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The Faust vaults through Jean-Herve Peron's eyes. Songs, sabotage and tender strangeness sit side by side, a personal cut of the krautrock legends' boundless, unruly tape archive.
*200 copies limited edition* "This record is the crystallization of a friendship and musical partnership that started when Sonelius and I first met in 2012, when I was making my documentary on Rahsaan Roland Kirk – The Case of the Three Sided Dream. …
Two works by Luc Ferrari: Chansons pour le corps, for voice and ensemble, built on interviews with women, and the symphonic tale Et si tout entière maintenant for actress, tapes and orchestra. First release in Mode's Ferrari series.
Eleven radio tales made by Brunhild and Luc Ferrari for Südwestfunk in 1990-1994: the couple talk in French and German around Luc's pieces, turning memories, anecdotes and music into new radiophonic works. 4CD box.
Vincent Royer plays viola with tape and electronics in three Ferrari-related works: Luc Ferrari's Ephémère (1974) in a 2012 version by Brunhild Ferrari, her Le piano englouti, and Royer's improvisation on Ferrari's Ce qu'a vu le Cers.
'Dorothy Ashby was the very best and most swinging performer on the multi-stringed instrument associated with the gates of heaven. Here on Earth, Ashby adeptly plucked and strummed the harp like nobody else, as evidenced on a single reissue containin…
In Radio Experiment Rome, February 1981, Robert Wyatt dismantles the barriers of song structure in a playful, vulnerable encounter with live radio. Captured in RAI’s studios, this session documents his real-time creative process as fragments of melod…
Dominique Ponty (piano) and Stefan Lakatos (trimba), who knew and worked with Moondog for years, play his miniatures, known pieces next to unpublished ones mostly dedicated to Ponty. A faithful, detailed portrait.
** Edition of 200 copies, incl. 18” x 24” fold-out poster, insert, incl. download ** Nour Mobarak’s Dafne Phono is an adaptation of the first opera, Dafne, composed and written by Jacopo Peri and Ottavio Rinuccini in 1598. Drawing on the myth of Daph…
For the very first time on double vinyl, one of the most amazing musical adventures of influential singer & songwriter Julie Tippetts. Originally released on cd in 1999, Shadow Puppeteer is the result of a long running career, a devotional solo album…
Six first recordings for solo percussion by Luis Tabuenca, each named after a work by Paul Klee, played acoustically with no electronics beyond amplification, with liner notes by Steven Schick.
*Contains printed inner sleeve with archival photos and extensive liner notes by two Italian soprano saxophone specialists Roberto Ottaviano and Eugenio Colombo, and pianist Martin Joseph himself* Recorded Live in Italy in October 1985 and mastered d…
Three world premiere recordings by Carol Robinson that pair a live soloist (basset horn, double bass, electric guitar) with computer music, each inspired by weather: a winter thaw, a green sky over South Dakota and a hurricane.
Live improvised concert by the John Heward Quintet, celebrating drummer John Heward and bassist Barre Phillips, both eighty at the time, with Lori Freedman, Joe McPhee and Dana Reason.
** 2022 Repress ** "Music Promenade" (1964-1969): Electroacoustic Music, world premiere for the Théâtre de la musique, March 16, 1970 "Hétéro-Concert". Permanent version for four stand-alone tape recorders. A series of colliding realistic sounds and …
Chamber works by Christian Wolff from 1950 to 1987, mostly first recordings, including the Serenade written at sixteen, the Harriet Tubman setting for voice and trio, and For Morty, played by The Barton Workshop under James Fulkerson.
Three CDs and a 144-page book of Walter Zimmermann's vocal music from 1979-2016, on texts by Eckhart, Hadewijch, Mandelstam, Jabès, Creeley and others, with a 1982 rock and new music band recording, Freunde.
First recording of the twelve Piano Etudes by Roger Reynolds, in two Books written in 2010-11 and 2016-17, played by Eric Huebner. Second of two volumes celebrating the composer at 85.
Ten improvised duets recorded in June 2006 by Joe McPhee on pocket trumpet and alto saxophone and Montreal drummer and painter John Heward on drums, kalimba and percussion.