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2025 Repress. In the ever-expanding universe of ambient and minimal electronic music archaeology, certain discoveries feel more significant than others - those rare moments when a previously overlooked recording emerges to fill gaps we didn't even know existed in our understanding of the genre's evolution. Stroom's reissue of Milan W's Leave Another Day represents precisely such a revelation, offering contemporary listeners access to a work that exemplifies the sophisticated minimalism that flou…
2025 stock Jan Erik Vold and Jan Garbarek, two of Norway's most prominent jazz figures, teamed up with bassist Arild Andersen, drummer Jon Christensen, guitarist Terje Rypdal and Bobo Stenson on keyboards on those two September days in 1970 to create a formidable jazz album that sells for thousands on the second-hand vinyl market. Two poems from Vold (‘Det alle vet’ from the poetry collection Mor Godhjertas glade version. Ja (1968) and ‘Dikt’ from Kykelipi (1969)) and long, slow instrumental sec…
Magic Box present reissue of Dulcimer's And I Turned As I Had Turned As A Boy..., originally released in 1971. Having been talent-spotted playing in a restaurant in the English countryside, this acoustic trio made their sole album in 1971. A combination of gentle ballads, fantasy lyrics, and poetry read by actor Richard Todd, it's a lost classic of pastoral folk, and makes its long-awaited return to vinyl here, together with background notes and images. Gatefold sleeve with insert.
One of the great lost albums of British psychedelia, original copies of Arzachel's 1969 self-titled debut fetch huge sums on the collectors' market and it is not difficult to understand why. Originally released in 1969 on the small Evolution label, this album quite simply contains some of the best psych to ever come out of the UK. However, like so many other great albums of the era, it soon dropped entirely from the radar due to bad promotion. In fact, it may not have ever been rediscovered at a…
Max Roach wasn't just one of the greatest drummers and percussionists in jazz history; he was also one of the greatest bandleaders in all of jazz, able to adapt his playing to an innumerable array of styles, from bop to free, and blessed with a keen eye and ear for talent. And he always, always kept pushing himself and his bandmates to find new modes of musical expression throughout his six-decade career. Speaking of modes, this 1968 release on the Atlantic label is one of his finest albums, a m…
In 1980, Fujio Yamaguchi joined Les Rallizes Dénudés for a legendary studio recording session. Now, the fiery intensity of those early sessions will finally be unleashed from the archived tapes!
Over the last five decades, Krautrock forerunners Guru Guru have been breaking boundaries, experimenting with free jazz, rock’n’roll, Indian, South East Asian and African rhythms and scales to create their own brand of psychedelic cosmic rock. This reissue of their acclaimed 1977 album is an excellent exponent of their global experiment, done flawlessly. Recorded after long stays in India in the mid 1970s, Globetrotter is a landmark album in the Guru Guru discography
Guru Guru have been an insti…
2025 stock In the ever-evolving landscape of European improvised music, Groet stands as a testament to the restless creativity and sly wit of pianist Guus Janssen and drummer Han Bennink. Released on the Dutch label Data in 2005, this album captures two of the Netherlands’ most idiosyncratic voices in a dialogue that is as unpredictable as it is deeply musical.
Janssen and Bennink, both veterans of the Dutch avant-garde, approach the piano-drum duo format with a sense of play that borders on the…
2025 stock In the ever-evolving landscape of European improvisation, Apa Ini stands as a testament to the restless creativity of saxophonist Tobias Delius and his ensemble. Released on the Dutch label Data Records in 2003, the album brings together a formidable quartet: Delius on tenor saxophone, Hilary Jeffery on trombone, Wilbert de Joode on double bass, and Serigne C.M. Gueye on percussion
Apa Ini is not an album that seeks easy answers or comfortable resolutions. Instead, it thrives on the t…
2025 stock In the early 1980s, the Dutch improvisation scene was a crucible of restless invention, and Cellotape & Scotchtape stands as a quietly radical document from its margins. Released on the small but influential Data label, this collaboration between cellist Ernst Reijseger and Scottish percussionist Alan "Gunga" Purves is a study in playful, tactile exploration—music that feels as if it’s being assembled in real time from the detritus of the everyday.
Reijseger, already known for his uno…
2025 stock In the late 1970s, Amsterdam was a crucible for radical improvisation, and Mistakes—the collaboration between South African saxophonist Sean Bergin and Dutch cellist Ernst Reijseger—stands as a vivid document of that era’s restless energy. Released on the Data label, the album captures two musicians at the threshold of their creative powers, forging a dialogue that is as unpredictable as it is intimate.
Bergin, who had recently relocated from Durban, brings a raw, searching lyricism t…
2025 stock Elastic Jargon is an album by Dutch composer and violist Maurice Horsthuis, released in 2007 on the Data label. The project brings together a unique ensemble of string players, with Horsthuis as the sole composer, exploring the boundaries of what can be achieved with string instruments alone.
2025 stock In the ever-mutable landscape of Dutch jazz, Joost Buis’s Astronotes stands as a testament to the playful collision of composition and improvisation. Released on the Data label in 2004, the album finds Buis—trombonist, composer, and bandleader—at the helm of a vibrant ensemble drawn from the heart of Amsterdam’s creative music scene.
From the opening bars of “The Eggs,” it’s clear that Buis is less interested in adhering to tradition than in subverting it with wit and invention. The b…
2025 stock In the shadowy interstices of contemporary jazz and free improvisation, Slang by Elastic Jargon emerges as a document of restless inquiry and coded communication. Released on the Dutch label Data in 2010, the album is a cryptic dispatch from the margins, where genre boundaries are not so much blurred as actively subverted
Elastic Jargon—true to their name—stretch the language of jazz until it snaps, then reassemble the fragments into something at once familiar and alien. The group’s a…
American percussionist Jeff Arnal and German pianist-composer Dietrich Eichmann’s two-decade partnership fuses polyrhythmic structures and vibrant textures in dynamic, improvised soundscapes. "Tides of Unrest" captures their creative synergy in a 2023 session, blending innovation, tradition, and collaboration.
Creep Of Paris is the solo project of Thomas LaRoche (aka Eudocimus Ruber). Complementing his audio and visual output, he moonlights as an insect breeder and secondhand book seller. He has recorded on labels such as Drowned by Locals, Index Clean, Chocolate Monk, and Beartown Records, as well as his own imprint, Research Laboratories.
*300 copies limited edition* Manchester’s sferic label return with a debut from ungoogleable Greco-Canadian anomaly Anastasia Patellis, aka Any, featuring additional instrumentation and co-production from Klein/Lolina cohort LA Timpa. It's a set of "squat pop" experiments that thread nocturnal soundscaping and pop hooks through hallucinated outlines written on harp and broken synth.
Greco-Canadian artist Any was bedding down in a Cretan squat when the album's title, μέγα ελεός in Greek, boomed …
A New Life is not an album. It does not belong to a ‘genre.’ Not aesthetic, not ironic, not for consumption. Not intellectual—it is felt. It speaks from coherence—structure beneath the noise. Grief, anger, stillness are not flaws here—they belong. Featuring harp and saxophone by Róisín and Cathal Berkeley. A return to truth. To be human without the mask. Integrated, not performed or bypassed. "May we all live freely, knowing that all is well— ever was, ever will be. Not by ignoring what’s here, …
Benoit Pioulard’s Stanza series, begun in 2015, explores meditative, lo-fi guitar loops as sonic journals. Stanza IV, the first on vinyl, deepens this ambient journey, accompanied by diverse reworks and a unique, limited-edition package.