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Futura Resistenza

A Janitor's Manifesto
Gunnar Gunnsteinsson is an artist and composer, living and working in Reykjavik. His work includes (sound) installations, film scoring and musical education. A Janitor's Manifesto, Gunnar's second studio album, musically describes and fictionally revises a real time in Gunnar's life when, next to his composition work, he was employed part-time as a janitor within an Amsterdam-based, communal, artist's housing complex, in which he also lived. The album was recorded and produced in Amsterdam and R…
Karnofsky's Score
“Part of a body of work that includes visual scores and a forthcoming film sharing the album’s narration, ‘Karnofsky’s Score’ may indeed be guided by the ghost of David A. Karnofsky himself, the pioneer oncologist of the 1950s and 60s who had earlier conducted experiments with the US Army Chemical Warfare Service.”
come, Memory: fieldwork
"come, Memory: fieldwork" is the culmination of a long-cherished research project initiated in September 2021, revolving around three immersive journeys to ancient European sacred places, with a particular focus on Neolithic sites. This project encompasses extensive research, the capture of Super 8mm film, 35mm photography, and audio recordings, the creation of three experimental short films, and the development of a scenographic installation. In May 2023, this installation was exhibited at the …
Backpfeifenphaseshift
Two Form a Click (DJ Snaffy, Wretchen Redspiders) collide with Horatio Pollard to deliver two sides of beautifully coalesced psychedelic synthesis, heavy with dub’s production values and freed from the grid of analog electronics. Though primarily operated by the duo of Snaffy and Redspiders, 2FAC has an open door policy which is happy to embrace lone lurkers such as Pollard. Pollard, born in Ibiza, raised in the UK and resident in Berlin since the mid 2000’s, has surely been exposed to all ends …
The Pruttipal Index
What is - or rather: what could be - a "Pruttipal Index"? In books, libraries and databases, an index is usually a concise overview or inventory. It suggests that this album could be a mini-encyclopedia of the work of its makers. In economics, indexes are measurements of the current state of an economy; which, in the case of this album, could be a vitality metrics of the Goodiepal & Pals/GP&PLS/BananSkole collective that produced it. In semiotics, an index is a sign that functions as a trace (li…
"HEALING"
ugne&maria is the duo project of Ugnė Vyliaudaitė and Marija Rasa Kudabaitė, both based in Brussels. Their music is made from a mosaic of samples and carefully triggered field recordings, in dialogue with Vyliaudaitė’s violin. Intricate and calming but far from ambient, in that where ambient music recedes ugne&maria’s music sounds always close to the skin. The compositions are subtle and precise, setting up a logic and then gently manipulating it or letting it hover for several minutes. Elem…
Kasveille Ja Elaimille
What is music about? It can be about anything, I guess, but that’s not what we are talking about. That’s not why we are here. What makes the difference is if music, any music, is worth it. Then it’s something else. Like this piece, Juho Toivonen’s solo album. What I suggest as a simile to music on this vinyl, is the experience of sauna. Savusauna (smoke sauna) to be exact. The thing about savusauna is that because of the method of heating, the room gets really hot, and the smell of smoke is all …
La Seuz
Arthur Chambry is a mysterious troubadour, walking the artistic crossroads of sound, poetry and theatre. Using a wide range of personalised gear to compose music, his is a viral energy: hiding and showing off behind the unexpected, playing gut-vibrating frequencies with violins, trumpets or lungs, fruits, pipes, or tapes. His new album La Seuz draws a map of a parallel world made of singing peasants, luthiers, communities of musicians and mystical quests... Arthur carves out a place between trad…
Still
Efraín Rozas’ "Still" posed this question in the form of an installation made for quadraphonic sound, architecture and light. Still was first developed at Queenslab as part of a one-month residency with The Kitchen, New York City in April 2021. This album is a live, stereo room recording of Still as it was presented over three one-hour viewings.
