Ssanie W Trabieniu Na Smykalce Do Ciaglego Oddawania
Ssanie w trąbieniu na smykałce do ciągłego oddawania (Sucking in a Honking with Gumption for The Constant Giving Back) is the audiobook version of enigmatic Polish author and poet Andrzej Szpindler’s novel of the same name. Read relentlessly by the author over the course of more than 160 minutes in the high-speed style of the disclaimers that can be heard at the end of pharmaceutical and political advertising, Ssanie is set to the author’s own music (of a sort). Szpindler processes his voice, ho…
Opacity and Oblivion
Yet another incredible offering from one of the most exciting artists working today, Sloowtapes’ latest cassette from Louise Landes Levi - "Opacity & Oblivion" - takes deep dive into her multifaceted world. Joined by Ash Martin and Dok Gregory on various acoustic and percussion instruments, as well as Kelvin Daly on a number of his own custom made instruments, Levi’s poetic utterances and Hindustani tinged vocals weave the etherial, mysterious, and ritualistic into a delicate, droning and percus…
Notes (8 pieces) Source a New World Music: Creative Music
* In process of stocking * This book was published by Corbett vs. Dempsey and The Renaissance Society at the University of Chicago on the occasion of the exhibition: Wadada Leo Smith, Ankhrasmation: The Language Scores, 1967-2015; October 11 - October 29, 2015.
A facsimile of Smith's landmark treatise first published in 1973 in an edition of 200 copies, with two additional chapters of recent vintage and an afterword by John Corbett. Design by Wadada Leo Smith (original publication), Sonnenzimmer…
Graphic: Design Work, 1959–2013
* In process of stocking * Brochure for an exhibition held at Rice University Art Gallery, Houston. October 8–November 14, 2013. Includes an essay by curator John Corbett. Design by Sonnenzimmer. Artist and musician Peter Brötzmann is best known as one of the preeminent figures in contemporary improvised music. He was trained as a visual artist in his hometown of Wuppertal, Germany, in the late 1950s, and his early musical career as a saxophonist and clarinetist was paralleled by his first art e…
Paintings and Objects
Catalog for an exhibition held at Corbett vs. Dempsey, October 26 - November 30, 2007. Includes an essay by John Corbett. Design by Kathi Beste. Artist and musician Peter Brötzmann is best known as one of the preeminent figures in contemporary improvised music. He was trained as a visual artist in his hometown of Wuppertal, Germany, in the late 1950s, and his early musical career as a saxophonist and clarinetist was paralleled by his first art exhibitions in Holland and Germany. Brötzmann assist…
Vinyl Freak: Love Letters to a Dying Medium
From scouring flea markets and eBay to maxing out their credit cards, record collectors will do just about anything to score a long-sought-after album. In Vinyl Freak, music writer, curator, and collector John Corbett burrows deep inside the record fiend’s mind, documenting and reflecting on his decades-long love affair with vinyl. Discussing more than 200 rare and out-of-print LPs, Vinyl Freak is composed in part of Corbett's long-running DownBeat magazine column of the same name, which was dev…
The Workshop For The Restoration Of Unfelt Feelings
Another peach from the STROOM〰 label, this selection of avant-garde pop by NSRD catches the ace Belgian label looking beyond The Lowlands to one of Latvia’s most important, multi-disciplinary groups of the 1980s, sounding out a style somewhere between the slyvan, drizzly post punk of Vazz and the poetic art-pop of Lena Platonos, but with a chilly Baltic air all of its own. Circling core members Juris Boiko (1954-2002) and Hardijs Lediņš (1955-2004), NSRD or The Workshop for the Restoration of Un…
Kivikkat, The Greenland Experience
**100 copies, signed (by Hartmut Geerken) & numbered** Nuuk in the evening. The audience sits at round tables and drinks juices or beer. Kresten Osgood goes to the piano and immediately has the full attention. Hartmut Geerken with anklung, Tibetan short tube, Nubian Argool, Byzantine bells, waterphone and roll piano and the "Snoeleopard" on the electric guitar and various s.e. wind, percussion and string instruments, some of them self-made, answer, accompany, comment, and set new accents. The gr…
Labyrinth – Four Times Through the labyrinth
* 2021 Stock. English version * Transcript of four lectures given in Leipzig in 2010 regarding an installation Olaf Nicolai made in Paris back in 1998. This publication revolves around the theme of the labyrinth and its various manifestations and associations—from the Minotaur to geographical maps and Ikea's assembly instructions.
