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Dead Beats: A new composition by American avant-garde composer Alvin Curran for Dutch pianist Reinier van Houdt, brought together with the first ever recording of Inner Cities No 9 '9-11-01' The piano has always been at the core of Alvin Curran's oeuvre. Granted, you'd expect a statement like that from the liner notes to a collection of his piano pieces. In this case, however, he's said so himself, in a candid interview with sound artist Andrew Liles: "It’s the focal point and kind of a totem fo…
Terreng a constitution of an open-ended landscape of contrasts defining space both in time and depth. a set of structuring elements forming by its positionally interaction a common platform created through its dimensional properties. The drums and electronics on Terreng trade off each other at times creating a sense of improvised space, but also comes together in parts to form a narrative structure of almost concrete sensibilities. Where the instrumental identities gradually bleed into each othe…
Breach dives into chaotic systems and reflects on the recent events of protests and riots in the world, exploring the build up and release of tension and energy in a new form of pitch black metal electronics and polyrhythmic structures.Zeno van den Broek is a Dutch-born, Copenhagen-based composer and artist. Van den Broek works in a multi-sensory way to research and express physical, social and acoustic notions. He utilises audiovisual means to create site and concept specific works. This trans-…
In February 2017 Moving Furniture Records released "1", the first LP by Radboud Mens and Matthijs Kouw. The album consists of two long drone tracks that make you forget music is a time-based art. Music that immerses you in a warm bath of frequencies that are evolving slowly around you, revealing you all sides and details of a sonic sculpture.With this second release, which is simply titled "2", Mens and Kouw continue their exploration of long-form drone. By using precisely tuned analogue synthes…
Piano Music is a release with two short tracks which are based on piano recordings Orphax made at De Ruimte in Amsterdam Noord in Mid and End of Summer 2017. On this release musically Orpax breaks with his other work by using more melodic ambient sounds and focus less on the drone. It is one of his most personal works to date. The music on this 7" is about closure and trying to leave things behind, how difficult this might sometimes be. It is about making the wrong decisions and regretting those…
Zonder Stroom, meaning 'sans electricity', was a short-lived program curated by Extrapool with performances that were completely without electricity (no amplification, no lights, no fridge) and one bleak and damp winter's afternoon we drank coffee and decided to use all the electricity there was, recording any keyboards, synthesizers and electronics they could lay their hands on. Then they tried to make sense of that day. This album features mixes and remixes of one joyful and intensely creative…
For his inaugural LP for Moving Furniture Records the Amsterdam based Swedish sound artist BJ Nilsen turns his intense aural focus and compelling narrative power away from his well-known and much lauded predilection for field recordings of organic nature or the urban built environment. The five pieces presented on this record capture Nilsen during a short residency he did in the Fall of 2017 at Willem Twee Electronic Music Studio in Den Bosch, The Netherlands – five documents these are of improv…
For this collective release, Martijn Comes and Giulio Aldinucci neither worked in the same studio together, nor did they share and exchange materials. The two pieces on this LP were composed privately and without any sonic input of the other. And yet, it is far more than just a 'split'. Both pieces were loosely based on a pair of opposites first proposed by Nietzsche: The moral codex of society, as represented by the Christian church. And the realisation that only by surrendering completely to e…
Two long drone pieces based on improvised saxophone by James Fella and Jozef van Erve. One intense mind-melting business. Saxophone Studies is an album that took multiple years to form. Already in 2006 I asked friends and other musicians if they could send me audio files to make music out of this. This music never really happened, but one of the files I received was some saxophone recordings by James Fella (Soft Shoulder / Gilgongo Records). In 2017 while browsing my computer for audio files I c…
Caveman is a recorded representative sample of Tasos Stamou’s live sound. Both tracks are complete extracts of improvised solo performances using his portable electroacoustic music studio. Both tracks have been carefully selected for their sound and narrative qualities, also taking in consideration the blend between acoustic and electronic elements. The album’s titles reveal an additional interpretation to the music, being inspired by two prehistoric ancestors who lived in caves during the same …
"A truly mystical exploration of sound, René Aquarius creates shimmering worlds with Transmutation. Forgoing traditional melody and rhythm, instead René Aquarius lingers about with pure texture. The clever drone work recalls Thomas Koner’s darker impulses, while the metallic sheen further gives the two elongated pieces a feeling of ominous dread. Keeping things quite minimal, René Aquarius ensures that at no point is anything overdone, but rather made to be infinitely eerie. Ghostly imagery cros…
Dauw, the great tape label based in Ghent, invited me in 2015 to do a release for them. This resulted in two 18 minute tracks, Dwaal and Wold. Both are exercises in creating an auditory space or sphere rather than sculpting a structured composition. With its orchestral washes amidst a barrage of radio static and erratic noise, Dwaal is the noisy brother of the two. It's a balancing act or battle perhaps between disruptive tumult and serene calm. On Wold, with its sparse piano notes spread out ov…
Edition of 300, comes with download code. Prolific experimental music purveyor Machinefabriek and droning free jazz combo Dead Neanderthals team up for the second DNMF album entitled Smelter. Clocking in at nearly 40 minutes, Smelter is a highly dynamic amalgam of metal, drone and dark ambient and is hard to compare to anything else out there. Have a listen and enjoy!
