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A rarity, while not being in higher atmospheres of any kind, the film "Kodomo Ga Mushi No Shigai Wo Umeni Iku" aka "A Child Goes Burying Dead Insects" forced up a third sleep state, third dream state and third reality check.., wishing the colours were really the colours one would see everywhere, instead of the disgusting digital prints or pixelated madness that get shoved up our body holes! It makes me wonder if I am really here right now or if I had seen the film before 2009 which is not …
2013 repress. Kouhei Matsunaga's Dance Classics Vol. II is the continuation of his ongoing development of his more dance-oriented material, as seen from his sets with Sensational and also his other minimal techno project, NHK. Not feeling tied down to one genre, Matsunaga nestles in the Pan roster. That isn't to say, however, that he is dance per se, as witnessed from his recent collaborations with Conrad Schnitzler. The album focuses more on bass/base electronics, music for the dancefloor …
Previously unreleased tracks from the legendary eccentric folk singer Jackson C.Frank. He was Sandy Denny's boyfriend; Nick Drake, Bert Jansch, Al Stewart and others have covered his songs. His first and only album was produced by Paul Simon. After being burned in a fire and the death of his son, he became an NYC vagrant and eventually succumbed to pneumonia and cardiac arrest in 1999 at age 56.
Michael Morley, Nina Canal, Sara Stephenson : electric guitars. Recorded by Roland Groenenboom at De Player, Rotterdam, August 2009 mixed at My Pit, Port Chalmers, 2011. Artworks: Eric Claridge Owl Moth & Mothface 2012 oil on canvas 30,5 x 30,5 cm each. Limited to 300 copies. Labels: Bimbo Tower Records & Dilettante Courtoisie.
owen and allison met in brooklyn in 2009 with the intention to record 5 minute ‘songs’. deciding to work within this duration, they made several version’s of each improvisation based on a set of changing environments for new piece. allison’s instrument’s included field recordings (processed and un-processed), ring-modulated sinewaves + contact mic; owen’s instruments included a speaker + rose pedals, various oscillators, radio + fm transmitter and contact mic’ed surfaces + objects. the re…
An undisputed 70s spiritual jazz classic – and arguably the best album that Doug Carn ever cut for the Black Jazz label! The set is a masterpiece of spiritual jazz – with Carn on keyboards setting up the groove, and wife Jean singing some incredible vocals. Doug Carn's third album for Black Jazz, Revelation (1973), is as compulsively listenable as his previous outings. The keyboardist-composer-arranger-bandleader is on top of his game -- Jean Carn returns to handle the vocal parts, the hir…
Inconsistent Images includes three works of musique concrète composed in 2012. The title is derived from an observation of inconsistencies in stereo image, but also describes the destabilisation of certain media, utilised for their musical properties, and at the same time suggesting a pseudo-visual response.”
Adam Asnan is a London based composer-performer of musique concrète, acquiring an MA under the supervision of Denis Smalley in 2009. Adam’s work promotes the aesthetic potential of f…
Compilation of early gospel recordings spanning from 1927-1955. Sanctifies blues by the Two Gospel Keys, Mother McCollum, Blind Rosevelt Graves, Lottie Bracey, & Sister O.M. Terrell. Beautiful slow country gospel by the Anglin Brothers & Delmore Brothers. Intense vocal performances by the New Gospel Keys, Elder Richard Briant & the Silent Grove Baptist Church Congregation, & much more! All killer no filler comp that rocks hard & get deep & sad too. Ltd one-time pressing
In the fall of 2010, when Douglas McCombs convened a new version of the band, Brokeback hadn't played a live show for more than two years and had not recorded any new music for eight. The band, a long-running side project for Tortoise and Eleventh Dream Day's Douglas McCombs, had stiffened up, sometimes getting lost in a welter of meticulously constructed electronics. McCombs's idea was not to start over, exactly, but to start fresh, approaching similar harmonic content from a different directio…
Two key 80s moments from Peter Brotzmann – split together here on a heavy LP! First up is material from the album Low Life – hard-handed work from the duo of Peter Brotzmann on reeds and Bill Laswell on bass – a set that's kind of a side project of the Last Exit quartet, and one that comes across with a similar sense of power! Laswell's handling a fair bit of basses here, often with a bit of processing – thanks partly to producer Martin Bisi – and there's a dark, electric undercurrent to the who…
Three open improvisations recorded in concert at Kunstencentrum Belgie Hasselt, Belgium in 2010 by sub-groups from the Electrocacoustic Ensemble, plus an extended performance by the whole ensemble: Richard Barrett, Peter van Bergen, Lawrence Casserley, Peter Evans, Agusti Fernandez, Barry Guy, Ishikawa Ko, Paul Lytton, Paul Obermayer, Evan Parker, Walter Prati, Ned Rothenberg, Joel Ryan, Marco Vecchi.
