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Reedist Peter Brötzmann, a grand old master of European free jazz, has created a body of music that is considered among the most influential and pioneering of the 20th and early 21st centuries, from Machine Gun (1968) to Full Blast (TROST 107CD/LP, 2011) with Michael Wertmüller and Marino Pliakas. Brötzmann's recording presented here, a 72-minute document made in collaboration with the Munich ICI Ensemble, consciously alternates between the intimacy of contemporary chamber music and virtuosic br…
"Guitar drag by Christian Marclay is now being released on neon records. The record is actually the sound track for Marclay's video with the same title that was shown first at London's Hayward Gallery sound art exhibition "Sonic Boom" in 2000. The piece as well as Marclay has become an icon in sound art circles, and although the video can only be seen in exhibitions as an installation, it is widely known. The full 14 minutes sound track is released on a beautiful one-sided 12'' clear vinyl recor…
extremely limited LP by the artist/turntable god Christian Marclay’s ‘Guitar Drag’. The piece was originally a video, shown in 2000 at London’s Hayward Gallery, following an electric guitar lashed to the back of a pick-up truck in dusty San Antonio, Texas. The guitar was dragged by the truck for 15 minutes and the sound recorded, which resulted in otherworldly rumblings, hissing, buzzing and crunching – even the odd chord strangely enough, and of course, the soundtrack quickly achieved cu…