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"How and why do we continue to make art in this bizarre time? Let me try here to offer a small break from insanity. I do believe that for listeners in our small pond, focused attention on sonic expression might help the individual keep a connection with their humanity and reinforce positive human endeavors—love, empathy, and truth-seeking. These seemingly obvious pursuits now need support as they are so unbelievably at risk. I offer this music as an aural refuge for mind and body. Such small bre…
A new voice in contemporary improvisation emerges with the Trio of Bloom, uniting three visionary artists at the forefront of modern music: Craig Taborn (piano, electronics), Nels Cline (guitar, effects), and Marcus Gilmore (drums, percussion).
This ensemble is less a meeting of individual virtuosos than the flowering of a shared soundworld—an immersive space where texture, rhythm, and resonance intertwine in real time. Each musician brings a singular language: Taborn’s kaleidoscopic harmonic …
Sylvie Courvoisier & Mary Halvorson Present Bone Bells on Pyroclastic Records. Two visionary voices of contemporary music explore new dimensions of resonance, texture, and interplay.
"I grew up in a literary household with parents who paid close attention to the written word. My father was a Goethe scholar, and my mother often read to us, pointing out the beauty of the sound of words. I have always felt an affinity for poetry. I appreciate its emotional power to move us and to make us think less literally. Miles Davis stressed the importance of knowing the lyrics to standards, and I’ve always believed that understanding the meaning of the words provides an added dimension wh…
"I’ve always been captivated by the night sky, endlessly wondering about what lies beyond. Amidst the vast expanse of stars, there is a sense of balance and symmetry that fascinates me—an order within the chaos. The innate patterns of the constellations sparked my curiosity, prompting me to explore how these celestial forms might be translated musically.
In the summer of 2024, I developed a process that allowed me to collect pitch and numerical data from constellations. I overlaid the shapes of …
*2023 stock* "Even though they’re often neighbors in the rhythm section, piano and guitar are not typically a good fit for jazz duets. Some of that has to do with the difference between an electrically amplified instrument and a percussive acoustic one, and some with the fact that the close voicings pianists favor are difficult on guitar, while the open voicings guitarists love don’t easily translate to piano.
But as Sylvie Courvoisier and Mary Halvorson suggest on Searching for the Disappeared …
*2023 stock* "This record documents long-term musical partnerships; duets with artists who have helped me refine my creative vocabulary. Yet my deepest musical relationship is with the bassoon itself, the kernel of my inspiration. It is the nurturer, the supporter, the quiet glue in an ensemble. It is awkward, huge, and demure. Even as a child, I was drawn to its uniqueness—its textures, timbres, and a sound that inspires movement. While I certainly appreciate orchestral playing in the Western c…
"This album is dedicated to those who recognize living as a heroic act: the occupiers of sunup barstools; the cubicle-planted; the ghosts of Greyhounds; the reasonably sketchy. A burlap hero is one who marches—consciously or not—back to the sea in hopes of making no splash, who understands and embraces the imperfection of being, and in that way, stretches the definition of sainthood to fit." - Nate Wooley
*In process of stocking* "In order to bear witness one must believe what one sees and belief, of course, is subjective. Knowledge is essentially faith. And the flexibility of human memory, our blind spots (whether empathetic or optic) and our great imaginations don’t make truth any easier to contain. This becomes more evident over time as the pages of history weather and the cataracts of progress cloud our collective “knowledge”. Humans love to forget and to repeat. We fall subject to confirmati…
"More Touch is a courageous step and important record from Patricia Brennan, a wonderful vibraphonist who is rapidly becoming one of the most innovative on today’s contemporary jazz scene. The nature of her compositions gives the quartet the chance to stretch and test boundaries, and the musicians respond by adding a unique dimension to her creative vein. Brennan is seen shoulder to shoulder with a talented rhythm team: bassist Kim Cass, who is an expert in form, texture and groove; the skillful…
"I imagined the four ensemble pieces that begin this album as belonging to the repertoire of a speculative musical culture — one potentially not so far removed from my own — whose sonic and lyrical affinities reflect chronic, hazardous inundation, and mystifying betrayal. Without my realizing it at first, they became, in their own way, more-or-less oblique renditions of the Jerome Kern / Otto Harbach standard “Smoke Gets in Your Eyes,” an object lesson in the transmutation of weather and grief i…