“In his last publication Francisco López presents us two pieces, Köllt and Kulu, both with an audiovisual and an audio version. In this work, the artist has blurred the boundaries between field recordings and artificial sounds by means of an artful manipulation of sound. As a result the field recordings are no longer identifiable, and have lost all visual association. Even in the audiovisual version of Köllt, where there seems to be a correspondence between the displayed images of ant activity a…