New Arrivals

The Vienna-based trio's second LP following 2013's crushing debutLicht (BLACKEST 016LP), Crack finds Peter Rehberg (Editions Mego),Christina Nemec (comfortzone), and Christian Schachinger crafting a powerful alloy of extreme electroacoustic music, luminous ambience, and the mineral fundaments of rock and black metal. Opener "Spalt" immediately signals a departure from the monolithic doom of Licht, conveying instead a sense of adrenalized movement, of acceleration toward an ever-receding horizon.…

Stelvio Cipriani’s soundtrack for Ruggero Deodato’s “Concorde Affaire ’79” is a masterpiece, bringing together many diverse styles that the maestro perfected at his prime: propulsive motorik disco funk, epic soaring strings, smooth tropical jazz, ominous atmospheric industrial synthscapes, and more! This limited edition replicates the rare original Japanese release and adds a second LP with 15 bonus tracks, creating a complete and definitive release of Cipriani’s finest hour. Also includes…

Dennis Young is best known as the marimba player/percussionist for the legendary early 80s NYC band Liquid Liquid. "Reel to Real" is a lovingly assembled archive collection of his rare and unreleased solo recordings from 1982-1983. Dennis Young: "Back in 1982 at the age of 24 I bought my first recording equipment a - 2 track Teac reel-to-reel-tape-recorder. I already owned a number of analog synthesizers, an electric & acoustic guitar, various effect boxes, and a full drum set. The music was rec…

Sold out at source, few copies available. In 2013, when Daniel O'Sullivan was invited to curate the sixth installment of Ravenna, Italy's Transmissions festival, his first request was for Charlemagne Palestine, the shamanic world-maker, sacred toy emissary, and one-time student of Pandit Pran Nath associated with the New York '60s minimalist scene and known primarily for extended performances with Bösendorfer piano, cathedral organs, and falsetto voice. After Transmissions O'Sullivan invited P…

After the release of their well-received ninth studio album, Terribly Well, and their successful month long European tour in 2013, Sightings did the unexpected and quietly disbanded without notice or explanation. More than 15 years in the trenches and making a mess throughout New York City, the band made more of a polarizing impact to formalized underground music that most of their peers. Sightings would have been a national treasure if the whole country was laid to waste in Armageddon. Dur…

Tor Lundvall’s new album is about a park, an attempt to evoke a park, and involving field recordings of parks too. Much ambience, moving through brighter and darker periods as does a real day in a park. LP on Dais, completing an informal place-based trilogy with the label. "In 2012, ambient composer Tor Lundvall and Dais Records presented his second instrumental masterpiece entitled The Shipyard (2006’s Empty City being the first). After its release and universal praise, Lundvall had confided th…

Following her hour-long sound piece Decay and Persistence, released on Fragment Factory in 2013, here's the first solo vinyl release by South England's multimedia artist AK.Kemp has been active in the field of radical sound- and performance art for the past 20+ years, looking back on infrequent but memorable performances across Japan, USA, UK & Europe, as well as a handful of splendid (and mostly sold out) small-run releases under her Germseed moniker.Impregnator Of The Death Mouth is a…

This is the first duo album since 2010 by leading British improvisers Rhodri Davies (harp) and John Butcher (saxophone). In January 2014, together with respected musician and sound recordist Chris Watson, they visited Routing Lynn, an area of ancient rock carvings in Northumberland, northern England. In this natural setting, Davies and Butcher played music and Watson recorded. Two months later, at a festival in Gateshead, England, Davies and Butcher performed along with the 4-channel play…

Seijiro Murayama (percussion), who is currently based in Japan, lived in France for a number of years and since that time has performed frequently with the French alto sax player Jean-Luc Guionnet. Mishima, Day & Night is their third duo album after Le Bruit du Toit (Xing-Wu Records, 2007) and Window Dressing (Potlatch, 2011). These four tracks document their improvised music performances in Mishima City at Hongaku Temple (day) and Teke Bar (night) on the same day in July 2013. Murayama uses…

