★ECM Records
En Attendant
*2024 stock* “There’s a galaxy of piano trios in today’s jazz universe,” the BBC Music Magazine has noted, “but few shine as bright as Marcin Wasilewski’s”. On its seventh ECM album the multifaceted Polish group illuminates a characteristically wide span of music. On En attendant, collectively created pieces are juxtaposed with Wasilewski’s malleable “Glimmer of Hope”, Carla Bley’s timeless “Vashkar”, The Doors’ hypnotic “Riders On The Storm” and a selection from Johann Sebastian Bach’s Goldberg…
Playing The Room
*2024 stock* Playing The Room bears testimony to the long musical friendship of Avishai Cohen and Yonathan Avishai. They began to explore jazz as teenagers in Tel Aviv, and have continued to play together over many years, with Yonathan making important contributions to Avishai’s group albums Into The Silence and Cross My Palm With Silver on ECM. Their first duo album begins with music composed by the trumpeter and by the pianist and concludes with a touching interpretation of Israeli composer Al…
Big Vicious
*2024 stock* Charismatic trumpeter Avishai Cohen launched his exuberant, home-grown band Big Vicious six years ago, after relocating from the US to his native Israel, rounding up players to shape the music from the ground up, and co-authoring much of its newest material together with them. The group is an association of old friends. “We’re all coming from jazz, but some of us left it earlier”, Avishai says, summing up the stylistic reach of his cohorts. “Everyone’s bringing in their backgrounds…
Garden Of Expression
*2024 stock* The debut album of Joe Lovano’s Trio Tapestry was one of 2019’s most talked-about releases. The trio’s musical concept – the Boston Globe spoke of “utterances of hushed assurance, lyricism and suspense” – is taken to the next level on its second album, Garden of Expression, a recording distinguished by its intense focus. Lovano, a saxophonist whose reach extends across the history of modern jazz and beyond, plays with exceptional sensitivity in Trio Tapestry. And the music he wri…
Conspiracy
A new ECM studio album and a programme of new music from Terje Rypdal is cause for celebration. On Conspiracy the great Norwegian guitarist seems to reconnect with the wild inspiration that fuelled such early masterpieces as Whenever I Seem To Be Far Away, Odyssey and Waves, exploring the sonic potential of the electric guitar with both a rock improviser’s love of raw energy and a composer’s feeling for space and texture. Keyboardist Ståle Storløkken, who contributed to Terje’s Vossabrygg and Cr…
The Epidemics
The Epidemics is an album by Indian violinist L. Shankar and British vocalist, keyboardist and composer Caroline recorded in February 1985 and released on ECM the following year.Elsewhere's Graham Reid included the album in his list of "10 Unusual ECM Albums of the Eighties I Own," and remarked: "This is a kind of post-punk electro-pop outing... Synth pop with very little catchy pop, emotionally flat vocals by Caroline, widdly rock guitar by Vai and bassist Jones probably wondering why he was do…
I Took Up The Runes
One of the Norwegian saxophonists most outgoing dates, the best-selling “Runes” also marked the first appearance of Manu Katché with the Jan Garbarek group. Centerpiece of the album is the five-part “Molde Canticle”.
M.R.C.S.
Original 1991 LP edition. Singer, harmonica virtuoso, and keyboardist Karen Mantler has inherited her father, Michael Mantler's sense of whimsy and her mother, Carla Bley's musical fearlessness -- not to mention her electric-shredded-wheat hairstyle. Although Mantler's debut album was produced by Bley and new husband Steve Swallow and features fellow avant-jazz offspring Eric Mingus as co-lead vocalist and Jonathan Sanborn on bass, 1989's My Cat Arnold isn't quite jazz, but it's not exactly pop …
Seven Songs For Quartet And Chamber Orchestra
Sounding as fresh today as it did in 1973, Seven Songs places the Gary Burton Quartet in an orchestral context, with compositions of Michael Gibbs – inspired by Messiaen and Charles Ives as well as Miles and Gil Evans – and exceptional soloing by Mick Goodrick, Steve Swallow and Burton himself. The production is exemplary: Seven Songs set a new standard for recordings of orchestral jazz.