DUF
Gijs Gieskes’ creations bridge the divide between innovative modules in Eurorack format and stand-alone art-gallery installations. Fuelled by barely tamed electricity and informed by a high-tech junk yard aesthetic, they seem to possess a life of their own, like a new breed of insect androids. Some of them are electro-mechanical-acoustic and some are purely electronic. In action, they exude the kind of clumsy and lonely autonomous machine helplessness you get from a Survival Research Laboratorie…
Two Solos
"Futura Resistenza is pleased to present the latest release from the prolific, restlessly creative composer-performer Anthony Pateras, two side-long pieces – one performed by Callum G'Froerer on double-bell trumpet, the other sung by Clara La Licata – in which soloists are accompanied by numerous pre-recorded tracks of their own instrument or voice, creating acoustic halls of mirrors where the distinction between live performer and recorded accompaniment becomes difficult to perceive. Palimpsest…
Tape Shadow
The Tape Shadow opens up to Rows, a series of slow chords and gestures, doomed and endless, colored right between major and minor, vibes and guitar, rotating around each other like planets, resonating in an enormous space. Tape delay creating shadows and environments to swim around in. Titles evocative of tunings, playing styles, and improvisational strategies. Matter of fact collaboration between two searching musicians. Sounds fading out. The thump of a bass drum makes things rattle along in t…
Blecheintopf (Music for Modern Art Exhibitions, Volume II)
*100 copies limited second edition. In process of stocking* "These liner notes needed to be a personal note, too. I first listened to Blecheintopf in 1983, at age 14, after someone had brought me the cassette tape from the Netherlands. As a German, I was immediately intrigued by its title. Then I got captivated by the soundscapes on tape: playful and dense at the same time, sometimes haunting, as if one was listening to an experimental post-apocalyptic science fiction movie without images. The s…
Hemp Is Here
*Printed in an edition of 150. Originally released on tape by Unlikely Records* In 1985 a wondrous album titled Hemp Is Here was created by the obscure English duo Leven Signs, composed of Pete Karkut and Maggie Turner. Since then, Hemp Is Here has proven to be a visionary recording that holds a special place in the ongoing expansion of experimental music. Through the method of tape collage, an unclassifiable recording was created that consisted of post-punk and avant-pop sounds, tribal rhythms …
Cloud Holding
Cloud Holding is NYC-based Bryce Hackford’s fifth full-length work, and his first with Futura Resistenza. Seven figures emerge out of recorded improvisations with a group of musicians: Ka Baird, Shelley Burgon, Alice Cohen, Michael Hurder, Dominika Mazurová, Camilla Padgitt-Coles. The instrumental utterances (including the original instrument—the voice) of these varied talents are gently treated and coaxed by the composer, nudged into little sculptures of sound which express an always drifting …
Night Time Transmissions
'Bergur’s first solo album. Composed, developed, and recorded between the winter of 2019 and the winter of 2020; between Lithuania, Iceland, The Netherlands; in the field and in the studio; with the help of friends. For instance, with the Singing Club of Rotterdam — of which Bergur is one of the co-founders, members, and organizers — which runs as a bi- monthly-meeting, informal-group-of-people interested in the potentialities of voice and choral sound. The Singing Club appear in Night Time Tran…
Could Change
"Alvin Lucier’s I Am Sitting In A Room was written over 50 years ago, and it’s about time somebody figured out what to do with it. Sure, you could upload and re-upload the same video until it washes out into a gurgle, and people have. But the result is always just less video and not more of something else. There’s no space, no Room, inside a digital stream to come forth. Here’s why: Lucier’s piece famously provides more thrills and chills the more patience you bring to it. And it works that way …
Dimanche | Masques | Cartoon Circus
**150 copies limited edition** "Although he had accepted my request for an interview about his practice as a rhythmist, Fernand Schirren observed me with a more interrogative look than my questions could ever warrant. From the outset, he warned me that he preferred to be called ‘Schirren’ without the addition of his first name, which he despised. It is of course a contraction of Ferdinand, the name of his father, a painter, but we did not discuss the reasons for his aversion any further. On the …
Genetisis
** Edition of 200 ** Self-titled debut album from the heavy-hitting quartet of Ka Baird, Brian Close, Bryce Hackford and Jimmy Tamborello, privately recorded at Les Ateliers Claus in Brussels following their solo appearances at Meakusma Festival. Here their individual roots get deeply interwoven: from the avant-psych sounds of Spires That In The Sunset Rise and Baird's solo output on labels such as RVNG Intl. and Drag City, to the enigmatic electronic explorations of Close's multi-disciplinary a…
Exocursion
It would be hard to find a better soundtrack for these uncertain times than multidisciplinary artist Viktor Timofeev’s latest record Exocursion. In terms of composition and sound design, the album is a progression from his earlier efforts Give_health999 and the long-ago recorded but only recently released Palace of Peace and Reconciliation (both on Lo Bit Landscapes). The music is built from a similar structure of layered guitar loops, orchestral bass chords and manipulated field recordings. Tim…
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