"Freedom Power" (released in 1976 on Cometa too) is  one of the most popular italian libraries of the '70s  and contains compositions of Gabriele Ducros with the  contributions of other masters and musicians like Sandro Brugnolini, Enrico  Pieranunzi and Silvano Chimenti. "Tower  Of Power" is the sequel to that lucky LP  and includes unreleased material recorded during the same session of 1976, songs that, just like the ones on the first volume, are in the tradition of the jazz-funk soundtracks …

It’s a cliché because it’s true - the greatest records are timeless. Black Mountain’s self-titled debut album is just such a record. It is a new classic rock, with reference points arcane and clear, its sound fresh, unfamiliar and irresistible. The work of a small collective of musicians operating from Vancouver, Canada, far from any industry buzz but firmly in the eye of their own storm of creativity, Black Mountain’s debut album was, of course, a beginning, but it also marked an ending. …

  "Guitarist Ken Camden returns for his third solo album, continuing his explorations to seek out new techniques and sounds from the electric guitar. By utilizing both a steel slide and e-bow technique, Camden has moved into micro-tonal territory to bridge the textural gap between guitar and synthesizer while examining their inherent differences. The palette is further broadened by introducing an organic vocal sampling machine described as a Vocaltron. Much like a Mellotron, vocal samples (contr…

Nite-Glo is the new offering from Stellar OM Source, the outré-minded music venture of Christelle Gauldi. Tempering the freneticism unleashed on Stellar OM Source's 2013 album Joy One Mile, Nite-Glo guides Gauldi's rhythms to unexpected places of emotive and meditative power. The four tracks of Nite-Glo were written during a transient time for Gauldi. Loss and processing the associated emotions informed those moments in which Gualdi could escape to her mobile studio set up. Recorded solely with …

"I have always thought of the idea of passing as a beautiful thing, in which the soul or life force of the individual is somehow transferred to the immensity and brilliance of the entirety. The idea of Heaven and Hell (and everything inbetween) has always been a hallmark within the limited spectrum of what we humans can come up with and the idea of God or Gods has, for some, been an interesting way of putting a life and circumstances into some kind of mysterious belief system that can at times b…

Since his debut in 1979, French outsider artist Tarzatès sounds like nothing else a thrilling collection of meanie devotionals, snafu song and fevered goatherd music with tape loops, industrial grind, musique concrète and throat singing.' This new album is another shamanic journey in Tazartès's universe. He sings and plays all the instruments and samples, recorded in the very same room as all his other solo records since 1974. Performed, produced, and recorded by Ghédalia Tazartès for Bisou in 2…

There are three distinct ways nightingales sing and countersing to each other, beginning late at night and ending by dawn in the first weeks of spring. Most males are ‘inserters,’ meaning that they wait about one second after a neighbor’s song finishes before starting their own. Songs alternate between one bird and another. Then there are ‘overlappers,’ who start their song about one second after their neighbor begins, as if to cover up or jam the neighbor’s signal. It may be some kind of threat…

Soft Machine were one of the greatest UK avant/jazz-rock bands of all time and their work, whether their earliest performances as a psychedelic band, who were contemporaries of, and shared stages with Syd Barrett's Pink Floyd and the Jimi Hendrix Experience, all the way to being one of Europe's best known 'fusion' bands, their work continues to be name-checked by today's hip experimentalists. By mid 1973, Soft Machine had gone through a tremendous amount of personnel turnover and a shifting in t…

Universal DVD data disk, mainly for playing on computers only (there is no NTSC or PAL format or region designation for data DVDs). HD+ is a data DVD documenting the visual aesthetics of Uwe Schmidt aka Atom TM for the first time. The conceptual engagement with and the critical yet diverting examination of pop music, delivered with a twinkle in the eye, is a central topic of this musician's diverse creative work and is certainly included in this visual presentation of it. Together with the secon…

The last hypergraphic novel by the last historical lettrist alive. Photos and collages plus a visit in a cemetary with a french pornstar... Edition of 100 copies.

