. In general, my approach to sound installations is more conceptual and systematic than my approach to sound works for CD. The spaces and events involved demand a more specific response to composing than the loudspeakers in my studio …
A surprising release from the radical Fluxus composer, Yasunao Tone
- an encoded description of the visual image in utmost detail. In the
mythical future, somebody can translate the sounds of this compact disc
back into pictures. Personnel: Yasunao Tone and Craig Kendall - image selection and processing; Craig Kendall - computer programming, digital sound creation, manipulation; John D.S. Adams - assistant producer and audio consultant.
rare audio cassette with artist designed black on cream insert and standard cassette casing. Early soundwork by Weiner with music by Peter Gordon. 1 copy available
2006 release. Music: the foundation of that presence in which we find ourselves shows itself as pure negative. Everything is founded on a demonstration of its own negativity: as awareness of its being negative, and does not look for an escape into a future presence that is an objective future, but, accepting its negativity, makes of this self-negation the real act, the true reality -- the true foundation, the real and actual continuity: this is music's sense. Utopia Andata e Ritorno is the…
Limited to 200 copies only, and long out of print nowadays, Walter Marchetti's Bird of Paradise: Hunting in the City. Performance time: from dawn to dusk. Leave your home, with a cool head, and carrying a briefcase full of birdcalls, of the kind used by hunters, as well as a portable tape recorder, slung across your back on a carrying strap. You will use it, at the proper time, to play a tape, which has also been placed in the briefcase. Once outside, you begin your performance of 'The Hunt' by…
Walter Marchetti's Nei mari del Sud may be regarded as the 'epitome' work of all his recent musical output. Firstly for it represents the original re-elaboration of a former work achieved in 1982; secondly, the manipulation techniques here applied rise in the same principles formerly developed for recording the Antibarbarus set of pieces, a cycle to which the new work therefore refers in terms of an ideal continuity, though it preserves some peculiar characters strictly connected with the source…
Writing Aloud is an anthology focusing on the relationship of language to sound, writing to music, and brings together a highly diverse collection of essays, interviews, meditations, visual projects, text-sound scores and audio by some of the leading individuals in the field of cultural and performance studies, experimental music and contemporary art.Starting from the perspective that the sound of the voice is crucial to our perceptions and understandings of language, to the creative possibility…
Archive aural document collection edited by James Nice and originally released via Sub Rosa in 1989. This unique CD compiles over an hour of original sound recordings made between 1912 and 1959 by luminaries from both 20th Century art movements, including: Marinetti, Antonio Russolo, Jean Cocteau, Marcel Duchamp, Wyndham Lewis, Guillaume Apollinaire, Kurt Schwitters, Tristan Tzara, Marcel Janco and Richard Huelsenbeck. Includes musical and interview material, tone poems, and sleevenotes. Artwork…
A third and final collection of lesser-known and infrequently recorded artists living in London. Features: Syngen Brown (all the music is made using second generation sound sources as well as his own environmental recordings), Wits (first release by four women who specialize in live work. Along with their use of conventional instruments -- voice, electronics, keyboards and percussion -- and a dancer, they also fill the stage space with a huge supply of everyday objects that are noisily explored …
An exhibition companion compilation for the exhibit of the same name at San Francisco Museum of Modern Art held September 7-17, 2002. Packaged in a standard jewel case with an O-card and a 24-page booklet.
awesome v/a CD collboration: tracks: 1. Richard Garet | circle | 13:55 2. Dale Lloyd | anamorphic_at | 12:06 3. Jos Smolders | aiolos (vangsaa exterior) | 13:02 4. Ubeboet | THE WAIT | 1:25 5. Ubeboet | DOUBTS | 5:03 5. Ubeboet | WAKING UP (MISTY) | 4:06 limited edition: 300 hand n. edition Richard Garet | CIRCLE | 13:55 The piece is comprised with field re…
For the very first time, original recordings by key artists, writers, poets and theorists are now gathered together on a single volume. The various recordings, made between 1929 and 1963, include poetry, interviews, lectures and manifestos. Most are in the English language, and some in French. Some, such as those by Desnos (1938) and Read (1937), have not been heard since they were first recorded onto acetate discs. The cover reproduces a painting by Yves Tanguy, This Morning (1951)15 tracks, ru…
This is the challenge posed by Julius Nil, Sunday nights on Resonance FM in London. Each episode, Nil invited one guest to choose one piece of music to listen to and talk about. One Reason To Live compiles fourteen insightful, inciteful, conversations with some of the most important and innovative figures in jazz, rock, classical, sound art, cultural theory, and philosophy. Guests include David Toop, John Parish, Kaffe Matthews, Steven Connor, Eric Roth, Scanner, Andrew McGettigan, Brandon LaBel…
Musica Futurista: The Art of Noises" is a 73 minute collection of music and spoken word from the Italian Futurist movement 1909-1935,including original recordings by Marinetti, Russolo and Balilla Pratella. As well as period recordings,including "free verse" readings by Futurist figurehead F.T. Marinetti and the celebrated "intonarumori" created by Luigi Russolo which influenced Stravinsky, Stockhausen and John Cage, the CD includes contemporary performances of other key Futurist works.This is a…