New Arrivals

Urna is the solo project of Italian artist and musician Gianluca Martucci. His paintings have been ending up on the album covers of bands such as Kinit Her. As Urna he has been releasing limited CDRs and tapes since the early 2000s on labels like Brave Mysteries, Angst and Marco Corbelli's Slaughter Productions among others. His music can be described as an impressively atmospheric dark/ritual ambient, one continuum where acoustic instruments and vocals create a thick mist to get lost into.After…

Ütopiya? not only continues Oiseaux-Tempête's first album (SR 381CD/LP); it also extends it. The travels move this time to Istanbul and Sicily, providing the food for its urgent energy and indomitable drive. While the structures still hint at moments of post-rock, they go further now, almost into the area of free-jazz yet without losing a directness rooted in punk (highlighted perhaps by the presence of G.W. Sok from The Ex). In addition, the bass clarinet of Gareth Davis references both t…

Pressed on red vinyl. Limited edition of 1000 hand-numbered copies. Released in 1973 and 1974 respectively, Blood for Dracula and Flesh for Frankenstein (soundtrack available as RED 212LP) were interesting if not a little off-beat horror movies both of which were filmed in Italy. The legendary Paul Morrissey directed with the assistance in more ways than one of Italian filmmaker Antonio Margheriti, with the productions overseen by Andy Warhol. The Italian composer Claudio Gizzi, with harmonio…

Korm Plastics is proud to present the twenty-eigth release in the Brombron series (missing numbers? may never follow?). Originally a co-production between Staalplaat and Extrapool, it is now hosted by co-curator Frans de Waard. In the year 2000 Frans de Waard and Extrapool started the Brombron project. Two or more musicians become artists in residence in Extrapool, an arts initiative in Nijmegen, The Netherlands, with a fully equipped sound recording studio. These artists can work in a certain a…

New Triple-LP set in luxurious fold-out cover. "Oxtlr is the result of contemporary works of Günter Schickert. Indeed, while discs of the 70's by Günter Schickert are now reissued, it seemed interesting to complement this with a production of his research today, and also its collaboration with Pharaoh Chromium. A mental journey in solar atmospheres sometimes, sometimes completely frozen. The sounds will orbit as these distant planets of our solar system, beyond the asteroid belt. An anxio…

Never-heard studio music from the legendary Sun Ra – material recorded right around the same time as the unique Strange Strings session – and which really stands as a "part 2" to that amazing record! The sound is very loose and open, but quite spiritual too – and the record is definitely one of the most unique Sun Ra sessions ever heard. Within Sun Ra’s vast-as-outer-space discography, the album that orbits the furthest away from the known jazz universe is Strange Strings. Calling it a “st…

If anybody deserves to be called a living legend in Norwegian free jazz it must surely be saxophone, flute and clarinet player Frode Gjerstad. Born in 1948 in Stavanger, he has since the early 80s been central on more than fifty records and played with a number of free jazz players such as Evan Parker, Johnny Dyani, John Stevens, Derek Bailey, Barry Guy, Bobby Bradford, Paul Rutherford, Hamid Drake, William Parker, Peter Brötzmann, John Edwards, Louis Moholo-Moholo, Han Bennink and several…

"Det Flygande Barnet" is a theatre piece that has its premiere performance on 7th February at Orionteatern in Stockholm, Sweden. The piece will run through March and Fire! will be performing live as an important part of the piece. This 7" is being released as a souvenir in a limited edition of 700. Guests on this 7" is Mariam Wallentin (Wildbirds & Peacedrums, Fire! Orchestra) and David Sandström from legendary hardcore punk group Refused. There might be a couple more singles from this th…

Sleepstep's subtitle, Sonar Poems for My Sleepless Friends, describes its underlying concept -- Sleepstep is a trip through electronically alienated micro-compositions and sound collages that, interwoven with text passages, aim at creating a dream-like atmosphere. The album's journey strives for oblivion of time, an immersion, a drifting in universal states -- moving through the stations of death, life, birth, grief, desire. The titles often appear to be raw sketches; fugitive, surreal shor…

