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A founder member of Soft Machine, Kevin embarked on a solo career in 1969, signing to EMI’s Harvest label and recording the album ‘JOY OF A TOY’ the same year. It is a mark of Kevin’s stature that his recordings during this period would feature contributions from notable musicians such as arranger and keyboard player David Bedford, Robert Wyatt, Syd Barrett, Mike Oldfield, Lol Coxhill, Steve Hillage, Archie Legget and more.
This boxed set includes all of the surviving BBC sessions and In Concer…
A founder member of Soft Machine, Kevin Ayers embarked on a solo career in 1969, signing to EMI's Harvest label, for whom he would record a series of wonderful and stylistically eclectic albums. 'Whatevershebringswesing' was issued in November 1971 and saw contributions from David Bedford, Robert Wyatt and Mike Oldfield. Featuring such classic tracks as 'Stranger in Blue Suede Shoes', 'Song from the Bottom of a Well' and 'Whatevershebringswesing', the album is regarded as one of Kevin's finest. …
"The soundtrack to the Residents' long awaited new feature film Triple Trouble. Seven collaged suites of brand-new Residents music, film dialogue and one or two familiar themes. Triple Trouble the movie will be appearing at film festivals and art house cinemas near you throughout 2022. 'From priesthood to plumber: In the wake of his mother's death, an idealistic but emotionally isolated man replaces his belief in God with a faith in fungus...' The Residents present Triple Trouble, the soundtrack…
An original member of Soft Machine, Kevin Ayers embarked on a solo career following a US tour with the Jimi Hendrix Experience in 1968. He was one of the first signings to EMI’s Progressive imprint Harvest and recorded his debut album in the Summer of 1969 at Abbey Road studios.
‘Joy Of A Toy’ is a classic of psychedelic and progressive rock, featuring contributions from his former Soft Machine band mates, David Bedford and such wonderful songs as ‘The Lady Rachel’, ‘Stop This Train (Again Doing…
Tip! Commercial Album is an album released by art rock group the Residents in 1980. It is commonly considered a follow-up to their 1978 album Duck Stab/Buster & Glen, in that it retains the former album's pop-oriented song structures. The album contains 40 songs, each lasting exactly one minute - a deliberate allusion to Top 40 mainstream radio. The album's liner notes state that, to form a complete pop song, tracks from the album should be played three times in a row.
The album features a numbe…
Tip! In 1979 "punk" music was all the rage. The Residents had gone though the punk stage three years earlier with the release of "Satisfaction" and were ready for anything that was not punk. They decided it was a good time to make the jump into world music, since by their own calculations it would not become popular for several more years. They scanned the map for a proper culture to exploit and, not finding one, became discouraged until seeing a large Coke sign featuring Santa Claus. Immediatel…
Tip! This is one of the strangest and most interesting recordings in rock history, which speaks volumes coming from one of the strangest and more interesting bands in rock history. Not Available used what was referred to as "the theory of obscurity" (which called for the album to not be released until its makers literally forgot about its existence). It is said to be, questionably, the Residents' second recorded album (in 1974, only to be released in 1978 after utilizing "the theory of obscurity…
Limited five CD set. First-ever complete anthology of splinter group from the original Procol Harum line-up. Includes all five of the band's albums plus singles, out-takes and alternative versions. Just as 'A Whiter Shade Of Pale' was establishing itself as the definitive summer-of-1967 hit, new kids on the block Procol Harum acrimoniously parted company with guitarist Ray Royer and drummer Bobby Harrison. Royer and Harrison used their Procol pay-off to assemble a new band that they pointedly ch…
3 LP set with the 1974 original mono mix (record 1), the 1977 stereo mix (record 2), and outtakes / ephemera (record 3) Formed in the early 1970s, The Residents have now been charting a unique path through the musical landscape for half a century. To commemorate their 50th Anniversary, the group revisit their 'classic' early period, presenting here the first in a series of expanded vinyl reissues featuring previously unreleased and newly rediscovered 1970s material from their ever-expanding arc…
Produced with The Cryptic Corporation, and with full access to The Residents' extensive tape archive, teaming up with PledgeMusic, The Residents is releasing not just a new album but a completely new concept: I Am A Resident! After inviting their fans to create original versions of the band's songs, The Residents were blown away by the submission of 197 amazing pieces of music. Stimulated by this outpouring of creativity, the group molded this material into the ultimate mashup: editing, looping,…
Featuring artists as diverse as The Residents, Robert Fripp, XTC’s Andy Partridge, Pete Seeger, Robert Wyatt and The Pretenders’ Martin Chambers, as well as cover artwork contributed by Ralph Steadman, Morgan Fisher’s 1980 release “Miniatures” truly was a first.
