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**500 copies** This 2LP set presents the very first - and long unavailable - Chop Shop recordings, remastered by Scott Konzelmann. LP one is a remastering and reworking of Power Pieces Positive Force from 1987, originally a 90-minute cassette released in an edition of 60 copies. However, as 20+ minutes have been reissued as the A Different Kind of Connie 3″ MiniCD-R, and another 30 or so minutes involved large swaths of sampling that would have raised serious copyright infringement / clearance i…
CIP is pleased to present the debut pro-pressed solo CD by Jason Soliday, one of Chicago's finest sound creators - manipulators - disentigrators. I've known Jason for coming up on 13 years- -his gunshop duo was one of the first live noise performances I saw when I moved to Chicago, and over the years I've witnessed many of his projects. In the last few years, though, I feel Jason really hit a stride with his home-built - customized analog synths, and this disc reflects his sensibilities: sharp e…
Jason Zeh is a hands-down master of cassette tape and cassette playback devices. Using magnets, metal, plastic, car stereo tape adapters, cassette players without tape, cassette tape loops, modified tape decks, and sand paper (among other devices), Zeh creates two tracks that swim through hiss, grit, and wavering, fractured soundwaves to create some of the most engaging audio I've had the pleasure to hear. This recording reflects not only Zeh's dedication to mastering and refining his source mat…
40+ min of heavy machinery pounding, hissing, and vibrating, plus a bonus 63 minute CDR of the dronier side of machines at work. If you enjoy artists like Vivenza, Matt Heckert, early Esplendor Geometrico, or Chop Shop, this might be right up your alley. "Unlike a lot of recordings of natural and dissonant phenomena, Fait a la Machine works just as well as a piece of music as it does an audio documentation of the world surrounding us. It makes that leap from interesting to enjoyable in a way…
Debut CD from one of Chicago's finest modular synth manipulators, Neil Jendon.One of the first things that struck me about Neil's work, when I saw him live, was his pacing. Neil would subtly build levels and layers of various oscillations, frequencies, and tones so deftly that by the time he was sending a hailstorm of electronic chaos out of the PA like buckshot, you almost had no recollection of how he got there without you being aware of it. 'Corporate laughter' reflects many of Jendon's fant…
Back in stock in very limited quantity. 'Francisco Lopez is perhaps best known for his dynamic studio and live performances that sway between crushing silence and dynamic, shifting volume swells. Over the course of 25 years, Lopez has developed and honed a refined audio lexicon. Michael Gendreau entered the experimental sound community in the early 1980s with his project Crawling With Tarts. As a solo artist, Gendreau caught everyone s attention with the 2002 release of his CD 55 pas de la ligne…