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LP version. Sub Rosa presents this cult album that has not been available in years. Re-released with new artwork, this is the 1980 version of Symphonie Pour Le Jour Où Brûleront Les Cités (the original version was released in 1976 and was later re-recorded). Pioneering Rock In Opposition filled with clashing percussion, frenetic orchestral motifs and apocalyptic brass. Not for the squeamish. It features the line-up of Thierry Zaboïtzeff (cello), Alain Eckert (guitar), Gilles Renard (saxoph…
A new collection of killer, tempered synthesizer workouts from Darren Ho on Spectrum Spools. The seven tracks featured have are have the kind of fragile beauty - and playfulness - that we associate with the early electronic music of Wendy Carlos, Daphne Oram, Raymond Scott and their ilk. There's a strong narrative arc to the album, but each track explores distinct territory: 'Slow Sum' parts one and two' are playful agglomerations of phased analogue patterns, 'In Peru' a Budd/Roedelius-style amb…
Reissue limited to 200 copies, originally released as private press in a limited edition of 100 copies in 1977, this ia a Major historical reissue: Slit And Pre-Slit was Jim Shepard’s first ever release, privately pressed in an edition of only 100 copies in 1977 and mostly given away to friends and musical/cultural heroes like Lester Bangs, Todd Rundgren, Lou Reed, David Bowie, Brian Eno, John Cale etc. Its extreme rarity has meant that few have had the chance to wrap their ears around it, …
Wally Shoup, Chris Corsano and Paul Flaherty make up this screamin' free punk jazz liquid solid noize trio captured LIVE 'in your face' style in Seattle, WA. Totally improvised double sax and drum explosions that break down into duos and solos and re-ignite as trio howlin' paint splattered madness gone butt-naked wilder. Recorded at an art gallery with artwork melting off the walls and frightened fans nervously mopping their furrowed blood-stained brows (they were especially afraid one or both o…
This is the deluxe remastered LP edition of the previously cassette only release on Beniffer Editions. It is their third official full length, described as 'a totally peaced out collection of destructo boombox symphonies'. Sounds about right to us. This French Canadian duo, who’s output has been prolific already - two full lengths, two cassettes, a single and an appearance on the “World’s Lousy Vol. 2” comp - is mining territory similar to Chrome and Suicide channelled through warm layers…
The second LP in the RRR Foley Artist Series. Another great noise-wall record from The Rita. Two sound sources, one for each side. Because each side is a completely separate sound source, lets consider it a split LP.
Lisca Records is a no form music label dedicated to sounds generated by environmental saturation and reflection. This is the debut LP from the Tuscan drone / post-industrial / experimental quartet of Andrea Borghi, Filippo Ciavoli Cortelli, Alberto Picchi and Nichola Quiriconi. Limited to just 150 copies in special handmade packaging.
Consisting of one side of solo lute material by Van Wissem and one side of new pieces by the duo. Film maker Jim Jarmusch plays electric and acoustic guitar and does tape on one piece. Van Wissem plays lute and 12 string electric guitar. Limited silver on black silk screened vinyl edition.
