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Recorded in December 1970. "Peter Walker is an American original, as eclectic and enigmatic as the songs he writes. The legendary seventy-five year old raga/psychedelic/folk acoustic guitarist, who was schooled by masters such as Ravi Shankar, and Ali Akbar Khan, has been described by Larry Coryell as, “One of the most original practitioners of contemporary music” and proclaimed by the Beatles’ press agent Derek Taylor as “Perhaps the greatest guitarist in the world.” His music, celebrated by t…
Iancu Dumitrescu 'Liminal involvement' for ensemble. 'Le silence d'or' (Israel version) for ensemble and computer sounds. Ana-Maria Avram 'Lux animae XII' for ensemble and computer sounds. 'Telesma' (Israel version) for bass clarinet, ensemble and computer sounds. Contemporary Music Ensemble from Tel Aviv under direction Ilan Volkov with special guest Stephen O'Malley.
Stunningly beautiful harmonium improvisations recorded in 1949 by spiritualist G.I Gurdjieff. Many who heard these performances live found themselves crying uncontrollably. After this cathartic listening experience they reached a place where they felt happy and whole. We hope this record will bring a similar experience to the modern day listener. It doesn't get much purer than this. Cover is silkscreened with gold ink. A co-release with Psychic Sounds Research."An extraordinary collection of har…
New York's "...premiere improvisatory, vocal-and-electronics cosmic beat-box band..." return to Woodsist with a brilliant side of loopy hypnotics, including an insert code for free digital download of the 2007 cassette-only release for Tank Tapes redeemable directly from the label. All four tracks are previously unreleased, arms-out eyes-shut wanders through darkly tinted terrain. 'Oboh' opens up with what sounds like reversed field recordings made inside a washing machine at a Native Am…
Jan Jelinek, Hanno Leichtmann and Andrew Pekler have formed a trio that can truly be called a supergroup. As solo artists, all three members are among the most renowned of Berlin's electronic musicians. When playing together as Groupshow, the three instrumentalists -- themselves largely informed by minimalist sensibilities -- engage with the idiom of free-form collective improvisation, which has a long tradition in Germany dating back to the days of Fluxus and Krautrock. Consequentially, t…
How rare, and valuable, it is to be able to experience one composer’s masterwork through the sensibility of another significant, stylistically distinct composer – via a performance that reveals unexpected aspects of both. that is to say, an approach to performance not as an act of self-conscious, flamboyant or dramatic interpretation, according to the concerns of technique, expression, and projection that are at the heart of an instrumentalist’s presentation of a musical score to an audie…
Founded 40 years ago in 1972 The Pyramids released three albums before splitting up in 1977: Lalibela (1973), King Of Kings (1974) followed by the seminal Birth/Speed/Merging LP (1976). Three albums that made them one of the most mysterious and legendary of all the spiritual cosmic jazz collectives of the early 70s, like the Art Ensemble of Chicago and Sun Ra. Lalibela (1973) was the first album recorded by The Pyramids following their landmark journey throughout Africa as students from Antioch …
Awesome! Quoting Metamkine review "Dylan Nyoukis returns assemblying iconoclastic voices, collages of field recordings, reminding a Tibetan monk lost in a festival of sound poetry or the music concrete by Michel Chion". Four measured tracks, all washing up a new kind of psychedelic moss, fresh thin tendrils, easy to snap, but determined to grow among loose grey matter late on into the next day, and the next and the next. Dry coughs and outta-whack piano chords play into Boy Scout bike repairs. …
A cerebral exploration of the intersection between rhythmic and ambient music, drawing together ideas of movement and stillness, psychedelia and presence of mind. On Chance Of Rain dance tracks are imbued with unpredictable structures, ambient drift and deep harmonic passages, while keyboard-based interludes reinforce both the far-out and contemplative aspects of the record as a whole.” The tracks on the album are apparently fleshed out versions of live hardware improvisations, a move not unknow…
Originally released in a private edition of 300 copies in 1982. This vinyl re-issue comes in a beautiful picture disc and includes a replica of the original and hard to find insert. The copies I have here include a page of a medical book handsigned by Maurizio Bianchi himself.
