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This recording is my attempt to play Evan Parker. Seven tracks were recorded in STEIM's Studio 3, trying to reflect the liveness of Parker's solo recordings. All of these are single takes with minor edits at the beginnings or ends. Two interlude trac…
A keenly awaited recording from the long standing collaboration and friendship between Fernandez and Saura. They have worked together in many different groupings but this is the first time their specific duo music involving piano and live sampling…
PAT THOMAS (piano and synthesizer), CLAYTON THOMAS (double bass), RAYMOND STRID (percussion) recorded in concert at the 2009 Perspectives Festival, Västerås, Sweden.
An interesting development in recent times has been the transAtlantic and trans-generational connections being made in the improvisation community. The Emanem recording by Steve Beresford with Okkyung Lee and Peter Evans, and George Lewis' collaborat…
Aki Takase's visit to the North East of England resulted in two new fruitful encounters which Chris Trent was on hand to document. The duo with alto saxophonist John Tchicai and the trios with John Edwards (double bass) and Tony Levin (drums) are aug…
Eight soprano saxophone solos. The 2008 solo concert in Whitstable began as an invitation from artist Polly Read and film-maker Neil Henderson to collaborate on a joint work that included a concert in St.Peter's. These recordings are taken mostly fro…
Three live performances of collaborative electroacoustic compositions from 2007-08, recorded in London, Brisbane and Antwerp, each exploring different points of contact between precomposed structures and spontaneous invention: a duo adrift (in memor…
This music was inspired by Lynn Margulis’ serial endosymbiosis theory (SET), and is dedicated to her and her amazing insights into the mechanisms of biological evolution.In inviting Paul Lytton, Barry Guy, Walter Prati, Marco Vecchi, Lawrence Casserl…
Too often, critics make an automatic separation between ‘emotion’ and ‘intellect’, a framework which will get one nowhere with FURT. Instead, their music shows graphically how fused, how inseparable are the two. As Richard Barrett puts it: "The music…
'Stephen Grew (keyboard, processing), Richard Scott (buchla lightning, analogue synthesizer, sampler, processing), Nick Grew (transduction, processing) & David Ross (drosscillator) + special guests Orphy Robinson (vibraphone) & Paul Obermayer (sample…
A 2008 sequel to his highly-acclaimed first solo CD 'More is More' on psi 06.08.Peter Evans writes: Over the past couple of years one of my main creative outlets has been solo trumpet performance. These discs are meant to show various aspects of my …
Reissue of Chronoscope CPE 2002-2. Originally issued on LP 19 and a limited edition cassette. Evan Parker's first solo concert on soprano saxophone. Recorded by Martin Davidson in 1975 at the Unity Theatre in London, at that time the preferred concer…
Per Anders Nilsson (computer and synthesizer), Sten Sandell (piano, prepared piano, electronics and voice) & Raymond Strid (percussion). Beam Stone was founded a year before this October 2007 recording. The trio consists of three free improvisers, ea…
Agustí Fernández (piano), John Edwards (double bass) and Mark Sanders (drums). Agustí Fernández's connection with the London scene grows stronger by the year. His trio with John Edwards (double bass) and Mark Sanders (drums) brings him to the heart o…
Lawrence Casserley (signal processing instrument and voice) & Adam Linson (double bass, live processing and sampling) met first when Adam joined the Evan Parker Electro-Acoustic Ensemble for the Free RadiCCAls festival at the CCA, Glasgow in November…
Alexander Von Schlippenbach (piano), Daniel D'Agaro (clarinet), Tristan Honsinger (cello). This spontaneous chamber music establishes further advances in the development of improvisation as compositional process. Recorded in the prestigious Arte Suon…
Ray Warleigh (alto saxophone & flute) with Tony Marsh (percussion). 'What I play is absolutely unpremeditated. There are no soundscapes or pictures in my head. But I like melody very much, and I've thought about it a lot. After several attempts to ma…
The first solo cd by John Edwards, increasingly recognised as one of the most significant players of his generation. Recorded in splendid detail by John Wall in 2008, these nine tracks are a very fresh take on the possibilities of unamplified double …