God Records
Austrian experimental/contemporary label, run by Slobodan Kajkut
We Forge The Future. Live At Reina Sofía
We Forge The Future is a document of a Laibach show, held in Museo Reina Sofía, Madrid, on November 26th, 2017. For this museum occasion, Laibach re-enacted the historic performance that was initially staged on April 23rd, 1983, as part of the XII Music Biennale Zagreb in Croatia – then still a part of Yugoslavian federation. The performance caused furious public/media campaign against the group, whose result was a formal ban on Laibach in Slovenia and Yugoslavia, that lasted until 1987. Musica…
Orchesterstücke
Peter Ablinger is one of home composers of GOD Records. His cult releases GODrec "Regenstücke 1 and 2" and "Voices and Piano" (GOD 08, 18 and 34 respectively) are part of every serious record collection around the globe. With "Orchesterstücke" Ablinger finally delivers some of his remarkable orcestra pieces in last ten years. Release contain three Ablinger's orchestra pieces, "Quartz", "Wachstum, Massenmord" and highly controversial piece "4 Weiss", for orchestra and white noise - the piece th…
Symposium
Lésions Graves is an experimental extreme-metal trio on a journey towards minimal music. Racing drum patterns and humming melodic shreds interweave with disharmonic sound spheres and complex rhythmic and melodic phase shifts. Fast, loud, aggressive, repetitive, irritating...
Ouate
A little bit of Baroque, a little bit of Zwölftonmusik, a little bit of electronica, that's Robert Lepenik
Shattered Dimension
The Flying Luttenbachers’ “Shattered Dimension” is the first offering by the seminal cult band since 2007. The current New York City based version of the group on this recording features stalwart leader and primary composer Weasel Walter on drums, saxophonist Matt Nelson (GRID, Elder Ones), bass guitarist Tim Dahl (Child Abuse, Lydia Lunch) and guitarist Brandon Seabrook.
Imminent Death
The Flying Luttenbachers’ “Imminent Death” is the second release by the seminal cult band since its reincarnation in 2017. “Imminent Death” is very different in many ways from the previous Luttenbachers releases, but then again, you could consistenly say that about most of them. The group has always followed the direction set by its leader Weasel Walter, and reflects his desire to create music of a determinately less common quantity in any given era. The Flying Luttenbachers have always been sta…
Linea Mundi
Klaus Lang's involvement with God Records began with already cult two-part release of his stunning organ works. Famous for his heavy droning sound, new Lang's pieces are highly successful ensemble pieces linea mundi. and weiße farben., both premiered at the festival Wien Modern. Heavy textures, disturbing counterparts, slow progressions, threatening dynamics...
According to Marshal McLuhan, the nature of the medium used to transmit a message is of greater importance than the message’s meaning or…
For Bunita Marcus
2019 Repress. In the 1980's, Morton Feldman composed two large-sized pieces for his favourite instrument, the piano. Both pieces, Triadic Memories (1981) and For Bunita Marcus (1985), clock in at about 90 minutes. Both compositions are excellent examples of the group of works that they belong to: Triadic Memories demonstrates the complexity and tonal opulence of Feldman’s pattern compositions from 1977 through 1983, whereas For Bunita Marcus shows the stripped-down, almost dismissive structures …
Untitled (N°7) - LP
After more then 20 years on the Viennese music map, Polwechsel could be easily considered as legendary, no matter of which constellation of the band the word is. Currently consisting of Werner Dafeldecker (Double-Bass), Michael Moser (Cello), Martin Brandlmayr and Burkhard Beins (Percussion), hey always explored the borders between structured compositions and their improvisational aspects. Hectic nature of their recent pieces, amplified through overall brilliant dynamic range, shows further st…
In Another Lant Pt. 2
„The second part of the “In Another Land”-trilogy can be considered as the indispensable conceptual antipode to part I. It's everything that part I is not and vice versa. It's sculptural and it's not pursuing the idea of development, but it's neither static nor repetitive: The mostly short pieces, consisting of heavily treated snippets of recorded (electro-) acoustic instruments are circling around themselves, always aiming to show their core idea to the listener. The thing is the thing is the …
Linien II
The title gives an indication as to what this cycle is about: “Lines” as a catch-all phrase for melodic relationships: differently formed – from a unison melody for two instruments to counterpoints of independent voices; composed in different ways – from “calculated” proportioning to spontaneous writing; expressive in different ways – from lament to competition. If nothing else, these pieces are also a journey through all registers of the clarinet family, from Eb- and Bb clarinet through basset …
Mono Metal Space
Winfried Ritsch on Mono Metal Space: "... a 2x1m metal plate hung on a stand or frame is stimulated by amplifier driven modified motors used as strong transducers, and sensored by pickups. The computer-controlled feedback uses digital filters and dynamics effects as signal processing to try to resonate the plates within their individual overtones. These playable feedback filters are controlled as notes by playing increasing and decreasing sounds near the composed frequencies of the notes which e…
Darkroom
Tiny space... dimmed lights... little steps... circling... like abstract curving lines... round and round... repeat... Composition by Slobodan Kajkut. Personnel: Dejan Trkulja - clarinet; Christian Pollheimer - vibraphone; Slobodan Kajkut - sampler, programming.
