New Arrivals
Writing (Book)
With Writing, Ahmed - the quartet of Pat Thomas, Joel Grip, Antonin Gerbal and Seymour Wright - turn a decade of notes, essays and sleeve texts into a woven chorus, mapping how their deep dive into Ahmed Abdul‑Malik becomes a living method for making…
Io Pur Respiro
On Io Pur Respiro, pianist Elias Stemeseder and bassist Thomas Morgan sculpt a live duo language where Gesualdo, 1930s standards and original pieces blur into a quietly radiant continuum, guided by an unerring sense of melody, space and equilibrium.
Expression Musicale totale (Book + 7")
This release (Book + 7") by Vincent Epplay is a free interpretation of audio and visual archives drawn from sound experiments conducted during music workshops in Freinet schools in the 1960s and 1970s. It serves as a way of reviving these diverse pr…
Adnos I-III
2026 Repress. Initially produced by Table of the Elements. Eliane Radigue's Adnos trilogy was composed between 1973 and 1980 and is among her finest compositions. Adnos is a deeply meditative work of infinite depth and sensitivity; one of the high po…
Vulcanalia
On Vulcanalia, AX - the solo vehicle of Anthony Di Franco - returns after nearly three decades to his original mandate: vast, beatless torrents of guitar, feedback and electronics, now scaled up into a molten, myth‑drunk monument to Roman fire and st…
Fight Fire With Fire
Latest release by Joachim Nordwall on Stellage.
You Smile The Song Is Over
You Smile — The Song Is Over is Cheer-Accident’s 27th full-length release, out on the most-singular/most-still-standing Cuneiform label. It is an ambitious little monster, with lots of density and lots of sprawl, and it’s the perfect catalyst to forc…
šumum
*200 copies limited edition* Michaela Turcerová’s compositions unfold in slow motion. The saxophonist and composer’s glacial music zeroes in on the granularities of each note as it rings, soaking in every subtle shift in texture and pitch. Šumum exem…
Pyramid
Available for the first time since its original release in 1980, this is compelling, funky, exploratory jazz from Melbourne, Australia. The album opens with the floating Song For Bobby, a downtempo gem with the heartbeat aura of Herbie Hancock’s Butt…
Terra Incognita
*200 copies limited edition* Two beautiful pieces merging piano, electronics and field recordings.
"you had that uncertain landscape / in your mouth / a slightly opaque breath / chewing distances / into the ear of a land still without a name / the mo…
He Said Boler o'
Vienna FLAMMeS, or: The noise of these post-jazz improvisers resounds from paradise. According to a widespread cliché, improvisation in jazz is supposed to help promote the free play of the imagination. It was the Viennese flugelhorn player Franz Kog…
Transparent Duo
*100 copies limited edition* Transparent duo, for 2 string instruments. On transparent paper. One set of pages indicates bowing. The second indicates the direction and length of mostly inaudible glissando. Players overlay pages and play any number of…
Bonjour L'Ambiance
Two live recordings : one in an old castle in the countryide, the other in the cave of a bar in Paris. Normally only available at gigs.
Summer 2026 "Milestones" (Magazine)
We Jazz Magazine, Issue 19 / Summer 2026 "Milestones" for Miles Davis. 128 pages, 170 x 240 mm in size and printed on 140g Edixion paper with laminated 300g Invercote covers. All articles presented in English. Miles Davis by Alex Coles, Phil Freeman,…
By the Lake Festival
On By the Lake Festival, Faust bottle a singular Berlin afternoon: iconic early pieces - including a choral‑bolstered “Why Don’t You Eat Carrots?” - rendered raw, sun‑bleached and unrepeatable, preserved in a lovingly remastered document that leaves …
That Porous Line
On That Porous Line, Push For Night dwell in the blur between song and atmosphere, trading in smudged hooks, low-lit textures and slow, pulsing tension where guitars, electronics and voice seep into one another instead of standing apart.
Country / The Country
On Country / The Country, J.WLSN and Liam Keenan pare things back to the bone, using repetition, space and grain to sketch a faint, flickering idea of “country” where landscape, memory and rusted‑out song forms quietly bleed into one another.
Headwater
On Headwater, Helen Svoboda traces an intimate, slow‑moving current through bass, voice and carefully placed sound, letting murmured melodies, extended techniques and silence pool into an ecosystem where every ripple feels both fragile and tidal.
Alice The Goon
On Alice The Goon, Nurse With Wound stretch a single bad dream into half an hour of delirium: queasy not‑quite‑“easy listening” that mutates from lounge lilt to industrial throb, like a Popeye cartoon left to rot in a dripping underground cinema.
Healsgebedda Budgerigar
On Healsgebedda Budgerigar, Nurse With Wound turn memory itself into a delirious tape loop: three long, sample‑swollen excursions where pet chatter, phantom TV themes and street detritus melt into a woozy, psychedelic netherworld of half‑remembered s…