★Aerophonic Records
Propulsion
Propulsion is the debut album by a stellar quartet of journeymen Chicago improvisers assembled by saxophonist and Aerophonic Records founder Dave Rempis. Vibraphonist Jason Adasiewicz is known for his extensive work with the late Peter Brötzmann, Hamid Drake, Mike Reed, and his own trio Sun Rooms. Bassist Joshua Abrams is the leader of Natural Information Society, perhaps the best-known group internationally to emerge from Chicago over the last decade. He also maintains longstanding relationship…
GNASH
"This overdue duo record by longtime colleagues Tashi Dorji (guitar) and Dave Rempis (saxophones) is a monument to the endless musical curiosity that links them. These two come at it from remarkably different backgrounds – Dorji combining his Bhutanese ethnicity with a love for metal, punk, American blues and folk, and anarchist political theory, with Rempis riding the outer edges of the jazz world throughout his career, while also inspired by his Greek ethnicity and a longstanding interest in f…
Truss
It’s not often that Aerophonic Records has put out recordings by bands that are first-time groupings. There are a few notable ones, including AR024 and 026 – Of Things Beyond Thule Volume 1 and 2 featuring Joe McPhee, Tomeka Reid, Brandon Lopez, and Paal Nilssen-Love. Another one was AR029 Stringers and Struts with Jeff Parker, Ingebrigt Håker Flaten, and Jeremy Cunningham. Those lineups and performances were just too stellar to let them pass without being documented (and those records are all l…
Smash And Grab
When Ballister hit the stage at the Catalytic Sound Festival in Chicago in December 2022, no one in the band was quite sure what to expect. Although they’d done a two-week tour of the US in April of that year, their first reunion following an almost three-year break due to the pandemic, you never know what might happen after several months apart. Sometimes that first gig is magic. And sometimes it swims around searching for a center. That’s just a danger of the art form.
But drummer Paal Nilssen…
On The Blink
Tip! This brand new transatlantic collaboration unites three renowned improvisers in a stellar first time matchup. Electric bassist Farida Amadou’s stratospheric rise over the last several years has been shaking the roofbeams of the European improvised music scene. She’s participated in high flying collaborations with heavyweight improvisers like Peter Brötzmann, Steve Noble, and Thurston Moore, many of which have been documented on the Antwerp-based Dropa Disc label. She's also been touring rel…
Harvesters
This new album was recorded in March of this year, as The Rempis Percussion Quartet made their debut in France after 15 years of touring almost everywhere else across Europe. At the generous invitation of programmer Antoine de la Ronciere at Le Petit Faucheux in Tours, the band was the test pilot for a collaborative project amongst five venerable venues for improvised music in France. In a tightly packed week-long schedule, the band performed in Tours, Poitiers, Brest, Nantes, and Lyon, while a…
Scirocco
Dave Rempis and Tim Daisy are two musicians whose work together over the last 25 years has been the cornerstone of countless improvising bands: Triage, Vandermark Five, Rempis Percussion Quartet, The Engines, Earscratcher, and their longstanding duo, to name a few. Over the last decade they’ve purposely found ways to shake their interaction up, reconstructing and redefining the possibilities to keep the music moving forward. Part of that approach has involved bringing in countless musicians as g…
Earscratcher
This newfound quartet was conceived in 2019, as a way to celebrate Austrian pianist Elisabeth Harnik’s 50th birthday in 2020. For the occasion, Harnik called on several longtime collaborators from Chicago with whom she’d connected at the Umbrella Music Festival back in 2008, on her first visit to the city. Since that time, she’s continued to stoke the fires she started there, not only in various collaborations with these three musicians, but also with Chicago legends like Ken Vandermark, Michael…
Allium
Allium is the second recording by this chamber trio, a follow-up to their critically acclaimed 2018 release Ithra. On that record they made a singularly powerful statement delving into non-soloistic group interaction and compositional development in a free-improvised context. Allium ventures even further down that fertile path.