Piano Music
Georges Aperghis is probably still not much associated, by the public that internationally attends performances of his works, with music for solo piano. Music-theatre – of an uncommonly original kind, with extended vocal techniques much to the fore – has usually been his stamping ground. The concerns that his operas and other music-theatre compositions have embraced – often focusing around a highly individual approach to words and to all aspects of language, developed with great musical sophisti…
Vinyl Coda III-IV
The Vinyl Coda project returns to God Records for the second chapter of the Philip Jeck masterwork, originally released in the late 90s and now freshly re-mastered for this LP re-release. Philip Jeck revolutionised the world of experimental music with his pioneering turntable collage work, with his hazy and intuitive narrative of sounds that never quite head in the direction you expect. In these sets, Jeck uses a number of turntables and prepared records to create strange soundscapes in which cr…
Oek
OEK is a collection of six pieces. The name is a reference to the Tuvan word for yurt, or quite simply to the idea of home. The pieces are constructed using very simple material -- scales built from tetrachords and suspensions, that blend together the intervals of the chromatic field. This abstract material is tempered, in turn, by the sounds of the instruments.Adam McCartney born in Limerick, 1987. Currently lives in Vienna. Studied composition and music theory with K. Lang, J. Godfrey, B. Lang…
17 Stücke
Helmut Kaplan is multimedia artist that belongs to distinctive art scene of styrian capital of Graz. His medium of expression belongs to visual arts (mostly comic), as part of Tonto association, which once included legendary record label with artists that are already seen on GOD roster (Robert Lepenik, Winfried Ritsch, Kauders, Bernhard Lang, Peter Ablinger). He was part of bands like Fleischpost and skin and since middle '90s he is interested in different loop structures through different med…
Berlin Exercises
Christian Wolff on Berlin Exercises: "'Exercise' indicates relatively shorter pieces in which the process of work, of practicing and of trying things out within specified limits, in short a kind of discipline in process, are being attempted. I regard them as both exercises in composing and for performers, especially as the performers function as members of an ensemble." Your first encounter with the music of Christian Wolff leaves you with the impression you’ve just heard (or played, or re…
Differenz/Wiederholung 2
Bernhard Lang's Differenz/Wiederholung 2 is a multi-media piece for amplified ensemble, three voices and video installation. While the music is filled with rocking-and-rolling, anti-grooving sound slaps, "scored free jazz", and crippled repetitions, three vocalists present texts (including rap) from Gilles Deleuze, William Burroughs and Christian Loidl, commenting on usual repetitive human habits and its nonsense. If Captain Beefheart's Trout Mask Replica (1969) is a milestone of avant-rock, …
Piano Concerto - Classical Blend/Weihnachtsoratorium
Petr Bakla belongs to generation of composers whose output no longer seems bound to the imperative of the "search for sounds" extended technique. Instead, he builds his music on the unmarked instrumental sound, which he uses to create a flow of interacting layers and explore the means of pure pitch, time and sound volume to the expressive extreme. His first ever solo release presents him at his best - two orchestral pieces as a definite manifesto of monumental monochromatic environments, b…