★Meeuw Muzak
Trying to play Nothing
A recording of Samuel Beckett’s “Text for Nothing #8” read by Jack McGowan 1958 (used without permission) is burned to a CDR with 99 index points. A Sony Discman in shuffle mode attempts struggles to play the disc. Electromagnetic signals of struggling CD player mechanics are recorded, edited and collaged into two pieces.
Joe Colley is a visual artist and composer based in Sacramento, CA. He investigates audio phenomena, using field recordings and electronics. He also records under the name Cra…
Vorwärts
Chris Imler returns here on a 7″ with a straightforward appellation to his new one-man bang-gang. This new waxing on the Meeuw Muzak label brings us a spirited pair of ear-jingling primeval drumtasms, the first is his own 'sci-fi romanticist socialist anthem' 'Vorwärts', then we have a jerry-rigged version of the Chris Montez classic 'Let’s Dance' on the flipside. There’s a lot of kinetic energy here, everything being recorded live with a rhythmatist’s ear for a chugging beat and waves of delaye…
Plastik Lieb
Mark Boombastik is apparently the world’s #1 experimental human beatbox. I wouldn’t have guessed that from the sound of these two tracks, but I believe it. 'Plastik Lieb' sounds a lot like Sex Unter Wasser-era DAF and I mean that as a compliment. The B side is a very odd, but also funny piece of music. Excellent Meeuw release. Mesmerizing cover. The legend lives on. Fantastik, Boombastik! (The extra ‘k’ is an extra kiss.) (Scott Foust, Swill Radio)
Fog Frog
A collaborative 7” featuring the talents of author, musician and columnist Max Goldt reconstituted by self confessed dadaist Felix Kubin and beat-box master Mark Boombastik. Side-A sees Kubin and Boombastic applying a new skin to Goldt's hotel room reading of 'Fog Frog'. In this case, a break-beat techno/mid '90s drum 'n' bass skin that most definitely features the sound of radiators being hit with sticks. Flip it and we are taken back to 1983 for a re-run of Goldt's 'post-feminist pre-ejaculati…
Goshen
The Pitchshifters is a project by Hideto Aso from Japan. This is his second release on Meeuw Muzak and as usual his contributions were culled from old and scarce self-released CD-R editions. Wonderful naive and outstanding synth music on the first side with some more dreamy electroacoustic experiments on the flip. Immerse yourself in the delicate sound of The Pitchshifters and yours is the reward.
Australian Sun
What about Harry Merry? Harry Den Hartog is a talented singer and songwriter from Rotterdam in the Netherlands where music drew his attention from a young age. At the age of eight he got his first piano lessons and in the '90s he started to compose his own music using several keyboards like Casio wk3500 and Roland E-86. His music is quite pleasant, flashy and a little bit crazy, with his tracks having an absolute mastership of the pop formula. On this 7" single released by Meeuw Muzak, Harry Mer…
Dry Lake
**300 copies** Il Grande Silenzio is a project by Japanese artists Atsuo Ogawa and Minoru Sato. On 'Dry Lake' they offer two minimal compositions that feature banjo, field recordings and electronics.
Tony Conrad
Wendy & Luke is a project that involves veteran German musician Albert Oehlen and younger French artist Luke Calzonetti. On the programmatic 'Tony Conrad' they make use of electric violin on the first side and explore more improvisational territories on the flip.
Tottering Steps
Minoru Sato is a Japanese sound artist who began producing music under the name 'm/s' in 1989. Since then, his work has expanded to sound installations, performances, exhibit curation and written text. He often collaborates with fellow droner and installation artist Naoyuki Arashi, best known as Asuna. On this 7" record released on the Meeuw Muzak label they offer two fine examples of their droning conjurings.
Solo For Chair and Feedback Circuit
Joe Colley is a visual artist and composer based in Sacramento, CA. He investigates audio phenomena, using field recordings and electronics. He also records under the name Crawl Unit and he is the founder of the label Povertech Industries. The self-explanatory 'Solo For Chair and Feedback Circuit' was recorded live at SOMArts San Francisco, California, in 2016.
Aether Grooves
Norbert Möslang is a Swiss musician active in the field of free improvisation (soprano saxophone, double bass, live electronics) and a luthier. For this work on Dutch label Meeuw Muzak he used two radios and two big flashlights.
Velloa
"Timo Van Luijk and Bart De Paepe in troubled water" says the label press: Ilta Hämärä, the duo of Bart De Paepe (Sylvester Anfang II, Bokrijk, Charles Vögele) and Timo van Luijk (Af Ursin, Elodie, La Poupee Vivante). An imaginary source that combines Bart’s hazy psychedelic antics and Timo’s subtle and abstract sound manipulations in otherworldly spheres of cosmic dimensions
Stevige nacht
Unusual Christmas single just arrived from Belgium, by Dennis Tyfus (voice, tapes) and Kris Maes (guitar, editing, recording).
Dennis Tyfus, based in Antwerp, is one of the most active players on the European underground scene of the last decade. Tyfus draws, paints, takes photographs, makes films, plays noise music, sings, makes CDs, cassettes or LPs, does parodies, writes and publishes zines and books, hosts a radio show on Radio Centraal in Antwerp, is a performer and manages the cult label U…
Where Were You On Christmas?
A brand new Christmas single from long-running Los Angeles avant-garde pioneer TOM RECCHION. Includes the Yuletide faves "Where Were You On Christmas?" and "A Christmas Filled With Tears." Limited edition pressing, imported from The Netherlands.