While there is still a handful of ECM titles from vibraphonist Gary Burton that remain unreleased on CD, perh…
Return From The Stars
Mark Turner’s writing for his quartet on Return from the Stars (titled after Stanislav Lem’s science fiction novel) gives the players plenty of space in which to move, on an album both exhilarating and thoughtful in its arc of expression. Solos flow organically out of the arrangements and, beneath the often-dazzling interplay of Turner’s tenor and Jason Palmer’s trumpet, the rhythm section of Joe Martin and Jonathan Pinson roams freely. Although Turner has been a frequent presence on ECM in c…
Lonely Shadows
After critically-acclaimed ECM recordings with the Maciej Obara Quartet (Unloved, Three Crowns), Polish pianist Dominik Wania delivers a solo album recorded in November 2019 in Lugano. Wania’s sensitivity to touch, tone and texture is informed by his classical background. But he also has the in-the-moment instincts of a great improviser, acutely focused on the unfolding details of the music in the responsive interior of the Auditorio Stelio Molo studio. The balancing of influences from both disc…
Human
In its review of pianist Shai Maestro’s ECM leader debut The Dream Thief, All About Jazz spoke of “a searching lyrical atmosphere, emotional eloquence and communal virtuosity that serves the music.” All of which also applies to Human, where Maestro’s outgoing, highly-communicative band with fellow Israeli Ofri Nemya on drums and Peruvian bassist Jorge Roeder becomes a quartet with the inspired addition of US trumpeter Philip Dizack. Shai’s expansive pianism is well-matched by Dizack’s alert, …
Uneasy
Vijay Iyer presents a powerful new trio, in which he is joined by two key figures in creative music, Tyshawn Sorey and Linda May Han Oh. “We have an energy together that is very distinct. It has a different kind of propulsion, a different impulse and a different spectrum of colours”. Repertoire on UnEasy, recorded at Oktaven Audio Studio in Mount Vernon, New York in December 2019, includes Iyer originals written over a span of 20 years, plus Geri Allen’s “Drummer’s Song” and a radical recasting…
Entendre
A fascinating solo album from the Swiss pianist, composer and conceptualist best known as leader of the bands Ronin and Mobile, Entendre offers deeper insight into Nik Bärtch’s musical thinking. As the album title implies Entendre is about hearing as a creative process, referencing the patient unfolding of Bärtch’s modular polymetric pieces, with alertness to the dynamics of touch, finding freedom in aesthetic restriction, serving the flow of each piece’s development while also taking the music …
Vermillion
Kit Downes joins forces with long-time collaborators Petter Eldh on bass and James Maddren on drums for a carefully assorted piano trio programme that treads gentle lyricism and bold creative outbursts in equal measures. Downes, whose prior ECM offering Dreamlife of Debris was termed a “work of otherworldly beauty” by BBC Music Magazine, carves out some of his most compendious pieces to date on Vermillion. Replete with subtle twists and turns, the trio offers its idiosyncratic take on the piano …
It's Always Now
Ralph Alessi’s fourth appearance as a leader for the label follows a singular album run that’s been met with nothing but praise from The New York Times to The Guardian. The latter lauded Ralph’s previous recording Imaginary Friends (2019) for its “elegant balance of poignant, playful original compositions and gracefully probing improv” and declared it “his best album yet”. It’s Always Now however brims with arguments that there is a new contender for that title. On his new album, Alessi’s unique…
John Scofield
John Scofield’s first guitar-solo-recording ever gives a résumé of all the influences and idioms he has cultivated over his career in performances on guitar, accompanied by his own rhythmic pulse and chordal backing using a loop machine. Besides jazz, John is known to have always also had a soft spot for the rock and roll and country music he grew up with, revealed here in unencumbered renditions of Buddy Holly’s “Not Fade Away” and Hank Williams’ “You Win Again”. Between elegant and personal re…
Last Decade
German-American pianist Benjamin Lackner makes his highly melodious ECM debut with an all-star quartet of trumpeter Mathias Eick, the esteemed Manu Katché on drums and bassist Jérôme Regard. Mathias and Manu share an extensive recording history with ECM and their respectively unique instrumental signatures can be traced across this set of exclusively original material – eight pieces by Benjamin, one by Jérôme. The bassist and the leader’s partnership goes all the way back to 2002, when, in New Y…
Naked Truth
There is a searching, yearning quality to Naked Truth, and a raw beauty and vulnerability in Avishai Cohen’s trumpet sound on his most improvisational ECM recording to date. Very much music-of-the moment, found and shaped in the course of a remarkable recording session in the South of France, Naked Truth takes the form of an extemporaneous suite. For most of its length the Israeli trumpeter painstakingly leads the way, closely shadowed by his long-time comrades – pianist Yonathan Avishai, bassi…
Lebroba
Andrew Cyrille’s title Lebroba is a contraction of Leland, Brooklyn and Baltimore, birthplaces of the protagonists of an album bringing together three of creative music’s independent thinkers. Each of them made his first ECM appearance long ago: drummer Andrew Cyrille on Marion Brown’s Afternoon of a Georgia Faun (1970), trumpeter Wadada Leo Smith on his own classic Divine Love (1978), and guitarist Bill Frisell on Eberhard Weber’s Fluid Rustle (1979); these are, of course, players of enduring …