★Endless Happiness
World Galaxy
World Galaxy is the sixth solo album by Alice Coltrane recorded in November 1971 in New York City, and released in 1972 by Impulse! Records. On the album, Coltrane appears on piano, organ, harp, tamboura, and percussion, and is joined by saxophonist Frank Lowe, bassist Reggie Workman, drummer Ben Riley, timpanist Elayne Jones, and a string ensemble led by David Sackson. Violinist Leroy Jenkins also appears on soloist on one track, and Swami Satchidananda provides narration. World Galaxy features…
Jobim
Jobim is the eighth studio album by Antônio Carlos Jobim recorded on December 1972 at New York City. Though this is one of the more obscure Jobim albums, it did introduce what some believe is Jobim's masterpiece, the hypnotically revolving song "Aguas de Março" (heard here in Portuguese and English versions).
Sagan Om Ringen
One of the most famous artists that came to light from the Swedish underground scene is the keyboardist Bo Hansson. His album "Lord of the Rings" inspired by the book of the same name remains a staple for all the freaks of the seventies and was internationally successful. "Lord Of The Rings" or "Sagam Om Ringen" remains a pre new age masterpiece of instrumental music for the mind, with splendid moog and organ releases, which underline Hansson's jazz origin, for four years and only until the firs…
It's Sandy Denny
It's Sandy Denny is a compilation album, issued in 1970. It consists of songs Sandy Denny recorded for Saga Records in 1967, and which were initially released on two separate albums: “Alex Campbell and his Friends” and “Sandy and Johnny”.
Kraftwerk 2
Kraftwerk 2 is the second studio album by German electronic band Kraftwerk, entirely written and performed by founding Kraftwerk members Ralf Hütter and Florian Schneider in late 1971 and released in January 1972. Perhaps the least characteristic album of their output, it features no synthesizers, the instrumentation being largely electric guitar, bass guitar, flute and violin. On the second side, the more rock-oriented origins of the group still cling on, mostly without any percussion whatsoeve…
Samba Blim
This is the second incredible album which the Brazilian bossa combo did in the US for A&M Records, during the brief time when they were expanded to a quartet from the original Tamba Trio lineup. This album can be considered a masterpiece that combines their original style with American sophistication. The set is completely sublime. A wonderful mix of the group's trademark harmony vocals and crackling bossa rhythms, with the warmly flowing CTI production style of the time – not funky like the CTI…
Jazz In Britain '68-'69
John Surman's Jazz in Britain '68-'69 is an overview disc of his '60s band and one of the more enjoyable vintage British jazz records. These tunes come from several different sessions recorded in the late sixties, as evidenced by the alternate drummers - Alan Jackson and Tony Oxley - and the use of different instrumentation, like the three-horn modal piece "Bouquet Garni," from 1968 that places Surman in the company of only two other horn players - Alan Skidmore and Mike Osborne - and no rhythm …
Kraftwerk
Kraftwerk is the self-titled debut album by the Düsseldorf band Kraftwerk . It was produced by Conny Plank and released in 1970. "Musicians sometimes have very poor insight into what constitutes their best work. Bob Seger and Alex Chilton come to mind. One of the most extreme cases of this unfortunate phenomenon is Kraftwerk. The legendary German group’s founders— Ralf Hütter and the late Florian Schneider-Esleben—are/were undoubtedly intelligent people, but for baffling reasons, they refuse(d) …
Our Kind Of Sabi
Recorded in Japan during a tour in 1970. Featuring famous French musicians Eddie Louiss on organ and Daniel Humair on drums. A classy trio album with Louiss’ superb Hammond organ play front and center and a glimmering of the Caribbean dancing in the shadows.