Another welcomed return in our Zeit Series - his 2010 Neuma Q being one of the best received titles in the series - Osvaldo Coluccino presents a collection of his early (1997-2007) electroacoustic pieces. From the dark drones of Dimensioni(interspersed with the treated voice of Jacques Lacan) to the treated percussions of Nell'attimo, to the acousmatic brilliance of Dal margine, this CD is a journey into the brilliant head and the complex soul of one of the most interesting Italian cont…

New York City's experimental duo Talibam! team up with Fluxus artist and electronic avant-gardist Yasunao Tone and trombonist Sam Kulik for a confrontational sonic attack, fired by an array of analog synths and other electronic devices. David Novak, author of Japanoise: Music at the Edge of Circulation (2013), on Double Automatism: "Bringing together the most calamitous materials from their home planets of noise, glitch, and free improvisation, Tone and Talibam! are at once the likeliest and …

This documentary film directed by Anne-Laure Chamboissier and Philippe Franck, in collaboration with Gilles Coudert, brushes an intimate portrait of Bernard Heidsieck, pioneer in the sound poetry movement since 1955 and founder in 1962 of action poetry. The film takes viewers into Heidsieck's 'double life' as an artist and a banker, exploring his work through a series of conversations and seldom-seen audiovisual archives. Interviews with other major figures from sound poetry add to viewers' unde…

Since the end of the '90s, Laurent Jeanneau aka Kink Gong has been recording the music of mostly endangered minorities of South East Asia. Alongside his relentless pursuit of remote exotic and unpublished musical traditions, he also creates electronic versions by combining raw recordings with natural sounds, archival material and electronically-treated sounds. For Gongs, Laurent returns to his soundscape approach not heard since the Xinjiang LP (2011) and further develops his unique re-versi…

FILE UNDER: AfrabiroQ.+Martial MelanQ.+Qubti FunQ.+... Mutamassik aka Giulia Loli: producer, musician, improviser, artist, synesthete. The follow-up to 2012's Rekkez (ini.itu). "...uneasy... uncompromising... unapologetic" --Sam Davies, The Wire. "Deftly maneuvering the space between tradition and innovation, acoustic and digital, familiar and unexpected" --Okay Africa. "The headiness of the treated strings and clattering percussion sets her mixes apart from anyone culling beats" --Owen Stro…

Schlippenbach Trio's magic chemistry is founded on years of working together, both on intuitive listening and interaction – the ability to respond in an instant – andon the match between their characters, each adding to the whole as well as challenging each other – a stroke of fortune. Alexander von Schlippenbach likes to talk about the 'impetus of music making'. Impetus means drive, initiative, force, momentum, temperament. Three 'travelling fellows' on a Winterreise. The motto is: never …

Eric Chenaux has emerged as one of the most distinctive, innovative and original voices in what might be called avant-garde balladry, juxtaposing his gorgeously pure and open singing against a guitar sound and style that truly stands alone. Skullsplitter is the impressive new album that confirms Chenaux’s singular aesthetic: genuine, natural, unaffected vocals gliding through slow, smoky melodies while electric and nylon-string guitars are deployed with adventurously experimental, dextrou…

Supremely atmospheric Ennio Morricone score to a lesser known, but nonetheless stylish and satisfying Sergio Corbucci production;  a cross between a Spaghetti Western and a wild west road movie, indeed, a fine example of a film that combines both Italian and American western film traditions.

Diagonal pull another coup with 12"s of brute bitterness from Philip Best, Sarah Froelich and Russell Haswell's Consumer Electronics. With the spray of their blinding 'Estuary English' still wet on our cheek, 'Repetition Reinforcement' is a bruising, visceral reminder of CE's position on the periphery of extreme electronic music. Holding steadfast to the transgressive subject matter which Best has explored since the early '80s as part of Whitehouse and Ramleh, in this excursion he trades …

“They made us climb up here” is the third album from Satan is my Brother. Five tracks of noisy jazz, or jazzy noise or none of the two. Melodies built on sax and trombone, struggle to surface from layers of electronics, groovy bass lines and free form drumming.