Twenty tracks made on 20 synthesizers spanning 20 years, accompanied by a 60-page color book with a foreword by Robin "Scanner" Rimbaud, Twenty Systems is Benge's acclaimed concept album, first released in 2008. His 10th solo album, this ambitious project combines an audio CD of new music with a hardbound full-color book containing photos and diagrams of the electronic instruments used, along with a detailed history documenting the development of synthesizers between 1968 and 1988. The purpo…
2012 Re-release "The Spanish Suite was written to magnify the contribution that Moorish Spain made on the European Renaissance. The relationship of music to cosmic rhythms and harmony was altered from the original state of Spanish music and eventually distorted down to the 12 tone equi-temperment system of tuning. The Artistic Heritage Ensemble was taught to play outside of the 12-tone system and to recognize natural tone relationships. The musicians had to be dedicated to music for life …
Originally issued on Dog W/A Bone in 2002. The S.E.M. Ensemble's Spoken Music Concert took place on Tuesday, February 6, 1990, at the Paula Cooper Gallery in New York, then on Wooster Street in Soho. It was performed by members of the S.E.M. Ensemble: Petr Kotik (Director), Chris Nappi, Joseph Kubera, and Den Neill (sound mix); and four guests: John Cage, Dick Higgins, Jackson Mac Low, and Anne Tardos. "Empty Words," written in 1973-1974, is arguably the most musical of John Cage's texts. M…
Vittelli continues to set out its’ stall with this brilliant LP by Australian sound maker Matthew Philip Hopkins (Vincent Over the Sink / The Bowles / Naked on the Vague / Half High). This is Hopkins’ first solo vinyl outing after a decade of micro-edition cassettes and CDR’s. Nocturnes was assembled during late night headphone sessions at Hopkins’ Sydney home in late 2013. He employs synth, cassettes, fx pedals, contact mic and random objects to create a hypnotic suite of dramatic and highly ev…
600 copies. Second volume of Aaron Dilloway's recordings of the Nath Family of snake charmers of Haryana, India recorded in Kathmandu in 2005.ÊThis second volumes recordings are a bit more raw, originating from video and cassette recordings as opposed to the first volume's hi-fi digital recordings (don't worry..they sound JUST as disorienting!) and containing a duo track as well as the full 4 piece. Originally released as a cassette in 2005, now on vinyl in an edition of 600 copies. House…
Founded in Belgium in 1970 with a remarkable line-up for a rock band: sax, organ, bass, drums and vocals - no guitar!, Mad Curry caught the attention of manager & enterpreneur Louis de Vries (the man who had arranged the very first Pink Floyd gig in Belgium) and soon debuted with the "Song for Cathreen" / "Antwerp" 45. "Antwerp" has become a club favourite ever since due to its danceable freakbeat psych rhythm. Shortly after, the Mad Curry album was released on the Pirate label, characterized by…
Cry was recorded in a shed at Taieri Mouth between 1998 and 2000 and then released by Emperor Jones on CD in 2000. Alastair has always been one of the most admired yet paradoxically ignored musicians from the New Zealand underground since he first started out in The Rip on Flying Nun Records in the early 1980s. Having already worked with the incredibly talented New Zealander otherwise known as Michael Morley, it seemed natural for MIE’s next step to go on to work with Alastair on getting …
Phantom Horse is the duo of Ulf Schütte and Niklas Dommaschk from Hamburg and Kiel (home of seminal Digitalis Recordings artist Jürgen Müller). Schütte is a (part-time) member of Datashock, Black To Comm, Aosuke et al and has recently released his modular synth explorations under the Alien Radio moniker on a (sold-out) Dekorder split-LP with Keith Fullerton Whitman and a 4-way split 7" with Köhn, Ducktails and Peaking Lights on Kraak. Dommaschk plays guitar, synth and electric piano.
With…
Breathtaking slab of the black stuff from peerless drone/noise (de)composer Kevin Drumm - with "spectral editing and time domain consultation" by Russell Haswell. We shouldn't need to tell you that this is a big deal. But, in case you're a bit daft; it is. Haswell helps out on the wormholing A-side 'Repetitive Algae'; a single tract of cacophonous, morphing rhythmic noise reminding of Philip Corner's 'Coldwater Basin' - a home recording of cold water running from a faucet into a basin - b…