Open Space (The Down Beat Poll Winners In Europe)
LP issued to celebrate more European artists than ever before winning the annual “Downbeat” polls in 1969. On this release they all perform as a unit. Jazz giants from six European countries coalesce to play wide-open music. One of Norway’s greatest jazz singers, Karin Krog has worked and recorded with Jan Garbarek and Clare Fischer. English multi-saxophonist John Surman and Krog have jointly won two Norwegian Grammys. Surman has played with Mike Westbrook’s Orchestra and John McLaughlin, as wel…
Fotheringay
Following her departure from Fairport Convention at that end of 1969, Sandy Denny formed the short lived folk-rock group, Fotheringay, with her husband Trevor Lucas and released their debut album on Island Records in 1970. The band was comprised of Sandy on vocals, guitar and piano, Trevor Lucas on acoustic guitar and vocals plus ex-Eclection drummer, Gerry Conway, and former members of Poet and The One Man Band, Jerry Donahue on lead guitar and vocals and Pat Donaldson on bass and backing vocal…
Free Form Suite
Temporary super offer! Masayuki 'Jojo' Takayanagi (1932 - 1991) was a Japanese jazz / free improvisational musician. He was active in the Japanese jazz scene from the late 1950s. He was one of the earliest noise guitar improvisers, and the first (with Keith Rowe) to use the table-top guitar.
L'Infonie
Beat poetry influence free form jazz collective, formed in Montreal in 1967, L'Infonie existed officially until 1974. Lead by composer Walter Boudreau (aka retlaW uaerduoB) and poet, singer, trumpeter Raôul Duguay (aka luôaR yauguD) this very loose collective featured up to 33 artists from various backgrounds ranging from free jazz, classical, contemporary, rock, visual arts and poetry
We And The Sea
Rich blend of Brazilian samba and Afro percussion, more like the jazz of Getz/Gilberto than the bossa nova of, say, Sergio Mendes and Brasil '66. An exquisite album, that stretches the boundaries of Bossa Nova.
Holography
One of the rarest albums ever from the mighty Masahiko Satoh, a composer and arranger,as well as a key figure in the avantgarde music from Japan. Originally issued on Japan Columbia in 1970, the two sides of very free piano show a sensitivity that's really amazing – still moments of freedom that reflect Satoh's connection to the avant garde of the time, interwoven with his own sense of cosmic creation, in ways that are similar to his later projects. Born in Tokyo, in 1941, Masahiko Satoh's earli…
Ne Plus Ultra
"A largely unsung classic, originally released in 1969, and featuring the most purist of all the followers of Cool School guru Lennie Tristano's ascetically linear method of jazz improvising. West Coast saxophonist Warne Marsh (like all the Tristanoites) liked staying in a narrow dynamic range, but within it he could perform miracles of melodic invention and rhythmic audacity – though almost always performing the latter over a metronomically steady drummer's groove" - John Fordham
Cosmogonie
French jazz library LP with female voices and drum breaks, originally released in 1972 on Mondiophone. Stunning composition and wonderfully recorded, this dark, aggressive jazz orchestral vibes, flitting perfectly between the abstract and the structured. Essential. 180 gram LP.
Stone Flower
Antônio Carlos Jobim was a primary force behind the evolution of bossa nova and his sixth studio release Stone Flower is an absolute classic. The album is emblematic of '70s bossa with its seductive samba beat fused with elements of modern jazz provided by a star-studded supporting cast of Ron Carter, Hubert Laws, Airto Moreira, and Joe Farrell. Stone Flower was recorded by Blue Note engineering virtuoso Rudy Van Gelder and arranged by fellow pianist and guitarist Eumir Deodato; the fidelity and…
Crisis
Tip! A superb and under-recognized recording, Crisis is one-third of a trilogy of extraordinary albums -- the others being Broken Shadows and Science Fiction -- by Ornette Coleman's small groups of the late '60s and early '70s. A rendition of the piece "Broken Shadows" itself, a dirge of astonishing beauty second only to his "Lonely Woman," opens the live performance and offers solos of deep and poignant probity from Coleman and tenorist Dewey Redman, whose earthy growled tones counterbalanced t…
Chelsea Girl
She is beautiful. And in a world where so much can easily be possessed on a whim or for a promise, she is not comparable. She has a clear, pure ring, a trueness, like an arrow that has hit an inner mark and can’t be wedged loose. Her voice and her manner, that stretch farther into the past than perhaps she realizes, may set the new style: an existential pop style that is as earthy as Mary Travers (Peter, Paul & Mary) yet more elegant, more isolated. Her name is Nico. I don’t know where she was b…