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Franco Esse is the moniker of Francesco Semproni, who in the late 60s began working as a music and recording assistant in major recording studios in Rome, Italy. He started out at Dirmaphone (then located in Via Pola) under sound engineer Gianni Fornari, before following him to the Emmequattro studios in Viale Mazzini, which at the time were the headquarters of Edipan, the record label founded by composer and conductor Bruno Nicolai after parting ways with friend and fellow composer Ennio Morric…
*In process of stocking* Anti-counter culture loner folk from a teenage attic in the heart of rural Northern hippiedom. "This is music that can confidently hold its own with pioneers such as Davey Graham, Michael Chapman, Bert Jansch and Jackson C Frank, as influenced by jazz, blues and steel guitar as any of the old songbook classics from ancient Albion.” - Benjamin Myers
Today the valley town of Hebden Bridge in West Yorkshire is world-renowned as something of a bohemian backwater. It wasn’t l…
This newfound quartet was conceived in 2019, as a way to celebrate Austrian pianist Elisabeth Harnik’s 50th birthday in 2020. For the occasion, Harnik called on several longtime collaborators from Chicago with whom she’d connected at the Umbrella Music Festival back in 2008, on her first visit to the city. Since that time, she’s continued to stoke the fires she started there, not only in various collaborations with these three musicians, but also with Chicago legends like Ken Vandermark, Michael…
*In process of stocking* Mauricio Takara and Carla Boregas have long been key players in the experimental and underground music scene in São Paulo, Brazil and have recently relocated in Berlin. Grande Massa D'Agua (Great Body of Water) is their second album as a duo and it sees them continue to explore themes related to water as they dive into uncharted musical depths. In discussing the duo's relationship with water, Mauricio said: “...In the beginning of the pandemic we decided to take a turn a…
From a research work started in full lockdown three years ago, finally sees the light (or darkness) Echi Senza Fine, a remastered collection of sound material by Tasaday.
*2022 stock* "Avant-garde jazz fans should immediately press play below; trust me, you’ll thank me later." - Scott Murphy
Valerio Zucca Paul: ElectronicsCristina Trotto Gatta: VoiceDiego Rosso: DrumsAndrea Chiuni: Bass and VoiceAlessandro Cartolari: Baritone and Alto Sax
Music by Masche Lyrics by Cristina Trotto Gatta Recorded live on 16 December 2017 in Perosa Canavese (TO) by Alessandro Cartolari and Valerio Zucca Paul. Mixed by Valerio Zucca Paul These record sessions have been inspired by "l…
*2022 stock* 'He took off his earphones. Around him only fog and no sound. Where had the countryside gone? In his ears the music he had been listening to persisted. The final exploration on the piano tailpiece in search of rhythm and resonance still dilated time and space. In that music the grey that now surrounded him was not there. He had 'heard' and glimpsed yellow, red, sometimes ochre, blue, black (the shiny black of the piano, to be precise). He resumed walking, and with his steps, his tho…
*2022 stock* 'We can appreciate some musical works for a variety of reasons. Some unleash a narrative that can read our present and its problems very well, others prefer to move on abstract codes, whether experimental or electronic. Still others may propose ethnographic readings as much aimed at an examination of the past and tradition as they try to probe the future through spatial or psychedelic atmospheres. Then there are proposals capable of going beyond any stylistic framework and floating …
*2022 stock* 'Massimo Giuntoli often combines classical and popular music in a way that remains accessible while clearly being avant-garde. On his latest album, he has set poems from American Paris expatriate Gertrude Stein’s 1914 collection “Tender Buttons” to music. Or maybe I should say: to piano. There is really not much else here than a rather harsh sounding piano (although there are a few other keyboard sounds) and Massimo’s voice, sometimes in splendid solitude; sometimes in dialogue with…
Tip! *Silkscreen printed cover. Limited edition of 200 copies. Totally sold out at source * Choking hazard: An extra heavy portion of greasy & salty vegetarian freedom music! Ho Chi Moon breaks free from all jazz tradition, including the free jazz tradition. Psychedelic, poetic, ass-kicking, soothing, painful, ecstatic & inconsolable. Tasty & nutritious. Too unhealthy for everyday consumption, yet perfect for special occasions of self-indulgence. Killer stuff!
