★Sawyer Editions
Sion Transcriptions
Window into the performance of someone else’s hands, traced and cut up in pieces, computer-aidedrecomposition into never-ending patterns, hocketed between worn keys and machines, the spacesounding in answer. I’m wondering what the Alps above the Val …
Nonalith
“This album resulted (like many things) from experimentation, and actually from composing etudes formyself to practice justly-tuned chords. From that starting point I began to think about space, not justspace like the silence around sound events, but…
Studies in Tonality*
This is a set of improvised studies made on the Clavemusicum Omnituonum, a harpsichord designed in1606 by Trasunto with 31 keys per octave. With this 2016 copy made by Markus Krebs for Studio31(Basel), I let the music unfold out of the gestures the h…
Walk in Praise of All Metals
Recorded in rural eastern Washington State, Walk in Praise of All Metals reflects the raw expanses of the‘Channel Scablands’, a region which gladly bares the scars of ancient volcanism, ice age floods, &hydroelectric power. Like the landscape—born of…
The Great Liberation Through Hearing
The Great Liberation Through Hearing (1995) is scored for amplified, just-tuned string quartet and digitallytransformed human voice. Generated from a phonetic analysis of the names of Buddhist deities describedin The Tibetan Book of the Dead, the pie…
Sunday Mass: Text Scores 2019-2024 (Book)
This collection of text scores is a survey and a re-formatting of my work in prose and text scoring between 2019 and 2024. While not comprehensive, several of these pieces are from my Grid Series and a few have never been presented publicly or privat…
Forming - Concentric Rings in Magnetic Levitation
In late fall of 2018, Ryan traveled to Valencia, California to meet with Michael for a weekend of informal conversations at California Institute of the Arts. Before Ryan returned home to Colorado, Michael gifted him a recently released recording of T…
Given
"The piece given may be characterized as a certain activity, a special kind of practice. We practice as a trio (two players and one producer), hoping that anything might emerge: we gather to share a beautiful time together, exchanging our hopes and l…
When you rub your eyes, you see things you can’t describe
"In the emergence of consonance out of vapor, in shapes slowly forming from static sounds, Szymon Wójcik’s music gestures toward the movement named in its title: the appearing of what cannot be described. We hear it in its porousness: despite the den…
Any sense of where we were gone
Any sense of where we were gone is music obsessed with the infinite within the minute, with the mercurial, breakable, with shifting, sifting, cohering, and digressing. It is an improvisational framework in five parts for chamber ensembles, prepared p…
Perpetual Guest
For a few days at the end of July 2023, I curated a series of concerts and recordings in a few spaces in the historic, now-defunct Kreenholm Textile Factory in Narva, Estonia, a stone's throw from the Russian border. In Kreenholm's reverberant rooms,…
For Jack
For Jack was written in 2024 for pianist Jack Yarbrough. I was inspired by Jack’s many performances of my music; how he approaches my soundworld with a beauty of touch and an attention to pacing. This piece is approximately 50 minutes long and, with …
Ascending Music
The pieces brought together here were assembled as the fruit of collaboration undertaken by Falzone and Evans-Weiler. Instrumentation is the strongly unifying element. The reed organ, once ubiquitous in the private music setting of the home as well a…
Simultaneous Contrast
After-Image traces composer Lila Meretzky’s exploration of memory, color, and time through chamber, vocal, and electroacoustic works, culminating in luminous studies for strings and percussion inspired by personal and historical narratives.
A lifetime of annotations
Feldman and Tobias Hume (performed by Luciana Elizondo and Guy Vandromme).
Melos
Melos is an ongoing series of site-specific works for organ and electronics. By merging sampled organ tones with sustained chords, it creates evolving, immersive textures unique to each venue. Each piece explores and expands the organ’s expressive li…
Intermissions
Feldman and Tobias Hume (performed by Luciana Elizondo and Guy Vandromme).
Exhaustion / Proliferation
Exhaustion and Proliferation, two pieces created in 2024 by Cyril Bondi and d’incise for the Insub Meta Orchestra, with the help of Ed Williams for the chord choices. Both rely on their ownprinciples, within a reduced esthetic and a guided timeline. …
Dissolution Seedlings
The members of House on Fire met Ben Richter in 2019 while we were all attending CalArts,and as our ambitions as a group grew, we wanted to work with someone who would engagethe latent, unexplored possibilities of our instrumentation. The piece spraw…
enclosures
enclosures addresses issues of space, place, reverberation and resonance across five pieces. Anexercise in scale, each piece is a portal: a biome, containing its own environment, weather, sense of time. Featuring juxtaposed convolution reverbs that t…