★Anomalous Records
Views
*2023 stock* Views was conceived in January 2003. Recordings were done for track: 1 in January, for track: 2 in February, and for track: 3 and 4 in March 2003. Final Mix: April 2003. All 4 pieces are based on three or four instrumental improvisations by RLW, re-constructed by spontaneous mix afterwards. Track: 1 is recorded with tone-generator (TG 77) using self-programmed sounds. An early version of the sounds had been created for the CD" ACHT (1992). The programs have been designed to be contr…
Wuwei
*2023 stock* "From the beginning, the focus of the orchestra has been on listening, and improvising in the moment. A group of people truly playing together and focusing intently on the present can be a powerful thing. the use of natural objects (stones, shells, pine cones etc.) as opposed to more conventional musical instruments, can help the players to not fall back on learned habits of musical play. There is no canon or book of rules to refer to when using everyday things as sound makers, and …
Reprint
*2023 stock* 2003 release, available again. "Reprint was originally released on cassette by Snatch Tapes in 1980 and was credited to an unknown duo called Claire Thomas & Susan Vezey. Claire and Susan were infact a figment of Snatch Tapes founder Philip Sanderson's imagination. In addition to running the label, Philip was one half of the DIY electronic group Storm Bugs, and regularly collaborator with a then unknown musician by the name of David Jackman (one of these tracks they did together was…
Natura Naturans
*2023 stock* 'A CD of one man improvising on his self-designed and built instruments. Stringboards are essentially hunks of cast-off wood with tuning pegs and guitar strings attached. That description does not prepare one for what they sound like though. Distant bells, odd filings and ratchetings, electrical sounding buzzes, (these are acoustic instruments), giant out-of-tune dulcimers, prepared guitars, warped blues records...all these and more are conjured from these simple devices at the hand…
Musique Actuelle 1990
*2023 stock* 'This rare live appearance of the reclusive Biota collective was recorded in 1990 at Montreal Musiques Actuelles in Quebec, Canada. Although the performance has its moments, overall it serves as a reminder that Biota, at their best, were and are a studio creation that owe much of their magic to the electro-acoustic alchemy of founding members Mark Derbyshire and especially William Sharp. The group makes a valiant attempt to capture the dense, disorienting studio processing in the li…
4/25/05 @ Mshoehome
*2023 stock. 200 copies limited edition* Matt Shoemaker was a talented electronic musician and visual artist who sadly passed away in 2017. As a memorial tribute to him, Anomalous Records has been brought back to release this archival recording of Matt in collaboration with Eric Lanzillotta. This duet was recorded live at Matt's apartment and consists of one hour and fourteen minutes of reverberant cosmic music created with Moog synthesizer and other electronics. The sounds are abstract and beat…
Untitled
First full LP of new material from Dean Brown's Little Skull project since 2019's 'A Light in the Window Will Guide Us Safely Home' on Planam.
I Am As I Have Spoken
* Edition of 198 * Bladder Flask were an oddball English collective (rather than a group) who were active in the early-mid 1980s and included a teenaged Richard Rupenus (who later formed The New Blockaders.) In 1981 Bladder Flask issued their one and only LP, 'One Day I Was So Sad That The Corners Of My Mouth Met & Everybody Thought I Was Whistling' on their own Orgel Fesper Music label which was described as, ‘...A mind-boggling Fluxus, Dada, Improv, Sound Art lunacy as if Bladder Flask were p…
O.T.R. And U.T.R.
* Limited edition of 157 copies (of which only 100 are for sale) with unique hand made collages on every cover * In Steve Roden's onw words: "a few years ago, my mother gave me a small stack of 45s of some of her favorite songs as a kid; chuck berry, the platters, and others. when i began to listen to the records, i was not only excited about the music, but the surface-scuffs from my mother¹s repeated listening over the years of wear and tear.the source for u.t.r. and o.t.r. is a recording of '…
Field Tracker
Field Tracker was recorded at the Institute for Electronic Art, Alfred NY during the Winter of 2000. Inoue, utilizing his digital sound processing systems in combination with bells, guitar, and other odd sound making objects, constructed tiny improvisational sound moments each one having a shape and gesture of their own. These micro compositions were at times highly abstract and noisy and at other times extremely melodic and calm. Many of these micro compositions were used in the production of h…
Period
Jonathan Coleclough is a relatively new Deep Listening composer, but one who deserves a place with the experimental Ambient pantheon that glorifies the work of Pauline Oliveros, Brian Eno, and :zoviet*france:. 'Period,' a vinyl only release and his third solo album, draws all its sounds from a Bluthner grand piano. With each key that Coleclough strikes, he has rigged up an undefined set-up (perhaps a series of interlocking delay pedals creating a delicate feedback loop or an ac…
Staggered Stasis
2004 release, available again. "Over the last two decades, Ellen Fullman has been perfecting her Long String Instrument. This unique instrument of her own design is some 80 feet in length and played by literally walking through it. The resulting sounds are beautiful gliding tones with a rich harmonic content. The CD presents two works from her time in Austin, Texas in the late 1980's which beautifully display a sound you can get inside of. These long tracks envelope you in their cascading overto…
Lung Cleaner
I created Lung Cleaner for Eric Lanzillotta when he was sick with a serious lung infection which lasted for months. I hoped to help him recover by imagining a "sonic cure", an "art pill". The work continued after his illness and the notion of using metaphor as a compositional starting point has, at this time, formed the basis for all my sonic research and composition. Some other points of departure: Digital structuralism, modular systemic processing, solitary parameter based interactive perform…
At the Roundhouse
The International Carnival of Experimental Sound, or ICES '72 for short, was an ambitious festival sprung from the mind of Harvey 'Job' Matusow (1926-2002). Jumping off from his associations with the influential Source magazine, Harvey brought together over 300 artists from more than 21 countries to perform in London, England over the course of two weeks in August of 1972. Based on the theme of Myth, Magic Madness and Mysticism, he assembled an amazing diversity of performers working in diverse …