Z’ev and Simon Balestrazzi are two masters of the industrial and post-industrial sound.The first inventing his own world of self made metallic percussions, the second spreading the seeds of the industrial noise pollinated with electronica and future folk forms through his various outputs, T.A.C. (Tomografia Assiale Computerizzata), Dream Weapon Ritual and Candor Chasma.This record takes shape from several encounters between the two. A Z’ev live recording in Cagliari, Sardinia from 2007 is …

Formed in November 2006, Dream Weapon Ritual is the duo of Simon Balestrazzi and Monica Serra. They play free-form music that draws equally from droning electronica soundscapes and imaginary folk visions.Simon Balestrazzi is an electronic/electroacoustic composer and sound artist active since the 80's. He released many albums and performed live around Europe under various names. Monica Serra is a talented actress whose artistic research led to double as vocalist since 1999. Both are member…

The brilliant sax player John Butcher continues to expand the boundaries of free improvisation. This is his latest solo release. An inexhaustible outpouring of ideas blends with phantasmagoric, wondrous technique to create a richly colored, dynamic world of sound. Not only is this John Butcher's greatest masterpiece, but as a solo saxophone album it is a valuable document that can even be said to rank alongside Evan Parker's 'Monoceros''. The 3 pieces were performed at Shimanouchi Church …

Field recording artist Jeph Jerman and percussionist and sound designer Tim Barnes are finally out with this fantastic collaborative work - here’s a certain patience that’s required to fully engage with Matterings. It’s a good twenty minutes longer than the other recent Erstwhile releases but it goes beyond album length—when your source material is different aspects of nature, the process of recording, editing, and compiling tracks feels like excavation. It’s with these slowly unfolding tracks t…

Music composed by Roberto Cacciapaglia for soprano, counter-tenor, and instrumental ensemble, based on the poem "De rerum natura" ("On the Nature of Things") by first-century Roman poet and philosopher Titus Lucretius Carus. The wok was commissioned for the Aterforum festival in Ferrara, Italy, and premiered on July 9, 1988. This is the first release of a performance recorded live at Glance Studio, Milan, Italy, on June 28, 1988. Produced by Roberto Cacciapaglia and Gianpiero Dionigi.

Mirumir presents The Ann Steel Album, a reissue of an album of Roberto Cacciapaglia compositions sung by Ann Steel, originally released in 1979 as a self-titled album credited to Steel. "So who are Roberto Cacciapaglia and Ann Steel? The former is an Italian musician who specialized in electronic composition after starting his career in the early 1970s on the edges of the krautrock scene. The latter is a Michigan-bred singer who spun into Cacciapaglia's orbit during a trip to Italy in the …

A very special and unique performance of Terry Riley's iconic 1964 minimalist piece "In C", previously unreleased. Riley and the Roberto Cacciapaglia Ensemble together at the Aterforum festival in Ferrara, Italy, on July 9, 1988.

Lucky warehouse find, few copies available of the legendary (and terrific) soundtrack to Duccio Tessari\'s excellent giallo from 1971, The Bloodstained Butterfly. \"Fantastic! Easy Tempo scores again with this beautiful rerelease/repackaging of Gianni Ferrio\'s lost score for the film Una Farfalla Con Le Ali Insanguinate. The music has lots of spare spooky keyboards, with a slow building sound that\'s similar to Francis Lai\'s best soundtrack work, and a warm wash of sound that\'s very si…

Side A of this tape contains a sample which made the duplication process more challenging than usual. Here is an excerpt of the email we got from the first factory we tried: the audio department is working on your project today and they have come across a copyright issue. From the beginning of side A to about 08:16 and again at 32:54 there is a sample taken from P*** F****’s “M***y”. We cannot duplicate that material. Let me know if you want to submit new audio or how you would like to proceed.

Decal Baby' is a compilation featuring a selection of cuts from Leicester's Fish From Tahiti. The songs were recorded and released at the start of the 2000s and originally released by FFT's Dave Dixey on his own Sorted Records label. The set also contains a number of unreleased tracks recorded during the same period. All featuring FFT's trademark sound of crazed loops and snatched samples all thrown together to create a drunken hypnotic haze. At times it is almost dubish, at others it's v…

A superb collection of modern jazz, recorded in 1973 and available for the first time. The pressing is limited to only 35 copies on a one-sided picture disc with a paste-on back (photos & notes).

