★Musica Genera
Stara Szkoła Ze Złota
Lincoln Sea is Robert Piotrowicz's second release in 2013 after the acclaimed When Snakeboy Is Dying. 'Snakeboy' opened windows with it's sophisticated weaving of guitar, piano and vibraphone, along with Piotrowicz's more recognisable modular synth work. Praised from the likes of Brian Olenwick (Just Outside), Massimo Ricci (Touching Extremes) 'Snakeboy' saw Piotrowicz take a confident leap into new realms of sound. With Lincoln Sea, the potential of Piotrowicz' vision is greatly expanded whilst…
Okura 73N - 42E
Musica Genera presents another album from French musique concrète composer Lionel Marchetti (in 2005 MG had released the CD Docteur Kramer (You Are Not You) by Marchetti and Emmanuel Petit), this time realised together with his artistic partner Yôko Higashi, Japanese performer, dancer and vocalist. The album contains three compositions of musique concrète, one by Marchetti, one by Higashi and a collaborative work by both artists.Each of the tracks is an elaborate sound construction of individual…
Mauve Cycles
"Mauve Cycles by Anny Zaradny is a significant release. It is the first solo CD by the artist with already considerable output, including improvised music, composing for theatres, collaborations with visual artists and sound installations. Also, the involvement of women in the contemporary experimental music still seems to be perceived as unusual (hence the compilation releases such as Women in Electronic Music from 1977 or Her Noise exhibition from 2005) and in Poland it is a marginal phenomena…
Lasting Clinamen
"Lasting Clinamen is another step further in one of the most adventurous Polish experimental musician's quest for new sounds. In the four pieces on this CD Robert Piotrowicz takes his explorations of modular analogue synthesiser to a new level. While his previous releases were action packed experiments with the possibilities of the instrument, the new one is a statement from an artist who knows exactly what he wants to achieve. Robert has mastered his skills and feels confident with his tools, e…
Docteur Kramer
Two pieces of musique concrete. Docteur Kramer (2002-2004). One composition of Lionel Marchetti. Zizi (2001-2002). One composition of Emmanuel Petit and Lionel Marchetti.
Attuning / attending
The first release of Musica Genera's new series which is dedicated to music of from improvisation of improvisers contexts.Zbigniew Karkowski's solo album brings one over 50 minutes long piece. On this CD Karkowski shows himself on composition and more minimal field, but his strong energetical and dynamic attitude is still clearly present.
Szc Zcz Cze Zec Eci Cin
"A trio comprised of Thomas Lehn (analogue synthesizer), Ivar Grydeland (guitar, guitar banjo) and Ingar Zach (percussion). All three come from the improvisation field and here you can find them in full form, treating their instruments with care and trust, bending and breaking the things at hand. The trio offers a very dynamic set of music, going from soft introspective parts to loud, vicious strokes. Their instruments sound usually unlike what they are supposed to sound, save, perhaps, for Lehn…
Connector
Tracks 1. 2. 3 recorded Aug., Sept. 2004 at studio NOEMA Buenos Aires, performed/composed by Alan Courtis, Jaime Genovart, Zbigniew Karkowski and Pablo Reche.Track 4 recorded Aug., Sept. 2004 at studio NOEMA Buenos Aires, performed/composed by Jaime Genovart, Zbigniew Karkowski and Pablo Reche.Track 5 recorded sept 2004 at LIPM [Laboratory of Investigation and Musical Production], Buenos Aires, performed/composed by Jorge Haro and Zbigniew Karkowski.Additional edits Zbigniew Karkowski, mastered …
Trace Cuts
eRikm: 1 turntable + FXMartin Tetreault: modified turntable + surfacesOtomo Yoshihide: 1 turntable + guitarRecorded on 22th may during Musica Genera Festival 2004 by Artur Nowak.Edited & mix : erikm.Cover artwork : Trace Cut / eRikm
Moov Spot
As after the first Musica Genera Festival here goes the release from the 2nd edition. First performance together by Dörner, Fuhler and Noetinger gives to the listener an unexpectable approach to the electroacoustic improvisation. Sounds of acoustic, analogue and digital instruments form together unique amalgamat of micro details, quality and energy.Axel Dörner: trumpet, computerCor Fuhler: analogue synthesizer, linguaphonesJérôme Noetinger: tape recorder Revox B77Recorded on May 22nd 2003 during…