Overwhelmed with concepts for potential releases, Fisher decided to see how many of these ideas he might be able to squeeze onto just one album. Rather than performing everything himself, he invited 50 musicians he admired to send in tra…
To celebrate the 40th anniversary of "Eskimo", The Residents present a unique collection of the album's constituent parts, and encourage their public to remix and rework the album. Including over seventy individual musical elements, chants, loops and sound effects recorded on location by the group in the mid-late 1970s, plus a backing CD of Arctic wind noise, this remarkable set provides unprecedented insight into the three years' recording and construction of a legendary album, and an opportuni…
2019 repress. Originally released in 1968, and selling less than 500 copies -- according to Robert Fripp's royalty statements -- The Cheerful Insanity of Giles, Giles, & Fripp is, of course, the pre-cursor to King Crimson. Drawing its influence from folk, pop, classical, and religious music, the album is a masterpiece on par with the greatest records that the British psychedelic and progressive movements had to offer. Reissued on LP by Cherry Red Phonograph.
Third Noise Principle, a four CD box-set that covers nine crucial years in the development of electronic music in North America. The huge tracklist doesn’t just stick to one area (e.g. academic electronics or the nightclub), but includes all kinds of different areas, from Smegma and Suicide to The Residents and Laurie Spiegel. Top value release. A fantastic entry in the Close To The Noise Floor series – one that looks at early American experiments with electronics – but from the DIY generation t…
Cherry Red Records are very proud to be working together with Momus again, following on from the success of their 2016 collaboration, Pubic Intellectual – An Anthology 1986-2016. Named after the Greek god of mockery, Momus is prolific Scottish songwriter, author and journalist Nick Currie, who has now been releasing critically acclaimed music in a style all of his own for over thirty years. Momus’ first three classic albums for Creation Records have now been compiled together in one very a…
A triple CD compilation put together by Jah Wobble himself that focuses mainly on his earlier releases on his own 30 Hertz label and his more ambient productions. Features tracks from his collaborations with Philip Jeck and Jaki Liebezeit, and Evan Parker. A great affordable introduction by the man himself.labe
The brilliant third album from Mike Westbrook – a sharp-edged, two volume set with a scathing anti-war theme! The work is Westbrook's first total-concept album, and it's still one of his best – written with an edge that's free from some of the more whimsical touches that showed up in Mike's later years, and played by a core group of British avant soloists with searing intensity! You've never heard large group scoring like this – bold, ambitious, and quite different than most of what's c…
Two years in the making, Close To The Noise Floor is a 4CD, 61-track set exploring the origins of electronica in the UK. Featuring tracks from key figures on the cassette label underground alongside early releases by future stars of the movement, this is part primitive rave, part synthesiser porn and part history lesson. Enthralled by the mysterious electronics of Pink Floyd, Hawkwind, Gong and German Kosmische artists such as Tangerine Dream, Harmonia and Cluster, and inspired by the DIY …
Three British albums produced by Peter Eden and released in one year – 1970-1971 – are the matter of this attractive box set, with contributions from legends of British jazz and indeed classical giants – bassist Barry Guy (born 1947) has since made a name for himself in the more lofty world of early music, though not exclusively so.
Saxophonist Mike Osborne’s Outback is the first of the discs, a bold, explorative record comprising just two tracks from his trio, the first of which, So It Is, …
Music from the Original Motion Picture Score, composed, arranged and conducted by Piero Piccioni. Vocals: Lydia MacDonald, Alberto Sordi, I Cantori Moderni di Alessandroni. This masterful composer collaborated many times with Sordi, writing themes that were to became Albertone's career trademarks; "Marcia di Esculapio" from the movie "Il Medico della Mutua" and "Rugido Do Leao" from "Finché cé guerra, ce speranza" (which was used later for a series called "TV Storia di un Italiano").
Th…