Previously only available on CD, these amazing jazz compositions with a '60s vibe were recorded at NYC's Air Studio in 1981. The musicians are Charles Tyler (alto & baritone sax), Wilber Morris (bass) and drummer Denis "Jazz" Charles. The pressing is limited to only 70 copies with a paste-on cover (front and back with notes).

Available for the first time, this LP offers two beautiful side-long compositions, recorded live at th Jazztage in Leverkusen, Germany 1986. The musicians are Billy Bang (violin), Roy Campbell Jr. (trumpet), Oscar Sanders (guitar), William Parker (bass) and Zen Matsuura (drums). Limited editions of only 70 copies with paste-on cover (front and back with notes).

John Balistreri and his project Slogun are perfectly known to those interested in industrial subculture. ‘’A Breed Apart’’ was originally released on cassette by Slaughter Productions (SPT 86) in 1996, and it was packaged in a beautifully designed, oversized sleeve with a vellum overlay with a cult serial killer photo from one of the victims of Harvey Glattman. Mass murders and crimes have been used to finely illustrate uncompromising tracks full of hatred against society, the sound of wh…

The question of what’s one’s favorite item from their collection (or accumulation) consistently pops up in conversations amongst fans and collectors, and this unquestionably is always my answer. From head-to-toe, insert-to-tape, all elements are in glorious harmony and conversation with what another. Having the G.R.O.S.S. label’s ’industrial design’ fetish/obsession (some would say a relatively antiseptic departure from much of the other noise tapes of the time) articulating the sexualize…

Phil Julian is a UK based sound artist, composer and improviser active since the late 1990's, with a prolific output under the Cheapmachines alias and his own name. His work has been released on a catalogue of imprints and encompasses sonic textures ranging from harsh squalls of noise to compositions structured around hyper-minimalistic timbres and drones. Studio recordings and live performances within Europe and North America have focused on the use of electronics, particularly unstable and-or …

Special limited edition CDR for February-March 2015 Europe tour, featuring electronics and field recordings by Rudolf Eb.er.  recorded in or around Rudolf Eb.er's house in Osaka, Japan 2012 to 2014, except track 12 recorded under his basement in Dübendorf, Switzerland 1976.

Spectrum Spools presents the first reissue of American minimalist composer and electronic music pioneer David Borden's 1981 masterpiece, Music for Amplified Keyboard Instruments, a work of the highest archival significance. A radiant achievement in sonic elegance, experimentation, and ambitious composition technique, Music for Amplified Keyboard Instruments contains four pieces, each utilizing three players and six keyboard instruments. - Borden was a central figure in the development of America…

Charles Cohen uses his Buchla Music Easel to replay Indonesian hardcore band Senyawa's "Di Kala Sudah." While enjoying a few months in Germany, Cohen conducted a ritualistic tonal re-adaptation, flushing the song through layers of spaced-out, orchestrated grooves. Meanwhile, in the U.S., explorer of the deepest depths Robert Turman smashed Cohen's "Conundrums" into small bits and recrafted it in his own masterful manner. His beaten and edited version displays ability similar to Cohen's, m…

2014 release. Final part in the Charles Cohen trilogy on Morphine Records. Featuring various works made for dance and theater productions between 1976 and 1988. Eleven tracks in total -- lovingly spread over a double LP and featuring some of the most beautiful material of the series. While in the process of recording and optimizing the old reel tapes for the initial track list, Cohen discovered a master tape that was originally prepared for an extremely limited cassette release on the Gen…

First chapter in the trilogy of Charles Cohen retrospective works, featuring some of his early works stepping into the archives of one of Philadelphia's best-kept underground secrets: synth composer Charles Cohen. This excellent release beholds seven key tracks (recorded between 1979-1988) that go into uncharted polyrhythmic/ambient/cosmic territory. The label says "First chapter in the trilogy of Charles Cohen retrospective works, featuring some of his early works from the Philadelphia's '…