★Shiiin
Martine Joste, Piano Solo
The complete works for ordinary piano by microtonal pioneer Ivan Wyschnegradsky, mostly unpublished, from the late Étude sur le carré magique sonore back to preludes written in Petrograd in 1916. Played by Martine Joste, who knew him well.
Occam Ocean 1-4
The first four volumes of Éliane Radigue's Occam Ocean on five CDs: solos, chamber pieces and orchestra, all shaped through oral transmission around images of water. Bundle of four Shiiin releases.
The Great Learning
All seven Paragraphs of Cardew's The Great Learning by the Scratch Orchestra Strasbourg under Didier Aschour, an orchestra born from an open call and two years of shared practice: 4CD box with a 116-page booklet.
Occam Ocean Vol. 2
Second instalment of Éliane Radigue's Occam Ocean, a long suite for the 30-piece ONCEIM orchestra conducted by Frédéric Blondy: accordion, guitars, clarinets, saxophones, strings and brass merged into one slowly breathing tone.
Occam Ocean Vol. 1
First instalment of Éliane Radigue's Occam Ocean on two CDs: five solo, duo and trio pieces for harp, viola, birbyné and bass clarinet with Rhodri Davies, Julia Eckhardt and Carol Robinson. With a 40-page booklet.
Contes Sentimentaux
Eleven radio tales made by Brunhild and Luc Ferrari for Südwestfunk in 1990-1994: the couple talk in French and German around Luc's pieces, turning memories, anecdotes and music into new radiophonic works. 4CD box.
Piano Trimba
Dominique Ponty (piano) and Stefan Lakatos (trimba), who knew and worked with Moondog for years, play his miniatures, known pieces next to unpublished ones mostly dedicated to Ponty. A faithful, detailed portrait.
Occam Ocean Vol. 4
Fourth chapter of Éliane Radigue's Occam Ocean: three long pieces for alto saxophone, voice, treble viol, birbyné and bass clarinet, shaped with Bertrand Gauguet, Yannick Guédon and Carol Robinson through oral transmission.
Occam Ocean Vol. 3
Éliane Radigue's Occam Ocean 3: three pieces for viola, violin and cello with Julia Eckhardt, Silvia Tarozzi and Deborah Walker, recorded in 2019 in an abbey near Bologna. Music born of oral transmission and water images.
Naldjorlak I, II, III
Éliane Radigue's complete Naldjorlak trilogy (2004-2009): I for cello (Charles Curtis), II for two basset horns (Carol Robinson, Bruno Martinez), III for all three. Recorded in Paris in 2011 by Daniel Deshays. 3CD.
Pianos Quart de Ton
Music for two and four pianos tuned a quarter tone apart: Wyschnegradsky's Ainsi parlait Zarathoustra and 4e Fragment symphonique with ondes Martenot, plus new works by Alain Moëne and Alain Bancquart. Several first recordings.
Risonanze Erranti
Luigi Nono's Risonanze erranti, the 1986 song cycle for Massimo Cacciari on texts by Melville and Bachmann, for mezzo, flute, tuba, percussion and live electronics: Ensemble Prometeo and the SWR Experimentalstudio. SACD.
Schraffur for gong solo
Fritz Hauser scrapes a single small gong for almost an hour, from the edge of silence to a dense, shifting cloud of overtones. Solo version of Schraffur, recorded in Piedmont in 2011 and mixed by Hauser himself.
La journée de l'existence
Wyschnegradsky's visionary poem for narrator and orchestra, conceived in 1916 and first heard only in 1978: the live premiere with Mario Haniotis and the Orchestre Philharmonique de Radio-France, plus interviews with the composer.
L'ile Re-Sonante
Éliane Radigue's L'île re-sonante, one hour-long movement for ARP 2500 inspired by her face reflected in a lake: slow oscillations, ghostly voices and shifting drones. First Shiiin release, Golden Nica at Ars Electronica 2006.
The Golden Mean
Charlemagne Palestine live at the Sorbonne chapel in 1979, playing two Bösendorfer Imperial pianos: forty minutes of slowly accumulating intervals and ringing overtones. Hand-made CD in a velvet box designed by Palestine.