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Trombone titan Ray Anderson and tenor sax visionary Ivo Perelman invite listeners into the mystical forge of creation with their electrifying new album, 12 Stages of Spiritual Alchemy. Released today via Fundacja Słuchaj, this duo recording captures two masters of free improvisation transmuting raw sound into pure gold across twelve transformative tracks.
Anderson's growling, buoyant trombone weaves serpentine lines and thunderous bursts, while Perelman's tenor sax erupts in fiery spirals and ha…
Fundacja Słuchaj proudly unveils The 7th Dinner Live, a sizzling live recording from the Joe Hertenstein Trio – drummer/composer Joe Hertenstein, reed master Michael Moore, and bassist powerhouse Michael Formanek – elevated by the irrepressible trombone wizardry of special guest Ray Anderson. Captured in the heat of performance, this album transforms a intimate dinner setting into a banquet of boundless improvisation, where jagged rhythms collide with lyrical invention and raw emotional depth.
H…
Fundacja Słuchaj announces the release of Comprehensive, a riveting new album from the powerhouse trio of Joe Morris (guitar), Tyshawn Sorey (drums), and Peter Evans (trumpet). This recording captures the essence of fearless improvisation, where structural precision meets boundless creativity.
In Comprehensive, three of contemporary music's most visionary artists converge for a telepathic exploration of rhythm, timbre, and form. Joe Morris wields his guitar as a sonic architect, crafting intrica…
Fundacja Słuchaj proudly announces the release of Choreography of Fractures, a searing new album from the powerhouse trio of bassist John Edwards, trumpeter Luis Vicente, and drummer Vasco Trilla. This recording captures the unbridled intensity of live improvisation, where fractures in sound become portals to profound musical discovery.
In Choreography of Fractures, Edwards, Vicente, and Trilla forge a sonic landscape that dances on the edge of chaos and control. Edwards' thunderous double bass …
Creatively visionary and groundbreaking on numerous terms, 1973 'Os Tincoãs' revolutionized Brazilian music by harmonizing Afro-religious singing, heavenly vocal harmonies, and frawing on Yoruba mythology, Samba, Capoeira chants and spiritual songs.
The third album by the legendary Bahian trio, originally released in 1975 on Odeon and finally back on vinyl. One of the most spiritually charged records to emerge from Brazil during the military dictatorship years. Hold on to your hats. Os Tincoãs - Mateus Aleluia, Heraldo and Dadinho - came from Cachoeira, in the Recôncavo Baiano, a region steeped in Afro-Brazilian traditions where Candomblé terreiros and Catholic chapels existed side by side, where sacred rhythms passed from generation to gen…
At first glance, the idea that McCoy Tyner and the Grateful Dead might share musical DNA seems like a stretch. One built frameworks to support Coltrane’s spiritual flights—rewriting the jazz harmony playbook while turning chords into flexible architecture. The others were a San Francisco circus of psychedelic chaos and Americana grooves, an improvising rock band whose mythology often overshadowed their musicianship. On the surface, Tyner and the Dead appear to come from different galaxies. But l…