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Quakebasket

Williams mix extended
Approaching the original score from a contemporary perspective, this new interpretation of Williams Mix contains a close analysis of the relationship between early tape music and current digital production, including video, allowing for original parameters of the score to be realized within the context of recent audio-visual technologies. The video component of Williams Mix Extended, created by Lillevan, will focus on the permutation and transformation of John Cage´s tape notation into visual ar…
Astral collapse
"Latest excursion/exploration into the genius of the late great Angus Maclise that will throw you back into that insomnia haze you truly enjoyed, if you’re old enough. Stripped back focus on the artist and his compositions, some of which are the last things he ever recorded. In the 70s, Angus’s interest in tape music, noise, and the extreme gradualisms of music had reached its apex, and these pieces were born. Nowhere else will you hear Angus shredding apart the circuits of an arp synthesizer, o…
Big Wad Excisions
Restocked!!Coppice, the Chicago-­based duo of Joseph Kramer and Noé Cuéllar, have released a small but beautifully formed body of work showcasing unique instrumentation (bellows and electronics) and compositional practice. Big Wad Excisions builds on earlier experiments while tightening the focus and introducing new, unexpected elements. It also re-­launches the newly-resuscitated Tim Barnes's Quakebasket label, which after lying dormant for six years and relocating to Louisville, KY, is enterin…
At The Cathedral Of St. John The Divine
LONG OUT OF PRINT, FEW COPIES AVAILABLE: originally planned as a release for the now legendary Aspen magazine these six meditations in "spontaneous sound" have finally made their way into mass consciousness. Recorded live at the Cathedral of St. John the Divine in 1970 using a truly vast array of gongs, cymbals, chimes, timpani, bass drums, woodwinds, as well as some instruments specifically designed for him by somnambulist instrument builder and musical maverick Harry Bertoia. From a faint whis…
Brain Damage in Oklahoma City
Previously unreleased material recorded between 1967 and 1970. "Comprised of eight tracks, the acme of this collection is the two large ensemble pieces, "Dreamweapon Benefit for the Oklahoma City Police Dept. parts 1 & 2," featuring Angus Maclise (barrel conga), Hetty MacLise (tampura), the poet Jackson Maclow (recorders and voice), Henry Flynt (song flute and voice) and Tony Conrad (limp string). These tracks, recorded in May of 1968, are the apex of maximalist loft style psychedelic improvisat…
All acoustics
'All acoustics' is a re-issued recording of two solo percussion improvisations recorded and performed by Barnes without overdubs on July 18, 2001. Located at the heart of what Allows Barnes to pull off All of his scene-stealing rhythmic feats, the album sums up to nearly an hour of Barnes exploring his entire percussive palette - no guitars, no strings, no synths, no horns, just drums. by Daniel Dineen.
Futuro
In early 2003, AKIYAMA (guitar) and BARNES (percussion(s) began a tour that took them from Kyoto, Osaka and Tokyo in Japan, to New York, North Hampton, and Boston. Along the way, they picked up many friends (Ami Yoshida, Matt Valentine, Sean Meehan, Toshimaru Nakamura) to perform with them as trios. One night in particular, a below freezing evening in Osaka, AKIYAMA and BARNES were joined by one of the most exciting trumpet players to emerge from Japan in the last 20 years -- Masafumi EZAKI. Pro…
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