New Arrivals
Generator
Generator is the lead single and CD EP from James Adrian Brown, marking his transition from guitar-driven rock into the realm of thoughtful electronic music. The track—surging, resilient, marked by Brown’s layered production—introduces the conceptual arc of his debut album with pulsing synths and a sense of propulsive energy.
Appendix I
Appendix I brings together three Warrington-Runcorn EPs onto CD for the first time. Comprising Building A New Town, A Shared Sense Of Purpose and Overspill Estates, this CD brings together some of the more esoteric elements of the world of Musical New Town Planning.
Public Works and Utilities
Public Works and Utilities by Warrington-Runcorn New Town Development Plan is the sixth full-length album from the British electronic project helmed by Gordon Chapman-Fox. Returning to the conceptual world of post-war British urban planning, this record shifts focus from spectral nostalgia to the stark realities of public infrastructure’s managed decline, channeling the anxieties and bleak optimism of contemporary Britain through atmospheric electronica and abstract, danceable beats.
Composer, alone
Composer, alone by Jürg Frey (performed by Reinier van Houdt) is a luminous retrospective stretching across three discs and 35 years. Twelve solo piano pieces—fragile yet substantial—trace Frey's evolution, distilling time and silence into crystalline musical objects. Van Houdt’s touch brings warmth and clarity, illuminating the invisible architecture within Frey’s sensitive landscapes.
Désinances
Désinances is a collection of pieces taken from two contrasting recording sessions. The first was intended as a set of raw materials made specifically for a collaborative project with Franck Vigroux, and provided the impetus for the making of this album, with the second following on shortly afterwards. Both occasions yielded different musical results, yet possess a similar intention - owing something to the liminality of crepuscular daylight and the nighttime darkness during which they were both…
Standing / Engraving
Standing / Engraving by Jean D.L. is a meditative suite where solo guitar sketches and field recordings fold into a chiaroscuro of memory and texture. Drawing from experimental folk and nocturnal ambient, the album patiently sculpts sound and silence into subtle vignettes, inviting the listener into an immersive domain of reflection and suspended time.
Pièces Monophoniques
Pièces Monophoniques by Marc Melià transforms reduction into revelation. Composed using a single analog monophonic synthesizer, it unfolds nine meditative studies on tone, silence, and resonance. The result is a luminous work where simplicity becomes substance, and constraint opens a portal to emotion and timeless stillness.
Einstein on the Beach
The concert version of Einstein on the Beach by Ictus, Suzanne Vega, and Collegium Vocale Gent distills Philip Glass’s pioneering minimalism into a mesmerizing sound ritual. Stripped of Robert Wilson’s grand staging, Vega’s measured narration weaves through the ensemble’s crystalline precision, revealing the raw musical architecture of this modernist epic.
Towards the Center of Time and Surrounded by Spirits
Towards the Center of Time and Surrounded by Spirits by Peter Van Hoesen is an immersive exploration of perception and temporality. Crafted with precise spatial sound design, it fuses techno’s structural logic with the meditative density of electroacoustic composition, turning rhythm into a vessel for introspection and astral presence.
Cadaverous Condition – Destroying the Night Sky
**Marbled Black Smoke Vinyl & Inlay, issued to 230 copies. Cover and Inlay artwork done by Steven Stapleton.** The Circle Music proudly presents: Cadaverous Condition – Destroying The Night Sky. Many years ago Death Metal band Cadaverous Condition invited a stellar line up of experimental artists to completely dismember, rearrange and reconstruct songs of their “To The Night Sky” album. The result being “Destroying The Night Sky”, one of the weirdest collaborative albums ever assembled. Extreme …
There Will Be Fireworks
The London based singer and keyboard player Dominic Appleton, known since the early eighties for his musical activity in the post punk/dream pop band Breathless, and perhaps even more for his vocal contributions to the legendary This Mortal Coil project on 4AD, joins forces with the Milanese producer and sound artist Matteo Uggeri, active from 1993 behind several projects spanning from industrial to post-rock and ambient soundscapes, known for collaborating with artists such as Maurizio Bianchi,…
Drifts
Drifts by Arp is an abstract ambient album drawing on collaborations with artists like Patrick Belaga, Marilu Donovan, and Takuma Watanabe, it blends piano, harp, strings, and modular synth into cinematic and elliptical compositions that explore the terrain between aftermath and renewal, inviting listeners into mapless, dreamlike space where intimacy and electricity converge.
