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Bass Clarinet

All records with bass clarinet · Solo bass clarinet only

Occam Ocean 1-4
The first four volumes of Éliane Radigue's Occam Ocean on five CDs: solos, chamber pieces and orchestra, all shaped through oral transmission around images of water. Bundle of four Shiiin releases.
Occam Ocean Vol. 1
First instalment of Éliane Radigue's Occam Ocean on two CDs: five solo, duo and trio pieces for harp, viola, birbyné and bass clarinet with Rhodri Davies, Julia Eckhardt and Carol Robinson. With a 40-page booklet.
Vida
Portrait album of Misha Cvijović: nine works from full orchestra to minimoog and tape, played by the Rundfunk-Sinfonieorchester Berlin under Enno Poppe, Ensemble Musikfabrik, Sebastian Berweck and the Trio Splitsignals Berlin.
A Sun of One's Own
Portrait CD of the Iranian composer Elnaz Seyedi: five works for duo, trio and ensemble, played by the Zöllner-Roche Duo, Alice Belugou and David Eggert, Trio Aventure, Ensemble Musikfabrik and the Kommas Ensemble, plus two online videos.
Farzia Fallah
Portrait CD of the Iranian-born composer Farzia Fallah: five works from solo violin to nonet, played by Benedikt Bindewald, the guitar duo Henrik Dewes and Tobias Klich, Sonar Quartett, Ensemble DEHIO and Ensemble Aventure.
Gasser
Portrait CD of Jonah Haven: six chamber and ensemble works, played by Wolftone, Ensemble Proton Bern under Gregor Mayrhofer, ensemble recherche, Trio Catch and Duo XAMP.
Close Up
Peter Brötzmann's Die Like a Dog Quartet with Toshinori Kondo, William Parker and Hamid Drake, live at the Total Music Meeting in Berlin in November 1994: two long pieces, Close Up (Man) and Close Up (Woman).
12+1tet (Victoriaville) 2007
Anthony Braxton's 12+1tet live at Victoriaville on 20 May 2007: Composition No. 361, seventy minutes of layered Ghost Trance writing with Taylor Ho Bynum, Mary Halvorson, Steve Lehman, Nicole Mitchell and others.
Un Moment de Bonheur
Jean Derome and Louis Sclavis share a quartet with Bruno Chevillon on double bass and Pierre Tanguay on drums, live at Victoriaville on 19 May 2001: flutes, clarinets and saxophone on compositions by both leaders.
Rub Harder
Vancouver's Hard Rubber Orchestra led by trumpeter John Korsrud, with guests Lori Freedman, Marilyn Lerner and Brad Turner: new big band music by Korsrud, Turner, Jean Derome, René Lussier and Ron Samworth, recorded in 2000 and 2001.
I Dream of You Jumping
Fred Frith on guitar, Louis Sclavis on clarinets and soprano saxophone, Jean-Pierre Drouet on percussion and objects, live at Victoriaville on 21 May 2000: one extended improvisation from abstract textures to folk-like melody.
East Off Europe: Closing the Circle
Boris Kovač and the Ritual Nova Ensemble from Novi Sad: saxophones, clarinets, violin, piano, bass and soprano voice in a chamber music that joins Pannonian folk memory, minimalist repetition and jazz.
Confitures de Gagaku
Jean Derome's written music for a Montreal ensemble of flutes, clarinets and saxophones with bass, drums and percussion, recorded at Studio Victor in 1988. Composed jazz with a nod, in the title, to Japanese court music.
Speaking In Tongues
One day in a Paris studio, December 1997. David Murray goes back to the gospel church of his Berkeley childhood with Fontella Bass, the voice of Rescue Me and the Art Ensemble's Theme de Yoyo, over Hammond B3, electric bass and guitar. Amazing Grace, How I Got Over, and Murray's own twelve-minute Missionary.
Steppenwolf
Chicago, Steppenwolf Theatre, 1 March 1999. The World Saxophone Quartet plays a full concert and the tape stays in a drawer for three years. Justin Time released it in 2002 as Steppenwolf, and it turned out to be the last record John Purcell made with the group. The WSQ mostly recorded in studios. A live album from this period is a different animal: the pieces stretch out, the four players introduce their own tunes at the microphone, and Oliver Lake reads a spoken narrative. Jim Santella at All …
Experience
Eight Jimi Hendrix songs for four saxophones, plus trombone, violin, electric bass and drums. Experience was recorded over three days, 13 to 15 March 2003, and released by Justin Time in 2004. By then the World Saxophone Quartet had a new fourth voice. Bruce Williams, on alto and soprano, had replaced John Purcell alongside the three founders, Hamiet Bluiett, Oliver Lake and David Murray. For the Hendrix material they brought in a rhythm section: Matthew Garrison on electric bass, Gene Lake (Oli…
Mingus In Europe Volume I
Wuppertal Stadthalle, 26 April 1964: the Mingus sextet with Eric Dolphy, Clifford Jordan, Jaki Byard and Dannie Richmond, two months before Dolphy's death. A 37-minute Fables of Faubus, the Dolphy-Mingus duet Starting, and Meditations. Issued by Enja in 1980; the CD adds Meditations.
Vintage Dolphy
Eric Dolphy live in 1962-63, in Gunther Schuller's Twentieth-Century Innovations series at Carnegie Hall and in Syracuse: his own quartet with Richard Davis and J.C. Moses, three Schuller third-stream pieces with strings and Jim Hall, and a Donna Lee jam with Phil Woods, Benny Golson and Don Ellis.
Berlin Concerts
Berlin, 30 August 1961, two Südwestfunk sessions: Eric Dolphy at 33, on his second European trip, with Benny Bailey, Pepsi Auer, George Joyner and Buster Smith. Hot House, Hi-Fly, God Bless the Child on bass clarinet, and Dolphy's own G.W. and 245. Unheard until Enja issued it in 1978. Christgau gave it an A.
Transfiguration
1967. Joachim Kühn had left the GDR the year before and settled in Hamburg; Rolf Kühn, his elder brother, had come back from six years in New York (Benny Goodman, the Tommy Dorsey band) to run the NDR television orchestra. They had already played Newport together. Transfiguration, on SABA, is the Rolf + Joachim Kühn Quintet with Karl Berger as guest on vibraphone, made in the months before Joachim moved to Paris for good. It sits between two records the brothers made the same year: Re-Union in B…
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