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For the first time ever, the whole Piero Umiliani’s production on his Liuto and Sound Work Shop record labels is collected in a two sensational box sets.
Simply mindblowing, absolute tip! "A fantastic obscure record, whose tracks simply anticipate Techno and generally Electronic music of the early 70s, including Kraftwerk’s milestone Autobahn, Heldon and Lard Free. A mind-melting opera. While Kraftwerk released Ralph & Florian, and about one year before the releasing of the milestone Autobahn, maestros Sandro Brugnolini and Giorgio Carnini were already experimenting the deep sounds of analogue synthesizer ARP 2600.The set provides some blending F…
2021 Reissue. “La ragazza dalla pelle di luna” is the first chapter of Piero Scattini’s acclaimed movie trilogy,completed by “La ragazza fuoristrada” (1973) and “Il corpo” (1974), whose soundtracks were all entrusted into Piero Umiliani’s expert hands. With a title taking inspiration from the fame of Seychelles’ indigenous beauties (a myth later dismissed by Scattini himself) the film found its protagonist thanks to a casual encounter between the director and the beautiful model Zeudi Araya, the…
**2021 Remastered repress** Considering the incredibly wide range of styles adopted by Piero Umiliani during his career, it will come as no surprise for you to know that he also produced disco. And therefore here we have the long awaited reissue of a record that goes by the explicit title of Discomusic. The release was signed as Soundwork Shoppers, a moniker concealing the identities of the Maestro and some of the most talented session musicians of that time, such as Giovanni Tommaso, Dino Piana…
** 2021 Remastere repress** This is the second movie with Zeudi Araya, filmed in a hurry to take advantage of the success of the previous “La ragazza dalla pelle di luna”. “La ragazza fuoristrada”, set between Egypt and Ferrara, Italy, deals in an unusual way with the theme of racial integration, still a taboo at the time especially in remote Italian provinces. Despite the fact that the title evokes the legendary "Dune Buggy" (the main character, Luc Merenda, is a journalist who goes to Egypt to…
** 2021 Remastered Repress** “Feelings” is considered an absolute cult inside the library music panorama. As the same Torossi recently said, the album “was played only by studio musicians... the best we could find at the time, and the results show”. The album sees the participation of Sandro Brugnolini, Giancarlo Gazzani, Puccio Roelens and Stefano Torossi, famous songwriters in the field of soundtracks and library music. “Feelings” had been released for the first time in Italy by Carosello Reco…
**CD version** Given his fascination with obscure and esoteric topics, an interest that lasted throughout his whole career as a composer of library music, Fabio Fabor must have been diabolic and mysterious for real. The Milan-born composer, who passed away in 2011, had always showcased a darker side compared to other fellow musicians of his era. A side that is well portrayed in works like the famous masterpiece “Pape Satan”, or “Satanas”, which is included in the very accessible “B 81” (Serie Us…
**CD version** Absolute music composed for keys which sound is processed in order to obtain particular effects, timbre and soundscape. There would not be other words needed to describe “Dramatest”, a release of experimental library music published in 1974 by Fonovideo and signed by Oscar Rocchi (and his moniker Chiarosi) and Fabio Fabor. Rocchi, an excellent pianist and composer, had worked with heavy weights of Italian jazz such as Dino Piana e Oscar Valdambrini (on their amazing album Afrodite…
**CD version** Lelio Luttazzi was a multifaceted artist who shined and left his mark as a pianist, musician, conductor and com- poser. A jazz lover, Luttazzi reached fame and success thanks to his brilliant and undoubtable talent. During a career spanning more than 50 years, he established himself as a master of several disciplines such as music, literature and cinema.He started his career in Trieste right after the Second World War. In 1948 he moved to Milan to take on the role of Director at t…
**CD version** Amleto Armando Roelens, also known under the moniker of Puccio, had a musical career almost entirely devoted to jazz; he was one of the first in Italy to play jazz music with his orchestra at the end of World War II, a genre that at the time was regarded as a vulgar import from the states. After some collaborations with RAI, the Italian national public broadcasting company, the fortunate encounter with the composer Armando Sciascia led him to write arrangements for many albums rel…
Long-awaited reissue of this incredible and near-mythical 1970 album, remastered from the original master tapes with superior sound quality, replica of the original RCA LP (with bonus CD) in a limited edition of 500 copies. An insane amalgam of avant-improvisation and motorik krautrock beats that, understandably, has become one of the most collectable LPs ever issued (original copies are impossible to obtain).Just as the first "krautrock" lp's were coming out in Germany, in Italy we had a surpri…
**CD version** A deep mystery surrounds the movie “Nell’anno della Luna” (In the year of the Moon) and its soundtrack, which was released one year later. A beautiful work that lingers in between swing and melodies, in a fad that was popular a few decades earlier, complemented by some elements of novelty borrowed from beat and rock. The title track, “Alla brasiliana” and “Samba Querida” sound more traditional, while titles like “Afro Swing”, “Underground”, “Beatmania” (all featuring the vocal ens…
“Produzione”, originally released in 1973 on Piero Umiliani’s LP “Problemi d’oggi”, is an amazing mix of acoustic percussion and electronic experimentation, considered by some as the first example of techno trance music ever recorded. This song, along with “Attività”, another excerpt from “Problemi d’oggi”, has been ‘reworked’ by Gerardo Frisina, who cleverly extends the original content by mixing it with contemporary electronic sensations. The result, packaged in an artwork inspired by the ori…
CD version. “Musica per commenti sonori” is a cult series within the diverse world of Italian library music. In the late sixties and seventies, the small record label Costanza Records has published several releases precisely focusing on ‘background music’, including works of great composers such as Peppino De Luca, Roberto Pregadio, Franco Micalizzi, Vito Thomas, Giancarlo Thomas, Puccio Roelens, Riccardo Luciani, and by the protagonists of this long-time due reissue: Sandro Brugnolini and Stefa…
**CD version** Although library music has always had the purpose of accompanying TV and radio shows, documen- taries and TV news, it is difficult to track down most of these masterpieces composed by some of the greatest composers of those years. Anonymity is one of the distinctive traits of this music genre, being in most cases difficult, if not impossible, to find out where these tracks had been used. The liner notes of these works often spark the reader’s curiosity: the notes are in fact detai…
**CD version** Due to an overwhelming number of reissues and to the steady and meticulous work of collectors and passionate music lovers who have been spreading the word about it, the realm of Italian library music has moved from being some kind of hidden cult to becoming a well defined niche. Authors such as Alessandroni, Umiliani, Sciascia, Tommasi and Sorgini have become more accessible to the uninitiated, while prices of the original presses of their records keep surging.Among the multitude …
**CD version** Due to an overwhelming number of reissues and to the steady and meticulous work of collectors and passionate music lovers who have been spreading the word about it, the realm of Italian library music has moved from being some kind of hidden cult to becoming a well defined niche. Authors such as Alessandroni, Umiliani, Sciascia, Tommasi and Sorgini have become more accessible to the uninitiated, while prices of the original presses of their records keep surging.Among the multitude …
**CD version** “Codice d’amore orientale” had been often labelled as one of the lowest points reached by the b-movies from the ’70s. Essentially, it is just a genuine attempt to exploit the success of the erotic genre, very popular at the time: the movie tells the story of two young lovers, running away from their families that were against their union. The two are given shelter by a minister of love, who introduces them to the secrets of Kamasutra.Definitely not an art-house film, and surely di…