Live at Epsilon Spires
Feeding Tube Records is excited to present the first North American release by this amazing Japanese sound artist. Yosuke Fujita goes by the name FUJI|||||||||||TA, perhaps so he won't be mistaken for the guitarist of the same name who plays with Better Days, or perhaps because he just likes to hear people try to figure out how to say, 'FUJI|||||||||||TA,' properly. Either way, FUJI|||||||||||TA is a wonderful avant-garde project that has been active for almost two decades. In its current iterat…
Samt ar-ra's
Samt ar-ra's by Benjamin Dobó and Dion Monti is an evocative ambient collaboration that serves as a sonic companion to Dobó's film. Crafted between 2020 and 2022, the album moves through delicate textures, atmospheric field recordings, and subtle melodic fragments, inviting listeners to explore intricate emotional landscapes in a work that bridges visual and auditory art.
It’s Always About Love
Ancient Infinity Orchestra’s It’s Always About Love is a lush outpouring of melodic, communal jazz, where improvisational freedom and thoughtful orchestration balance earthiness with cosmic ambition. Led by double-bassist Ozzy Moysey, the album draws inspiration from spiritual jazz icons and blends folk, jazz, and classical leanings within a 15-member ensemble, presenting a heartfelt meditation on connection and celebration.
Monitor
Monitor, the 1981 solo album by Gianni Leone (Leonero), stands at the crossroads of Italian New Wave and progressive rock, offering a singular listening experience that both anticipates and transcends its era. Conceived in California following Leone’s transformative years with Balletto di Bronzo and his ventures in New York, this release embodies a synthesis of transatlantic influences and personal artistic exploration.
Tom Winter, Tom Spring
Debut LP by the duo of Gangloff and Joynes, finding novel ways to combine their accomplished takes on avant folk, American primitive, and outsider sound into a unique and beautiful jumble. Side A’s “Rapid City” is a brisk fingerpicked jaunt featuring Joynes’ unique acoustic/electric hybrid sound, followed by “West Cavalier” where Gangloff’s sawing fiddle and Joynes’ guitar take on a straight mountain-style tune. “Two Bishops” is a languorous and atmospheric Joynes’ guitar feature that slips into…
Thin Peaks
"Thin Peaks" is the sixth album by the microtonal tuba trio Microtub, featuring Robin Hayward (UK/DE), Peder Simonsen (NO), and Martin Taxt (NO). Initially developed during an artist residency in Andersabo, Sweden, the two pieces "Thin Peaks" and "Andersabo” underwent several adaptations before being recorded in 2022. The pieces draw on the acoustic phenomena of half-valve combinations, creating distinctive timbres and harmonic spectra based on the unique half-valve signature of each tuba. Whils…
They Came from Beyond Space
They Came from Beyond Space by James Stevens is a restored original soundtrack featuring vibrant orchestral electronics and moody jazz, pairing sci-fi suspense with inventive melodic writing.
La Munglesa
*70 copies limited edition* In the mid-1960s, Teresa Viarengo, one of the most vivid memories of Piedmontese folk repertoire, confided this song among many others to Franco Coggiola and Roberto Leydi. The ballad is also mentioned under the title “Un'Eroina nei Canti popolari del Piemonte” (A Heroine in the Folk Songs of Piedmont) by Costantino Nigra. It is a bloody story in which a count marries Munglesa, the daughter of a baker, takes her to his castle and, along the way, confesses that he has …