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"Copper Glove, the new project from Baltimore's Door (formerly Earth Crown; who shared splits with Secret Abuse and Kites on past Arbor releases), shows a further progression of his one man industrial-noise synth unit. In opposition to his former work, Copper Glove is more mindful of composition; utilizing tone generators and processed synthesis and vocals, to present a dense cut up analog form of industrial concréte. Door's nihilistic optimism carries itself with a sense of effortlessne…
a rich, layered mesh of droning sound leaning towards the lower end of the scale that hangs together in a somewhat fragile manner. In many ways there can be detected some of the dynamics and stimuli present in modern noise music in what Oceans of Silver and Blood are doing. Indeed Nordwall has a partial background in this area, and both musicians took part in a very noisy conclusion to the Eight Hour Drone People concert I saw at Oto last winter, alongside the likes of Lasse Marhaug, thirty minu…
7" vinyl was the quintessential format for popular music. Today, it is an undervalued and mostly promotional medium, used as a fetishistic signpost for a time of musical authenticity and a "healthy" popular culture. Two tracks from Biosphere originally recorded for Hågogaland Teater, Tromsø, Norway in 2006 and remastered in 2011. Part of the Touch Sevens series, cut by Jason at Transition. Artwork & photography by Jon Wozencroft.
Terre Paroxysm is Daniel Menche's second release for Utech Records and a continuation in his bringing back the vehement nature of sound. A pure acoustic-electronic recording of storms: wind, ice and rain. The field recordings were captured by Menche and densely mixed and treated in a manner to create a sense of the earth sleeping then cracking open with violent emotion. An air of electronics crackles and slides around the storm recordings in a way that only can be described as acoustic-electro. …
“In his last publication Francisco López presents us two pieces, Köllt and Kulu, both with an audiovisual and an audio version. In this work, the artist has blurred the boundaries between field recordings and artificial sounds by means of an artful manipulation of sound. As a result the field recordings are no longer identifiable, and have lost all visual association. Even in the audiovisual version of Köllt, where there seems to be a correspondence between the displayed images of ant activity a…
Berlin based italian musician Claudio Rocchetti is on his first massive work, a long concept on vojages, sailor and explorers. Musically this is reflected on four cassettes wich, althought different from each other, are strongly connected. The Furthest Shore develop between live improvvisations, acoustic pieces, slices of field recordings and an obscure submarine collaboration with percussionist Klaus Janek. All has flavour of adventure, between the scare for a stormy night in the seas and…
Based exclusively on end grooves from vintagerecords, 'untitled #205' is a straightforward and joyful exploration of the potential for reincarnation of these unintended sonic structures into new life. More a tool than a final product, it delves into static, noise and rhythm with a hopeful perspective.' The untitled #205 mix on the a-side brings us 18 minutes of hissy, textural sound in dissolution, ranging from ryhthm to noise. The b-side has the 20 original loops López constructed out of…
"with the antithetical self" consists of improvisational pieces completed between winter 2008 and spring 2009. i would sit quietly in an empty room daily and calibrate myself to all noises surrounding. from there a single tone would be introduced, which i would listen to for fifteen or twenty minutes before joining in. on some days, listening was enough. at other times, i would hear a song within the tone and mimic it, bringing it out into existence and layer it from there with additional instr…
Rutger Zuydervelt aka Machinefabriek is a master of self-made sound and time-stretching, sensitively handling organic recordings and samples on countless releases, and regards preset sounds in an organ or a cheap keyboard as a tonal find, as a part of the cacophony of everyday life. These bontempi-rhythms plus the computer-stretched sounds of saxophone (Espen Reinertsen) and voice (Mariska Baars) are the base elements of "Vergezicht 1" and "Vergezicht 2." It is stunning how Zuydervelt man…
A sumptuous 5-CD box-set covering the entire discography of the cult Absolute Body Control band. Influenced by bands from the German and UK electronic scene, Dirk Ivens (synths & voice) formed the band early 1980, and was joined by Mark de Jonghe (synths) and Veerle de Schepper (backing vocals). After a first track on a compilation and a first 7" single (Is there an exit?), Mark leaves the band and Eric van Wonterghem (who was in fact a spectator at the first ABC concert), filled in the gap…
Minimal Wave is proud to announce our 34th release, a limited edition hand-silkscreened 10” release of Schedelvreter (which loosely translates as “Skull Gobbler”), the Dutch side project of brilliant minimal synth pioneer Danny Bosten, best known for his project Das Ding. The seven tracks were originally recorded in Danny’s home studio and self-released on a cassette entitled Hunker via his Tear Apart Tapes label in 1985. The newly remastered 10” is limited to 999 hand-silkscreened numbered copi…
jeph jerman + albert casais, ting ting jahe, richard garet, alfredo costa monteiro, ben owen, lawrence english, jeph jerman, civyiu kkliu, tommy birchett, ilya monosov, mpld, andy graydon, and ben scott. edition: 350 7" black vinyl record letterpress sleeve and insert. custom die cut sleeve. designed and printed by ben owen.first in a series of compilations for winds measure. these collections focus on the work of past, present, and future collaborators with the label…
The latest project from sheffield based artist and electronic musician mark fell, multistability is primarily an exploration of erratic and non-regular rhythmic patterns. drawing equally from his work with snd and his many solo projects fell's most recent work promotes a minimal complexity; combining meticulous synthetic chordal layering with convoluted, chaotic yet fundamentally engaging temporal structures. (label info)
Following on from previous collaborations between Robert Horton and Charalambides Tom Carter on fine labels such as Important, Preservation and Digitalis, Carter and Horton come back to Blackest Rainbow (both we have previously worked with but not as a duo) for their first duo recording in a while. The 3 tracks result in combinations between outsider improvised trips and swirling head drones created via a wide array of instruments and non-instruments. Carter takes hold of the guitar, ebow…
In this work I am approaching the analogue synthesizer Yamaha CS-40M. I built up the research in a journalistic kind of way. At first I made a plan of procedures, gave myself a problem formulation. In my first step I was looking for sounds that represent the „soul“ of this instrument. The next step was abstracting these sounds without losing the specific character of the instrument. An unconventional click sound was the result. This sound was then fed with additional information, fie…
Prurient (aka noise musician Dominick Fernow) has become one of the most well-known and influential names in the noise field. Anti-technology and anti-electricity. An unconventional use of banging objects together to create music; playing with live wire, pennies, frying pans, toolboxes, scrap metal, and used shotgun shells are an example of some of his instruments he has used before. On this new material sounds and voice gradually emerge, in a distant and threatening outhouse.
Gorgeous collection of rare and early italian wave releases from 1982 - 1987, after an exhausting work of "archeological" research, selected by Danza and with intro text by Fred Ventura in a limited run of 500
Edition of 150 copies. Compostion by Ferran Fages (acoustic guitar, contact mics and speakers). The nature of this recording is a distorted image that came to my mind during the composition of the piece.I worked on Llavi vell during 3 months from july to september 2010. The sound is the result of bowing the strings of the guitar in different fret positions, with a bow made of a long metapiece. The fret positions were related to the different divisions of the lenght of the strings: half, third, …
BRAND NEW! “What can we hear now? A sound, as though grains of sand trickle down onto a fine membrane….” This sound, as though grains of finest sand trickle onto a membrane–the last thing that the narrator in Stanislaw Lem’s “Solaris” hears when he starts out on his journey to a world that is falling apart–is the most fitting way to describe the characteristics of Luigi Archetti’s music NULL.Stylistically, the compositions can be placed within the field of planar tonal design, and with this, als…