From Brian McBride: When George and Myriam approached me to compose for their film they suggested I concentrate on four different themes: the gloriousness of the bees, the endurance and hardships of traditional beekeepers, pesticides and the holistic nature of non-industrial agriculture. I was especially intrigued with the idea of combining some of their mournful aspirations with something more serene. Composing began in May of 2009. I had decided to start fresh not using anything that I …
Ohio-based noise upsetter Mike Shiflet has amassed an enviable amount of releases in the last decade. Tapes, vinyl, cdrs – you name it, he’s done it, but it’s taken until now for Shiflet to weld together what he regards as his defining work. The first in a series of two ‘proper’ albums, ‘Sufferers’ takes the listener to the very heart of Shiflet’s sound – through the abrasive noise heard on his early releases all the way to the shimmering ambience that made up his breakthrough album ‘Lla…
"For this new Latitudes release All Tomorrow's Parties mainstay Alexander Tucker joins forces with Dean Garwood, resulting in three terrific stretched out jams. Perhaps it's got something to do with the fusion of prog influences with jazz and psychedelia, but stretches of this bring to mind the Canterbury scene of the '60s and '70s from which Robert Wyatt and Soft Machine came to prominence. 'Golden Dome' slips into a bluesy cello riff (if that's not too much of a contradiction in terms) that lo…
With any sizeable Brötzmann group, the temptation is always there to compare it to his classic Machine Gun unit. This new tentet doesn’t match up to the unbridled ferocity of that earlier grouping, but then what has? Perhaps the greatest sea change since the heavy-drinking glory days of 1968 is that ecstatic playing is now as much an idiom as an instinctive response. For all its supposed iconoclastic freedom, this idiom now has its own traditions, its own heroes, and its own stock cliches. Youth…
Michael Rother (half of the influential Krautrock group Neu! and a founding member of Kraftwerk and Harmonia) recorded this first solo album with producer Conny Plank in 1976. Rother's signature guitar sound, the mechanical percussion (Jaki Liebezeit of Can) and the simple yet outerworldly anthemic melodies make Flammende Herzen an outstanding and visionary record."Finally reissued on vinyl, this is the 1976 solo debut from from Neu!/Harmonia guitarist Michael Rother. This would be the fir…
Emergency Stairway could have been Thought Broadcast's debut vinyl full-length. In fact, when commissioned in early 2012, only one 7" and two super-limited tapes were in existence, until some other label snapped to the finish with an even older commission. So, let's say an "almost-debut." Confused? Well, yes, that's probably the point. Ravi Binning's Thought Broadcast project oozes out a dank and confused audio experience isolated way beyond the city limits. A glance at the titles suggests…
Doris Norton, pioneer in the early electronic/computer music, began her musical career playing avant-garde and progressive music using synthesizers such as Roland System 700, Roland system 100M and Minimoog (Jacula, Antonius Rex). In december 1980 she recorded, at the Fontana Studio 7 (Milan), her first solo album entitled Under Ground (Musik Research). Sponsored by Apple computer and the Roland Corporation music instshe was more involved in experimental electro computerized music and rec…
The sound of CHEN YI is rough & brutal... electronic music, soundcollages that reminds to Throbbing Gristle or (early)SPK aswell as electro-pop-tracks & songs like early Cabaret Voltaire, Chris & Cosey, Severed Heads...The Chen Yi Commune was founded in 1978 by about 20 women & men from London. The aim of the commune was to create a closed subsystem, a kind of subsociety and to narrow down its contact to the outside world only on very few specific actions.The Chen Yi commune never was interested…
250 copies, hand numbered. Ini.itu is releasing the fourth LP of its catalogue, a new work composed by Francisco López. Francisco López is a sound artist who is active since 30 years and has composed an impressive catalogue, strongly consistent and full of nuances. Trained as an entomologist and ecologist, his attention is acutely focused on the natural sound environments. His reflection on the phenomenology of the act of listening has led him to develop of a form of 'absolute musique concrète',…
This is an extended, limited vinyl edition of a dark ambient classic, featuring an extra 10 minutes of bonus material. Initial copies come on white vinyl!* Another heart-stopping debut brought to you by the increasingly inspired Digitalis imprint, Concern is the recording project of Gordon Ashworth who in a previous incarnation (as Oscillating Innards) delivered an altogether more brutal take on experimental music before planting his feet firmly in the world of shimmering, layered drone…
Vladislav Delay's EP Espoo features two conceptual, rhythm-intense tracks. Whereas the groove of the opener "Olari" derives from a sound loop which is manipulated by filters and echoes, the reverse is done with "Kolari." Starting from an impulsive, staccato beat, a sound carpet is woven by means of modifiers which gradually shape a permanent melody, close to Terry Riley's minimalistic concepts. Both tracks share a linear increase in density, and because of their break with the common four…
One of the key but underappreciated episodes in avant-garde jazz, Sun Ra's Atlantis sounds far out even today. Rather than a full-on assault on the senses, Atlantis is an exercise in build-up, with long, almost forlorn passages of Ra on electric keyboards setting a vast echo chamber for his Arkestra to spring forth within. Captured during one of the most adventurous periods for Sun Ra, *Atlantis* features the orchestral perfection of the best big bands of the century-and then proceeds towards mu…