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Zeitkratzer's boss revisits the piano guts some years after his much acclaimed and genre-defying album Inside Piano (2011). While Reinhold Friedl's first solo album defined the practice of playing on the strings of a grand piano and revealed the source of sounds we couldn't identify on some of Zeitkratzer's recordings, Music For Piano, ... Spring/Flower/Cracker/Stream, brings concrete and quasi electroacoustic sounds together with clearly articulated piano notes. In the enigmatically titled Musi…
[herewith] is Danae Stefanou’s first full-length solo piano release. The album centers around the tactile exploration of the piano interior as a sonorous surface, and as a resonant chamber. The resultant eight tracks, at times sharp and abrasive, at others densely immersive, aim to convey a physical sense of listening to the piano “from the inside”, rather than upkeeping the convention of appreciating the performance “from a distance”. The tracks were recorded as one-take improvisations over tw…
Two previously unreleased recordings from one of Greece’s pioneers of electroacoustic music** It’s an astounding moment for archival releases and reissues - an unprecedented flow of artifacts emerging from the history of the sonic avant-garde. While the sounds of developing electronic technologies were harnessed during the first part of the 20th Century, it wasn’t until the post-war period that they truly took hold - the focus of many of that era’s most ambitious musical minds. Beginning in the …
Holotype Editions was founded as a means of bringing out music by some of the most unique and peculiar artists of the last decades. What could be more fitting for the imprint’s seventh release, than the duo of cult artist Ghédalia Tazartès and multi-instrumentalist, composer and singer Maya Dunietz. Recorded live at Cafe Oto, in December 2013, Schulevy Maker documents the duo’s first live appearance. An amalgam of bizarre samples, concrete sounds, live piano and bells, juxtaposed with the otherw…
** restocked ** Holotype Editions is pleased to present a new work by acclaimed sound artist Jacob Kirkegaard. Arc was originally commissioned for INMUTE '14 as a soundtrack to Carl Th. Dreyer's silent film The Passion of Joan of Arc (1928). In this new edit, running to just under 36 minutes, Kirkegaard's refined mastery of tone unfolds in two arc-shaped tracks dedicated to the LP format. In his score, Kirkegaard fragments and stretches music from Joan's time, aiming to expose the mystically cha…
Following Ramifications, a collaboration with Z'EV which resulted in a mammoth two-hour long track of processed Organ recordings, Ereignis further submerges us to Marinos Koutsomichalis' adventurous explorations of single-source sound phenomena. Recorded at EMS in Stockholm, Ereignis is part of the broader Marinos Koutsomichalis's research which revolves around an unconditional interrogation of a Serge modular system.Employing a series of non-compositional stratagems, Koutsomichalis attempted to…
Greek musician Michalis Moschoutis delivers his debut full length release with a radical exploration of the sonic possibilities of a classical guitar. Entirely acoustic, tracked in just eight improvised takes, Nylon presents Moschoutis's idiosyncratic and forceful style of playing, at times sounding like a physical attack to the guitar.Nylon finds Moschoutis switching from plucking to bowing and strumming while sustaining high intensity and a continuous sense of forward motion. Very often virtuo…
Shadow of the Monolith is the collaboration of acclaimed artists Lawrence English and Werner Dafeldecker. Recorded across the Antarctic Peninsula and produced in Brisbane Australia, Shadow of the Monolith works across aesthetic disciplines exploring electroacoustic transformations of atmospheric, hydrophonic and ionospheric materials. The raw materials have been layered, processed and structured into a record that drifts from dense microscopic cracks to vibrant shifting frequencies, from section…