New Arrivals
Untitled (angle. 1)
'Untitled (angle.1) is a stereo composition based on the eight-channel installation Untitled.First exhibited February 11 Ð March 13, 2009 at the Art Gallery of the University of Maryland (USA), Untitled is the unique first collaborative project between visual artist Linn Meyers and sound artist Richard Chartier, in an installation where optical and sonic patterns intersect. With an architectural transformation of the space, two fifteen foot long by eight foot high walls meet in an enfolding chev…
Barbecue Bob in Fishtown
3rd highly anticipated album in solo guitar circles by critically acclaimed CUL DE SAC founder. This guitarist/composer claims a lengthy, rich relationship to what his longtime friend John Fahey so famously dubbed "American Primitive Guitar." He is able to discover & project wide-screened cinema from just 6 & 12 strings, coaxing vivid panoramic images from his sparkling fingerstyle playing. This also features Jones performing solo on 5-string banjo for the 1st time on record, exhuming the spirit…
Language of the Dards
WhisPers for WoLves is the solo pysch/noise/folk project of Melissa Moore. The musician, experimental instrument builder, installation/sound artist, and sculptor based in Baltimore,MD. "Language of the Dards" is a multi-part series of pieces developed around the text/teachings/songs of Indian Yogi, Milarepa made of three long recordings of voice/finger-pickin guitar, nepalese oboe, and electronics. The album comes in a hand-assembled gatefold sleeve.
Parallel World
Originally released in 1976 by Nippon Columbia, this is the final album by legendary Japanese space/psych-rockers Far East Family Band. Droney and far-out electronica influenced by German producer/electronic music composer Klaus Schulze is more pronounced, merging prog rock with electronic music to create something rather weird and wonderful. Although Schulze oversaw the production of the album rather than playing on it (which he definitely didn't!), the synth star here is Masanori Takahas…
The Resurrection And Revenge Of The Clayton Peacock
Michael Chapman, one of the finest acoustic guitar innovators borne of the late '70s UK folk scene, was in Philadelphia early 2010, paying tribute to his good friend, the late Jack Rose, a mighty six-string alchemist in his own right, and a youngster wholly inspired by Chapman's critical recordings. While sharing in the good light of friendship backstage, we asked Michael if he'd ever recorded an LP of purely improvised guitar music. It seemed feasible, as the current state of acou…
Mort aux vaches
CD, 3-panel micro-wave carboard cover, pyrography on the front side and hand-stamped inside, ltd. 500ex. Produced and recorded for Dwars@vpro by Berry Kamer, Amsterdam, October 27, 2008.
Beam Stone
Per Anders Nilsson (computer and synthesizer), Sten Sandell (piano, prepared piano, electronics and voice) & Raymond Strid (percussion). Beam Stone was founded a year before this October 2007 recording. The trio consists of three free improvisers, each with a distinctive personal sound. Their aim with Beam Stone is to explore sonic territories with the guidance of different pre-defined concepts. Listening and sonic exploration are considered the essential points of departure.
Mon Possible
The new record by Dominique Petitgand, Mon possible, gathers sound and musical pieces created between 2001 et 2010. Still composed of voices, words, noises, musical atmospheres and silences, the stories here get more enigmatic than on the previous records (Le sens de la mesure, Le point de côté, Le bout de la langue, also released by Ici, d’ailleurs…). The music, interpreted and composed by Dominique Petitgand (recorded with the sometimes subliminal of some accomplices : Marc Sens, Dominique A, …
Dream Loops
This CD was created to raise funds for my mother, Jeanine, to assist in her fight against stomach cancer diagnosed in June 2009. Edward Ka-Spel has generously donated "Dream Loops" to this cause and all proceeds will be donated to her to assist in covering medical and travel expenses.
Guillotine
'A visualisation in slow motion of an uncomfortable moment. Recorded live one night, a long time ago. First edition of 50 copies.' label info
Musics In The Margin Vol.4
Fourth opus of musical art brut, faithful to our precepts, we search out self-taught musicians. That means people who make contemporary music outside the customary production and distribution channels and with the determination and creative gifts that stem from unmistakable artistic talent. Some of these musicians operate in mental or social isolation and make their music in special workshops while others can be classified with the spiritualist or visionary artists. This particular relationship …
Watershed
If the three compositions proposed by Denis Fournier have already been recorded, they merit to be here as resurgences, like scenarios encouraging the freedom of transformation without which free interpretation is nothing. “I often say that I don’t make improvised music, but that I improvise music. In other words, I put together there and then elements of my life, of my history, of my culture…” In other words, no structure commands the action. Every structure opens to the action (to sharing) whic…
The Revenant Diary
"Don't look back," repeats one of several voices within Mark Van Hoen's The Revenant Diary, his fifth solo album and first release on Editions Mego. Surrounded by weighted beats, analog synthesizer drones and granular dirt, the unidentified, siren-like female voice's advice is as much seduction as warning. Tellingly so, for as well as being both Van Hoen's most ambitious and his most accessible work, The Revenant Diary is an eloquent meditation on the allures and dangers of memory, regret …
New Egypt
"This latest in the ever-popular Latitudes series comes from Drag City avant-folkists White Magic, who have turned in a single ten-minute piece based on Eastern harmonies, delay loops and a tranced out approach to jamming that verges on Sunburned Hand Of The Man territory. For the vast majority of its duration 'New Egypt' relies upon a central three-note piano riff, which soon accumulates layer after layer of various other instrumental sources while seemingly improvised lyrics haunt the song thr…
Die Harke Und Der Spaten - About The Love Life Of The Garden Too
Sven-ke Johansson : accordion, vocals. Axel Dörner : trumpet. Mats Gustafsson : saxophone. Per-ke Holmlander : tuba, trombone. Sten Sandell : piano. Matthias Bauer : double bass. Raymond Strid : percussion. Die Harke und Der Spaten [The Rake and the Spade] is a musical stage play with 8 scenes, for one singer/speaker and a musical ensemble. The tools - the rake and the spade - are presented during the performance in differente positions, serving as the starting point for the scenes, reco…
The invisible city
Recorded and mixed during 2008-2009 in Berlin. All tracks composed by BJNilsen using tape recorders, computer, organ, acoustic guitar, electronics, viola, subharchord. Field recordings from Sweden, Iceland, Norway, UK, Japan, Portugal and Germany. The subharchord was recorded in the EAM Studio @ Adk, Berlin. Viola played by Hildur Gudnadottir. Mastered by Denis Blackham at Skye.
Mort aux vaches
Pete Swanson (electronics, vocals) and Gabriel Mindel Saloman (electric guitar, electronics). Produced and recorded for Dwars by Berry Kamer, Amsterdam, May 17th 2007. Packaged in a 3-panel cardboard relief sleeve. Artwork & concept by Staalplaat. Limited edition of 500 copies.
Sonic brotherhood - DTFP Israel 2009
Improvised music with exception of Irinia-Kalina' solo. Mark Dresser (bass), Irina-Kalina Goudeva (bass), JC Jones (bass), Barre Phillips (bass) and Bert Turetzky (bass). Recorded by Ori Winokur, edited, mixed and mastered by JC at the Kadima Studio, Jerusalem, October to December 2010.
Drones
In the beginning there was the piano. As soon as he had mastered the basics, Jean-Philippe Goude discovered the spell of melancholy while working on a little musical piece: an etude ringing out in the style of a somber hymn. Not the dead meat smells of somberness that, according to Picabia, serious people emit, but the earthen gravity of an abyss dug by life itself. Everything is the result of this bedazzlement. At 11 years old, Jean-Philippe Goude closed his eyes. When his eyelids finall…