*2022 stock. In process of stocking* Trumpeter Donald Byrd spent a few months in France in 1958, and a Paris concert resulted in two LPs' worth of material. Byrd's quintet at the time included Bobby Jaspar (on tenor and flute), pianist Walter Davis, Jr., bassist Doug Watkins, and drummer Art Taylor. Byrd was just beginning to find his own sound in the late '50s and he is in excellent form on "Dear Old Stockholm," Sonny Rollins' "Paul's Pal," Jaspar's "Flute Blues," "Ray's Idea," and "The Blues W…
‘58 issue, the title carried by Jazz Hot magazine was: »Revelation at the Chat Qui Pêche. The spirit of jazz (which some thought was dying) is sparkling with life in the Donald Byrd Quintet.« And indeed, on its first appearance at the Cannes Festival in July (the Jazz Festival, not the other one), the Donald Byrd Quintet brought the house down. Its members were hardly the Who’s Who of jazz, however. People vaguely knew that the leader had replaced Kenny Dorham in the Jazz Messengers, that Doug W…
*2022 stock. In process of stocking* 'It was in Paris that John Lewis co-led this 1956 date with Sacha Distel, a French guitarist who never became well-known in the U.S. but commanded a lot of respect in French jazz circles. The same can be said about the other French players employed on Afternoon in Paris -- neither tenor saxophonist Barney Wilen nor bassist Pierre Michelot were huge names in the U.S., although both were well-known in European jazz circles. With Lewis on piano, Distel on guitar…
*2022 stock. In process of stocking* “One of the first true moments of genius from saxophonist Nathan Davis – originally released in the mid 60s for the tiny SFP label – and a record that’s even rarer than his early classics for MPS! The sound here is similar to the MPS sides – a mixture of soul jazz and modal jazz – served up with a bit more freedoms than Davis might have gotten on the US scene, and featuring a lineup that includes Woody Shaw on trumpet, Jean-Louis Chautemps on baritone sax, Re…
*Repress in 500 copies. All covers green. Including an A5 booklet* Pilgrimssånger is the first of two new Blod albums deeply inspired by the Swedish Christian parish culture. The songs deals with human connection and solitude in a life built upon faith. The lyrics depicts exposure and anxiety but also joy and belief among free church members, the complexity of the relationships in the community with its leaders and priests and - ultimately - God. The songs are mainly influenced by Swedish folk m…
*In process of stocking* "Cologne bassist and composer Stefan Schönegg seems drawn to sound without end, a vibrating mass that crawls like a glacier toward the infinite. He’s used the moniker Enso for five recordings now, and although each album has featured a shifting group of collaborators, his vision has persisted without distraction. Enso: Strings & Percussion, which was recorded following a performance with the same ensemble as part of Cologne Jazzweek in September of 2021, introduces a new…
*2022 stock. In process of stocking* The world slowed down immeasurably in 2020 as the Corona virus pandemic spread across the globe, and Cologne bassist and composer Stefan Schönegg applied that shift to his own music. “I developed a deep longing for reduction and deceleration—in music and in life,” he says. Indeed, Strukturen, the latest transmission from his ensemble Enso, is marked by a Zen-like serenity. Since launching the project back in 2016 Schönegg has embraced minimal materials for th…
Is there a music that can be understood in any culture on this planet? Is it possible to co-compose a music from basic elements which are valid in most musical cultures? What are such basic elements? Do fundamental musical particles even exist and what could they be? Driven by such questions, Metaculture created an improvised music that builds upon basic musical elements and on the individual musical histories of the ensemble members. The ensemble spirit is fed by a common interest in all kinds …
"Pulses, subtle interactions within common noise-sound surfaces that glide along in a leisurely, relaxed manner and yet are always in a state of flux. This is how briefly and succinctly the music of the quartet around the pianist and synthesiser player Philip Zoubek, the trumpeter Franz Hautzinger, the electronic musician Ignaz Schick and the drummer and percussionist Tony Buck could be put into words.
One could add to this brief description: diverse percussion sounds, bowed sounds, glissandi, s…
*In process of stocking* The second release of the trio T.ON - Matthias Muche (trombone), Constantin Herzog (double bass) and Etienne Nillesen (extended snare drum). This time T.ON presents four fixed media commissioned compositions by Anne La Berge, Madison Greenstone, Sam Pluta and Nate Wooley with talkboxes, bells and tubes, which were performed in four churches of Gottfried Böhm.