In fact it’s frankly difficult to believe these pieces weren’t pre-composed and rehearsed at length. The beginnings, endings, development, and structure of each one demon…
Scylla
This fourth record by the long-standing improvising ensemble Rempis/Abrams/Ra, and the third featuring now-regular band member Jim Baker, was recorded in a watershed moment for these musicians during a pandemic that had gutted lives across the planet. After 15 months of being closed to the public, the band's home base Elastic Arts had re-opened for live events. And Rempis decided to relaunch his weekly Thursday-night concert series, a hub of the Chicago scene since 2002, with a performance by th…
Astragaloi
This trio didn’t know how lucky they had it. They were certainly happy to perform again when this concert was recorded at the ArtActs Festival in St Johan Austria in early March 2020. Although their first outing was back in 2013 in Harnik’s hometown of Graz - a live concert broadcast through the Austrian National Radio/ORF, the band has had a sporadic performance history. So the opportunity to reunite for this festival performance was already special. Little did they know what lay ahead though, …
Bennu
Rempis and Ra have worked together for about fifteen years. Most regularly since 2012 in their trio with Joshua Abrams, which expanded into a quartet in 2016 with the addition of pianist Jim Baker. That band is a real working unit, having performed dozens of gigs in Chicago and abroad, and releasing three critically-acclaimed records, also on Aerophonic: Aphelion (2014), Perihelion (2016), and Apsis (2019). The diligent work these two improvisers have put in together in that context has slowl…
All Your Ghosts In One Corner
From March 8th-14th, 2020, Kuzu was on a seven-concert tour of the United States in the South and Midwest. During that week it became apparent in this country that the world was on the brink of a crisis unknown to humanity for almost exactly a century. In those seven days, the feeling on the street changed from one of anxiety to one of impending doom. By the time the band arrived at Elastic Arts on Thursday, March 12th, their home base in Chicago, it was clear that these would be the last concer…
The Covid Tapes
Aerophonic Records presents The Covid Tapes by Dave Rempis, Tomeka Reid, Joshua Abrams, Tim Daisy and Tyler Damon. All music recorded between May and September 2020 during the COVID era. Solo tracks recorded by Dave Rempis at Unity Lutheran Church, Chicago. Rempis/Daisy Duo recorded by Dave Zuchowski at the Sugar Maple, Milwaukee. Rempis/Reid/Abrams, Rempis/Abrams/Damon, and Rempis/Damon recorded by Matt Butchko at Margate Park, Chicago. Mixed and mastered by Dave Zuchowski. Design by Johnathan …
Spectral
** 2021 Stock ** Aerophonic Records presents Spectral by Dave Rempis, Darren Johnston and Larry Ochs. This free-improvising trio came together in the fall of 2011, when Rempis journeyed to the West Coast to discover some things about his compatriots on the Bay Area improving scene. Trumpeter Johnston, a frequent visitor to Chicago, where the two had collaborated in several different settings in the years prior, suggested this trio lineup for a performance at Oakland’s Uptown Nightclub. Although …
Purple Dark Opal
Purple Dark Opal is the second release by the working trio Kuzu, a band whose deep roots in disparate musical traditions delivers a sound that’s not only new, but totally organic. Saxophonist Dave Rempis is best known for his work in the improvised music scene in Chicago, often exploring areas at the farthest edge of the jazz tradition. Guitarist Tashi Dorji, a native of Bhutan, came up through the active noise scene in his home base of Asheville, NC. The last decade has found him deep in that w…
ICOCI
This transatlantic trio combines musical sensibilities derived from their experiences in two world capitals of improvised music, Chicago and Amsterdam. Rempis and Rosaly, both longtime staples of the Chicago scene, have partnered for more than 15 years, most significantly in the Rempis Percussion Quartet and Rempis/Rosaly Duo. The two met guitarist/bassist Jasper Stadhouders at the Moers Festival in 2009 where the three shared a stage on the legendary “morning sessions.” Despite being only 18 ye…
Empty Castles
Empty Castles is the third document of Spectral, a working horn trio split between the cities of San Francisco and Chicago that’s been active since 2012. As with their previous two releases, 2014’s self-titled debut, and 2016’s digital-only Neutral Nation, this new recording showcases a free improvising band that fully embraces the term “instant composition.” While their performances are known for thoughtful pacing and development, methodically spinning off complex structures from scratch with a…
Lattice
** In Process of Stocking ** Dave Rempis is a mid-career artist whose deep roots in the Chicago improvised music scene have by now stretched themselves out across the world through his multiple ongoing collaborations. But he waited a long time to put out this first solo recording. Highly aware of the singular statements in this context put forth by artists such as Coleman Hawkins, Eric Dolphy, Anthony Braxton, Steve Lacy, Joe McPhee, Evan Parker, Ab Baars, and Mats Gustafsson to name just a few,…
Cochonnerie
** In Process of Stocking ** Aerophonic Records presents Cochonnerie by The Rempis Percussion Quartet. With a band that’s been around for thirteen years, one might reasonably ask with a new recording, what’s new here? Are there now dance beats superimposed on the music? Maybe some electronics? A different instrumentation, or perhaps some special guests? The answer on this recording – the eighth official document of this improvising quartet since it started in 2004 - is a resounding no. It’s the …