Amsterdam CS by Cinema Perdu consists of various spaces in the station: for example the various roofs, the three tunnels with access to the platforms, the IJ-passage. Even while everywhere there are similar sounds, like talking people, the announcements, loud headphones, rolling suitcases, cleaning machines, etc. acoustics and dynamics change per space.This specific acoustics and dynamics are the starting point of the works on this album. Stop and take some time to listen, in the way of John Cag…
Peripherad Debris is the second release of the Haarvöl's trilogy started with Bombinate. If in Bombinate we announced a sonorous intentionality - bombinate means: make a low, vibrating, humming sound - now, halfway through the tripartite journey, we define a path - peripherad debris means: toward the periphery as the remains of anything broken down or destroyed. It is between the enunciation of the sonority and its conceptual spatialization that the sounds that can be heard in this new album ar…
It was late 2004 when Spanish label CONV released Textures and Mobiles, by Jos Smolders, in a limited run of only 100 CDr’s. This amazing album was based on a limited set of sounds: dtmf and ccitt tones that were generated by telephones and pure sine waves that interfere with each other. It came in like a wrecking ball! For us at least. A couple of years later, at Jos’ birthday party, we used samples of this album in a celebratory live performance. A couple of more years and years later we decid…
With Kulverzuchter Bas van Huizen returns to Moving Furniture Records for his third album. After the visceral and noisy releases Kluwekracht (2015) and Waanzintraan (2016) this album offers more minimal and ambient explorations. Kulverzuchter and the accompanying video are perhaps Bas at his most understated. On this album he seems to embrace doubt and uncertainty. The music is hazy, ambiguous and uncanny. The textures are toned down and the sound less layered, but there is a lot happening below…
300 Basses exists since 2010, and has performed until now at Cave 12 Geneva, Les Ateliers Claus Bruxelles, Galleria O’ Milano, Labor Sonor Berlin and other venues in France, Italy and Switzerland. Initially they were playing free improvised music, then they began to organize their sound materials into fixed compositions. In 2012 they released their first CD ‘Sei Ritornelli’, on Potlatch label. ‘Tria Atoma’ goes further than the previous album in the exploration of sound configurations achieved b…
Radboud Mens and Matthijs Kouw have collaborated since 2001, when they started working on an album firmly rooted in the ‘clicks ’n cuts’ movement of way back when. After collecting source material using only feedback produced with a mixer and minidisc recorder that was broadcasted live on Amsterdam’s Radio 100 to unsuspecting listeners, they started working on their album ‘Mens/Kouw’ (2002), which features both rhythmic pieces and more abstract elements. With the passing of time, they found them…
With this album Orphax further explores the various possibilities of drone music. For this work, inspired by the work Vice Versa... by Eliane Radigue, he recorded two works using almost the same settings in the virtual modular software Audiomulch, except for changing one small setting. The recorded source material was than used as building blocks in reaper to create two compositions of exactly 20 minutes. These two compositions can be played separate from each other, but the idea is also the cre…