★Room40
Elemental View
Few contemporary composers have created instruments as singular as Ellen Fullman's Long String Instrument, and fewer still have explored its possibilities with the depth and invention documented on Elemental View. This six-movement work, performed in…
In the Depth of Illusion: A Soundtrack for Nervous Magic Lantern
"Ken Jacobs, an essential figure of avant-garde cinema, and I had over-a-decade-long collaboration. We first performed fo his Nervous Magic Lantern project at the Argos Festival in Brussels in 2007. Before flying to Europe, Ken invited me to the top-…
Njurra Wänja
"The process of making music together in Hand to Earth is unlike any other we have experienced. It is not free improvisation but it is not composed either. It is somewhere in between, and it feels like ‘weaving.’ Through Hand to Earth, we weave the t…
A Book of Waves
"After playing together for years, our tide was turning. What began as a happy rhythm of show dates in Berlin, from cozy trios in Klaus’ home studio to ten-piece ensembles at Ausland, was now ebbing away thanks to Andy’s move to the US. Whenever an a…
Archival Recordings: Primal Image / Beauty
Time is a mysterious companion in Alan Lamb’s Primal Image/Beauty. Recorded on abandoned telephone wires in Western Australia, these works explore harmony and materiality, blending dynamic sonic environments with deep listening. Lamb’s music invites …
Milan
"In 2016, I invited Norman Westberg to Australia for his first solo tour. He’d been in Australia a few years before that, touring The Seer with Swans, and it was during this tour that I’d had the fortune to meet him. Since that time Norman and I have…
Caligo
"What remains after mutilating and reassembling an essential historical recording? How is it connected to a particular event in a grotesque and cyclical novella riddled with medical procedures of an aesthetic and deforming nature? Malakoot – this spi…
The Prosperity Of Vice, The Misfortune Of Virtue
Matte laminate and embossed sleeve, with insert card and fold out poster + vinyl sticker (20cm long). Recorded in 1996, Merzbow's The Prosperity Of Vice, The Misfortune Of Virtue is one of a series of unique editions from his vast catalogue that reve…
Even The Horizon Knows Its Bounds
From Lawrence English: "I like to think that sound haunts architecture. It's one of the truly magical interactions afforded by sound's immateriality. It's also something that has captivated us from the earliest times. It's not difficult to imagine th…
Journey to the Cave of Guanyin
The inspiration for these pieces comes from the Chinese folklore of Guanyin, a deity whose name translates to ‘the one who perceives all the sounds, or cries, of the world’. Also known as Guanshiyin 觀世音, she is the embodiment of infinite compassion. …
I Know the Number of the Sand and the Measure of the Sea
I Know the Number of the Sand and the Measure of the Sea is the first collaboration of Lea Bertucci and Olivia Block. This collaboration was set into slow motion some years ago, in 2017, when Lea and Olivia connected through an interview facilitated …
View
"View was first presented as part of a solo exhibition at the jennjoy gallery in San Francisco, the show also included paintings, drawings, and a silent video work. For the installation, I asked Jenn to record for me the sounds of the View from one o…
Archeology // Archeologia
Biiiiiiiig Tip! "It has taken me over 50 years to write these words. Since my initial successes in the 1970’s many have urged me to “release” unpublished works from the same period, pieces that featured the VCS3 synths or the amazing Serge (which I r…
Ku
*2024 stock* The act of conjuring remarkable sound from found objects is at the very heart of this recording from American musicians Greg Davis and Jeph Jerman. Having met in Arizona some years back, Davis and Jerman commenced working together on a s…
A Picturesque View, Ignored
Echoes of disconnected sound reverberate meshing together into a cascading river of intersecting sound elements – occasionally confrontational, ultimately unforgettable.
Night Passage
"I’ll take a guess and say I first heard Alan Lamb’s Night Passage in 1999. Released by Darrin Verhagen’s seminal Dorobo label, the record birthed an approach that wove together themes of materialism, field recording and a reimagining of the abandone…
Arms
"There’s two things I can tell you about Ueno Takashi, without reservation. The first is he knows the best coffee spots in Tokyo. I am the happy recipient of this knowledge. The second thing I can tell you is that he is someone for whom the guitar is…
Slow Motion Lightning
Slow Motion Lightning; deadly and unpredictable never strikes twice in the same place except when it does.
A Colour For Autumn
"Somehow, 15 years has passed since I worked on A Colour For Autumn. This recording was, in many ways, a critical one for me. In some respects, it rounded out a period of work that was focused on a particular marriage of thematics and harmony. Like F…
Neuromancer
"It’s hard to imagine that this year William Gibson’s Neuromancer celebrates its 40th anniversary. Having recently re-read the book for the first time in a great many years, the world building Gibson undertook in that text and the lingering cultural …