In 1998, Olaf Nicolai took green plastic brooms used by Parisian municipal employees to build a labyrinth in the “Art Grandeur Nature” exhibition at Parc de La Courneu…
A Forest Petrifies – Diamond Feedback
* 2021 Stock. English edition * The first part of a larger novel in several episodes: a text about the perception of time and how some places mark people's minds. Inspired by the Petrified Forest in Arizona and its ability to change over time from an organic to a mineral state, the story was concieved by the musician and artist Félicia Atkisnon over the past five years, while its on-going writing has been the starting point of many of Atkinson's music lyrics and recent records and exhibitions.
A…
Judy Chicago – To Sustain The Vision
* 2021 Stock. English edition. * Monograph bringing together some fifty works by Judy Chicago and unpublished documents, accompanied by three critical texts by Géraldine Gourbe. Judy Chicago says she wants to live as long as possible; not to transcend her mortal condition, but to be around as her works successively find recognition. A woman holding out against all odds: such is the image of an artist more a visionary than the pioneer she has so often been described as. Unlike the pioneers, Chica…
Studio_L28 – Sonic Perspectives on Urbanism
A multifaceted examination of sound as a central feature in urban planning. Though sound is a central feature within urban life, it still receives little to no attention within processes of urban planning. The main difficulty in integrating sound is that it remains largely immeasurable—decibel levels say little about whether a sound is wanted or not, intrusive or welcome.
Studio_L28 – Sonic Perspectives on Urbanism hooks into the debate here, experimenting with tools and strategies of observatio…
LSD #01 – A Feminist Issue
* Bilingual edition (English / French) * The first issue of the Cahiers du centre national du graphisme, around the relationship between graphic design and feminism. Speaking about Chaumont and its festival, Vanna Pinter once wrote rather modestly, “The graphic design faith has remained in dependable legitimate hands, the hands that ensure the transfer of power.” To act outside of those transfers of power, from a co-opting of use, is to run the risk of a possible delegitimization. Acting on the …
Another time, this time, one time
* Limited release of 500 in heavy weight gatefold jacket. Includes liner notes and fold out poster * Formed in 2016 as the collaborative platform of composer Justin Hicks and artist Steffani Jemison, Mikrokosmos mines the history of Black music. This ongoing project has manifested in many forms: workshop, study session, concert, listening session, book, prompt, score. “Another time, this time, one time,” the first Mikrokosmos LP, uses Gil Scott-Heron and Brian Jackson's “We Almost Lost Detroit” …
Tapuscrits – Poèmes-Partitions, Biopsies, Passe-Partout
* 2021 Stock. French edition * The collection of typescripts of the pioneer of sound poetry: a monument of some 1200 pages that offers an original approach to one of the most inventive, striking and influential poetic works of the second half of the 20th century, through 120 facsimile "scores", revealing for the first time the writing, in its visual and graphic dimension, which precedes and determines public reading. This publication brings together all the typescripts of the Poèmes-Partitions, …
Beyond Sound
* 2021 Stock. English Edition* Exploring the infra-spaces between images, sound, and voice in the work of artist Marcelline Delbecq, in conversation with art historian Pascale Cassagnau (in the framework of the “Beyond Sound” interview series, dedicated to sound arts).
After studying photography in Chicago (Columbia College) and New York (ICP), Marcelline Delbecq (born 1977, lives and works in Paris) graduated from the Beaux-Arts school in Caen (France), then received a masters degree in curator…
Beyond Sound
* 2021 Stock. English edition * This interview with Romain Kronenberg by curator Anne-Laure Chamboissier traces the filmmaker's progression, from his first projects to the most recent, including some currently in development. It reveals the complexity of a body of work where the relationship between image and sound is constantly reinvented with each new creation. (in the framework of the “Beyond Sound” interview series, dedicated to sound arts).
Romain Kronenberg is a film director and composer.…
Aural Tools Box
Lovely wooden box containing the complete series of seven aural tools, each in its own box. Few copies available
Minuzia
Minuzia consists in an acoustic version of an audio installation that the French bassoon player Dafne Vicente-Sandoval had been presenting at a few sound art exhibitions; a handful bassoon cane reeds were regularly soaked into water, and these very thin slices of wood would start crackling in the course of their drying out process. These minute sounds were amplified by contact microphones and listened to through headphones. With an original text by the British anthropologist Tim Ingold.
Score:
S…
Pietra di Langa
Pietra di Langa extends Enrico Malatesta’s investigation on the oscillatory patterns by stones and ready-made objects. It consists in a solid made of concrete, whose shape has been obtained by silicone casting an actual stone.
With an original text by the British anthropologist Tim Ingold:
“Who says that stones cannot speak? Most of us, if asked. We are pretty convinced that stones are inanimate objects, and that they are therefore incapable of moving of their own accord. And without movement, …