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Grainy flickering, strangulated buzzing, blurred sonic shadows and harsh stridulations. Chicagoan Drumm continues to rethink the electric guitar in terms that suggest the microscopic life of ponds, and he deploys electronics along similar lines. Cana…
ErstLive is a new series of releases from Erstwhile Records, documenting notable live sets associated with the label. The discs are designed to simulate a concert experience, each in the same template design using two colors chosen by the musician…
"between", for me is about the tension and space between objects, and how we might occupy this area, to reside if you like between the conventions, to locate the flexibility that comes from de-theorizing the dogmas. It seemed to me as if Toshi and I …
That said, "Weather Sky" is another thing altogether. Bruno Meillier invited Toshi to play a duo concert in St Etienne with AMM's no-concessions table guitar master Keith Rowe, and took them into the studio the day after to record for Erstwhile. Sens…
This word - improvisation - no longer seems adequate to describe the forms that emerge from playing without a score or pre-determined structure. These categories are invidious anyway, but improvised music history, or that part has its roots in commun…
A document of a performance last autumn at Parisian Improv spot Instants Chavires, in which Günter Müller is flanked by two very different but distinctive users of the electric guitar. On one side of the stage is Keith Rowe, who's worked for half a l…
Recorded in May of 2002, almost a year after Fennesz' surprisingly successful (commercially) release, Endless Summer, one might have expected that this pairing would produce an intriguing collision of opposing forces. On the one hand you have all the…
A couple years before this session, Rowe recorded with two soprano saxophonists, Michel Doneda and Urs Leimgruber (The Difference Between a Fish on Potlatch), a session that, while providing some interesting music, had its share of problems. Central …
ErstLive 005 is from the quartet of Keith Rowe, Sachiko M, Toshimaru Nakamura, and Otomo Yoshihide, the centerpiece show of AMPLIFY 2004: addition, the "four hour quartet". ErstLive 005 contains three individually packaged slimline CDs in a slipcase…
"This was one of the first occasions on which I worked with Keith Rowe, who bore more or less the same relation to the electric guitar as David Tudor did to the piano (I put that in the past tense because by no stretch of the imagination could you no…
Julien Ottavi and Dion Workman are two of the most extreme of the younger wave of sonic explorers, pushing the boundaries of sound and art. Ottavi hails from Nantes, France and Workman from New Zealand, but their overlapping concerns and aesthetics h…
Saxophonist John Butcher and violinist Phil Durrant had been playing together on the English improv scene in various formations for 14 years when they decided to start a live electroacoustic project in 1997, a project not unlike Evan Parker's own uni…
Despite the title of the album and several of the selections, listeners who approach this disc expecting something in the vein of Louis Armstrong will likely be disappointed. Then again maybe not, if it's originality that's prized. Jérôme Noetinge…
Haunted House is Loren MazzaCane Connors's much anticipated group, featuring Suzanne Langille on vocals, Andrew Burnes on second guitar, and Neel Murgai on percussion. Langille wrote two of the three monstrous tracks, the third being a cover of Lonni…
The press release is disingenuous in describing "Forlorn Green" as "lo-fi": even if Jason Lescalleet's work involves tapeloops using cheap recording gear and "trashed" speakers, his digital reworking and mastering is painstakingly perfectionist and…
Right After is a remarkably subtle album of duo electronics by two relatively young Italians with roots in avant-garde improvisation. While Giuseppe Ielasi began his career as a guitarist and Domenico Sciajno was an improvising bassist of note, both …
eRikm and dieb13 are two of the most prominent and well-respected experimental turntablists in the world, both working in a wide range of contexts, from the classical world to club DJing. Over the last two years, they have begun frequently working as…
Maybe the words of the author of our 'record of the year 1999' (Dean Roberts) will not be enough for you to try to obtain this cd. Maybe also because it's so difficult to obtain, and also because no other magazine will speak about it here in Italy, b…