Kernel Panic
"You wake up and find a room full of things, but no music. Music has to be reinvented every day. You take your instrument and play - and there it is. Others come and talk about "influences" and f... jazz and clusters and all their helpless keywords. Joe Williamson and Olaf Rupp met in Berlin, Prenzlauer Berg in 1999 and played just from their simple inner impulse. They wanted to produce the sound that had to be produced. And why shouldn't they? Every craw does it. And every rusty garden door."Ol…
Euzebio
The new album by Robert Piotrowicz does not fit any category. What this multicoloured electronic instrumentation aims to channel is the acoustic experience and energy of the performing musician. As a result of a wide range of creative means used, the narrative language of the compositions bursts with tension and mystery.The album includes slow hypnotic passages of stone electronics (To Fleh), vigorous tempos and circular repetitions (Euzo Found Guitar), sprawling artificial soundscapes, back-to-…
Crackfinder
Zaradny is a composer, instrumentalist and visual artist; Piotrowicz a composer, author of sound installations and virtuoso of analog synthesizers. They founded and curated the Musica Genera festival and label. Noetinger, an improviser, publisher and instrumentalist, specializes in electroacoustic collages full of permutations on his tape recorder and using all sorts of electronics. What connects these musicians are their methods of work: experiment as the basis of action, controlled accidents, …
Walser
**260 copies** Walser, the new album by Robert Piotrowicz, is a reiteration of the artist’s composition for the namesake film by Zbigniew Libera where a fictitious Concheli tribe enacts its ritual gestures through music and performance. Rather than following a traditional soundtrack format where music is written after the film is cut to illustrate the cinematic form, Piotrowicz treats the film music as a point of departure to create an autonomous sound work altogether. While its aesthetic narrat…
Go Go Theurgy
Go Go Theurgy, the first Anna Zaradny’s album in eight years, consists of two majestic compositions. Strikingly charismatic and intense, they teem with sensuality and anxiety, while their palpably dense and detailed texture is constantly filled with tension and sense of urgency. The crystal-clear narration of these structurally complex pieces creates a framework for Zaradny's uniquely intricate and emotional sound. This music celebrates performativity and defies genre limitations. Although brave…
RE : EM
The brilliant Anna Zaradny's follows up her engrossing debut with this new EP featuring a sumptuous Fennesz rework of her New feat Old, following hot on the heels of Robert Piotrwicz's crushing side, Stara Szkola Ze Zlota, to remind us the ascetic, uncompromising brilliance of Polish experimental music at its best. On the front Zaradny utterly dominates the senses with a pulsating deconstruction of Stop the Chaos; originally a sub-3 minute rager, now distilled and expanded to three times the len…
Lincoln Sea
Lincoln Sea is Robert Piotrowicz's second release in 2013 after the acclaimed When Snakeboy Is Dying. 'Snakeboy' opened windows with it's sophisticated weaving of guitar, piano and vibraphone, along with Piotrowicz's more recognisable modular synth work. Praised from the likes of Brian Olenwick (Just Outside), Massimo Ricci (Touching Extremes) 'Snakeboy' saw Piotrowicz take a confident leap into new realms of sound. With Lincoln Sea, the potential of Piotrowicz' vision is greatly expanded whilst…
When Snakeboy Is Dying
**370 copies, white vinyl** Originally intended as a part of an audio book, When Snakeboy Is Dying shines of its own (dim) lights, marking the first time for Robert Piotrowicz to augment the compositional palette with instruments beyond synthesizers and computers. His decision of tackling them without external aid is not the fruit of bullheadedness, but a conscious attempt to rigorously focus on the properties of those sounds that he deemed necessary for the music’s constitutional narrative to u…
