We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
Deleted scenes, the debut album by Marion Wörle aka Frau W (Laptop) and Maciej Sledziecki (Guitar) uses the vocabulary of sound-art just as instinctively as it does elements from psychedelia, noise and Krautrock. The electronic music of the 90s and 2000s is also bursting through every crack on this record. Refreshingly non-academic and equipped with a fine sense of humor they bring great diversity to the day. No one track compares to any other - each has its own very individual character. PIRX i…
Taku Sugimoto : metronomes, mandolin... Taku Unami: computer, mandolin... Recorded live by Taku Unami at Loop-Line on May 2 and October 16, 2008. Mastered by Taku Unami.
A Bureaucratic Desire for Extra-Capsular Extraction gathers all of the music drone metal progenitors Earth recorded in October 1990, during their earliest sessions at Portland's Smegma Studios. Earth, featuring soon-to-be Melvin Joe Preston in its second lineup, intended for those seven tracks to serve as its debut. Record label decisions interfered. Three of those tracks were released a year later via Sub Pop, on the out-of-print EP Extra-Capsular Extraction; four more were released…
Jonas Kocher, accordion with Hans Koch & Patricia Bosshard, Christian Wolfarth, Gaudenz Badrutt, Urs Leimgruber, Christoph Schiller, Christian Müller. Recorded during the year 2011. Mastered by Giuseppe Ielasi. Limited edition of 222 numerated copies.
First in the 'Neither Speak Nor Remain Silent' series of three CD EPs by this new project founded by Irish singer Clodagh Simonds. Contributors incl. Brian Eno, Roger Eno, Laura Sheeran, Lydia Sasse, Cora Venus Lunny, Toby Arnott, Carter Burwell and Andrew McKenzie of The Hafler Trio. The CD comes in a beautiful embossed cover in an edition of 2000 copies.
Susann Wehrli (flutes, melodica) with Karin Ernst (laptop, live electronics).DUE is playing. A beginning, a tone, a noise, a sound. Listen. Act, react. No ready-made concept, no intended form. Awareness. Liability. Instant composing, where what has been connects with the here and now and the yet to come. DUE is a formation that joins an acoustic instrument with electronics in a unique way: two women, each musician doing her own thing on her own instrument; but at the same time, the flute music i…
The live music experience is what it’s all about! Let’s face it, the recording, the thing (CD, vinyl, ipod), that you’re listening to now is a luxury – a convenient form of storing and a flawed attempt at revisiting the ecstasy of the live experience. Live music is at the heart of civilization and culture. Live music is real music – the recording is simply the run out groove of time, a means to try and capture the experience. This trio is defined by live performance. The relationship between the…
Vice-Versa is an album with 2 process. Originally was gathering some works which produced between 2005 - 2009, with a lose concept of exploring the digital composition by using analog source, as a general guideline. Once the concept become much clearer, more works which share the similar concept were dig out from the hard drive for a better overview and consideration to create an album; on the second process, some of the works has been carry forward with more focus on the development of t…
*Limited edition of 350 copies in a vacuum packed metallic foil packaged with embossed lettering* Giuseppe Ielasi - sound artist, mastering engineer, label owner, half of Bellows - presents his most substantial solo release since 2009s 'Aix' for 12k with this untitled collection for London's Entr'acte. The eight unmarked tracks were produced in Spring/Summer 2011 and, much like his other work, would appear to be concerned with the minutiae and textured infidelities of the recording proces…
"Which brings me to Radian with long player 'Chimeric'. The post rock button has genuinely been pushed. This record offers a lot to bearded, stand with your arms folded at gigs nodding types. They have quite a claustrophobic quality.With vibraphone and introverted samples dominating proceedings, but does not seem to move above brooding pace, which gives it a soundtrack effect. The cover is really poncey as well its a broken vase with dying flower petals strewn about the place.Its probably meant …
Wish I Didn’t Dream, the new album of duets by guitarist Loren Connors and vocalist Suzanne Langille, was cut in just a few hours of studio time. But the pieces started falling into place 15 years earlier on the 10th floor of a nondescript building in the Chelsea section of Manhattan. It was there, at the old location of the Brecht Forum, that Connors got to know writer and WFMU DJ Kurt Gottschalk, who was curating a concert series there. On occasion Tom Abbs (now President of Northern Sp…
A true experimental music classic by Maurizio Bianchi, originally released as private cassette in early 80's and then later bootleged on tape. This is the very first official re-release on CD of this incredible sound-material!!! This is the most intense M.B.: raw and experimental! Released on 1:1 high quality new generation CDr -> same quality and 99% same 'look' of a glass mastered CD. Digislim package.
"Ben Reynolds has emerged as one of the most prolific contributors to the UK ecstatic-drone scene over the past year. He has released numerous solo CD-Rs and last year saw his first CD on the Finnish Ikuisuus imprint. Outmosphere was originally intended to add to the list of CD-R releases, but once we heard it, we knew it deserved something bigger. Many moons later, this is Ben Reynolds' first stateside widely-available CD release. As his music has developed, Reynolds has given nods t…
Here comes Gianluca Becuzzi’s fourth release on Silentes. This electronic / electro-acoustic composer and sound-artist boast an enviable curriculum: active since the first half of the ‘80s as founder of the historic Darkwave / Industrial project Limbo, since 1999 his artistic production is characterized by a strong experimental imprint and by a clear tendency toward abstract aesthetic forms and micro/macro noises/sounds. Among his recent artistic production - in addition to what he has pu…
One straight track, no over dubbing or editing. Recorded on July 2007, at H&H Production studio, Easton, PA. Recorded by Tatsuya Nakatani. Mastering by Johan Vandermaelen. Alongside NY percussion improviser Sean Meehan, Tatsuya Nakatani's approach to percussion uses alternative methods of interacting with traditional percussive instruments. The sounds here are subtle, resonant, introspective, and always interesting. (metamkine.com)
Yasunao Tone creates music by means of disrupting MP3-files. Sound files that were corrupted in the MP3 generate error messages, which are then utilized to assign various lengths of samples automatically. Feeding also different play back speeds creates a sound which is always different – unpredictable and unknowable. The MP3 Deviation album contains pieces that are results of the collaborative research by a team of the New Aesthetics in Computer Music (NACM) and myself, led by Tony Myatt…
This powerful 1972 performance by Arni Cheatham's group provides a unique glimpse of the jazz scene in Boston. The group borrowed the most innovative characteristics of jazz and rock, but never sounded derivative. This is early seventies "jazz fusion" of the highest order, before the term evolved to mean a light, commercially acceptable genre. As with many innovative jazz forms, the recording was made at one of the many local universities, Harvard. The resulting album was pressed in scant…