One of the most original and innovative Krautrock bands, Embryo fused traditional ethnic music with their own jazzy space rock style. Over their 40-year existence, during which Christian Burchard has been the only consistent member, the group has traveled the world, playing with hundreds of different musicians and releasing over 20 records. This is a never before released jams recorded live during 1976 in various locations. This is the only record of the collaboration with the italian jazz legen…
Double LP version: Reissue of the rare LP from 1982 and additional material from various tapes of that period. Includes two long Industrial tracks in the way of Throbbing Gristle and 22 tracks of experimental minimal, comparable to early Cabaret Voltaire or Conrad Schnitzler.All composed and recorded in the early eighties by Andy Wilson, who also played with Bourbonese Qualk, released a book about german band "Faust" and nowadays plays under the name "Sunseastar" and "The Grand Erector". Limite…
Iancu Dumitrescu 'Extreme point of gravity' (2009) for ensemble (Hyperion & Talea Ensemble). 'Le silence d'or (V)' (2009) for ensemble and computer sounds. Ana-Maria Avram 'Telesma (X)' for three percussion groups and computer sounds (G. Aguilar, P. Teodorescu, A. Lipovsky). 'Textures (III) / Penumbra' for two bass clarinets (Rane Moore and Tim Hodgkinson) and ensemble (Hyperion & Talea Ensemble).
During drummer Paal Nilssen-Love's July 2013 solo gig at Auido Rebel's Quintavant in Rio de Janeiro Brazil, he was joined on stage by Arto Lindsay performing on electric guitar and voice. The result is this 180 Gram LP, one side at 33 RPM and one at 45 RPM presenting two improvisations from these powerful improvisers. Of the performance Nilssen-Love writes: The gig was organised by the guys running Audio Rebel i Rio... fantastic guys who's also musicians. Gig was amazing and we we're both drench…
When does modern composition become drone?  When the original elements are sunk into a sea of strings, brass and electronics, as they are on this evocative split release.  Each of the artists composes, but in a modern fashion, either by manipulating source elements or by rearranging them to make a different sort of sense.  Both pieces are based on recordings of the Antonio Lomatto choir, conducted by Davide Mainetti.  The phantoms of these recordings remain, spectral yet in…
2013 repress. Exact repro vinyl version of the debut Richard Hell album, originally issued by Sire in 1977; 180 gram vinyl . "Hell formed the Voidoids, whose unwavering individualism kept the group out of the big time while producing a demanding and impressive corpus of work. 'I was saying let me out of here before I was even born.' That lyric sums up Hell's attitude, which he expanded and perfected on Blank Generation with a new version of the title track and such powerful statements as 'Love C…
Mordant Music beautifully join the dots between the hauntological zeitgeist and original library music with the 2nd of two vinyl reissues of seminal tape music by Tod Dockstader. Born 1932 in Saint Paul, Minneapolis, Dockstader majored in psychology and art but would go on to explore his interests in painting and film as an apprentice editor in Hollywood. This led to a job as a sound engineer in 1958, employed at Gotham Recording studios, where he started meticulously composing during lon…
A record as weird and wild as the cover – filled with really tripped-out sounds from the obscure Flipper sound library in Italy! The music follows strongly in the best style of the rock-driven sounds from Italian horror films – but there's also a more compact approach too, with some funky elements that really make the whole thing sparkle – and a restrained approach that's far less indulgent than the prog styles that Italy was famous for at the time. The whole thing's great – a wicked mi…
M.B., also known as Maurizio Bianchi doesn’t need much introduction. In the early 80s he was responsible for a string of compelling electronic music albums in the first wave of ‘industrial music’. After a hiatus of many years he returned in the late 90s and since then has been very active with many new solo releases, but also on the side with collaborations. Here he works with Mario Costa, also known as Sostrah Tinnitus, from Italy, who has had a number of releases on labels as Umbra, Beyond, My…
K11 is a project of Italian sound artist Pietro Riparbelli and lives within the world of radio signals, transcommunication and other invisible phenomena, to create a dimension where the main sound sources are signals from shortwave radio receivers. Another temple to the Great Beast 666 has been composed from said sound sources recorded during an Instrumental Transcommunication Action realized within the Temple of Diana in Cefalù, Sicily. The temple is famously known for its association wi…