"idealism is a new lp compilation series presented by Ideal, compiled by Joachim Nordwall. showcasing artists with a clear and strong vision, some already working with the label, and some related ones and some future collaborators. The musical world is where we are used to find ideal - experimental analogue synth based stuff, usually surrounded by shadows and unease. On the first volume, we meet swedish king of filty tape music - Altar of flies who released his mind expanding self titled lp on i…

Invasive psychoacoustic acid killer from EVOL for the sympathetic freaks at Sweden’s iDEAL. Continuing a pursuit of altered states induced by pure frequency manipulation, ‘Purple Melters’ is the fourth work in a series that started with ‘Proper Headshrinker’ (Editions Mego, 2013), a series which will also see a release on Diagonal later this year. Essentially, it’s acid house without the house, drilling down to the 303’s micro phase variations and psychedelic sleight-of-mind conjuring a sense of…

Exponate is a new concept series curated by Wolfgang Voigt with the intention to bring together artists from diverse experimental music backgrounds. To open up new musical spaces and to sound out the increasingly liquified confines between abstract ambient music and art music, between electronica and new music - that's the stated goal of EXPONATE. The new series starts with Berlin-based artist SCHNEIDER TM aka Dirk Dresselhaus, who is well-known for most diverse projects and collaborations acros…

Five works by Åke Parmerud from 2004 to 2015 that push acousmatic music towards techno, noise and metal: machine sounds, a vinyl crackle piece for the ZKM Klangdom, New Zealand birds, and a choir of four metal growlers.

Masahide Tokunaga, born in 1982, is an alto sax player & improviser active on the Tokyo scene. This CD is his second solo album, and his first since the 2009 release of 'Alto Saxophone' on the Slub Music label five and a half years ago. Like that CD, these 7 tracks (recorded in January 2015) are made up entirely of subtly changing long tones played on the alto sax. This album is just as unique, but compared to the previous CD, which is made up entirely of soft playing, its sound is a great deal …

Nonesuch re-issued Steve Reich's landmark Music for 18 Musicians, performed by Steve Reich and Musicians, on two 180-gram vinyl LPs for Record Store Day. The album is packaged in a vintage-style double pocket gatefold jacket with poly sleeves, each limited-edition record has been individually numbered. At the close of the 1970s, the New York Times declared Steve Reich’s Music for 18 Musicians one of the ten most important works of that decade. But the passage of time has proven that inaccur…

The latest album from Gary Mundy (Ramleh), who has been using this moniker since the early '80s to further furrow the worlds of intense electronics, harrowing psychedelia and violent or claustrophobic atmospherics he is already known for. Less prolific than Ramleh, Kleistwahr began with several cassette releases on Gary's own much-revered Broken Flag imprint and has subsequently been afforded more releases by labels such as Noise War, Noiseville and Harbinger Sound. "This World Is Not My …

Restocked!! "Tra scienza e fantascienza", is an album of histrionic Piero Umiliani recorded under the pseudonym Moggi. A Master gifted with a never ending passion for music, innovator by vocation, experimenter in his genetic code now at ease with synths in order to forge sound that could be reductively termed as avantgarde. Timeless atmospheres, alien hypnotic sonorities, modern and charmingly retro, minimal and complex arranged with an impressive taste for the unknown substance the Maestro…

Pressing of 300 copies on crystal-clear 200-gram virgin vinyl packaged in a custom letterpress jacket printed, die-cut, and hand-assembled at Studio On Fire in Minneapolis, with particular care taken to retain the fine detail of the cover's microscopic type."Francisco López is internationally recognized as one of the major figures of the sound art and experimental music scene. For more than 30 years he has developed an astonishing sonic universe, absolutely personal and iconoclastic, based on a …

Highly recommended collaboration between these two sound artists. Noises, drones, ghosts and text. With the participation of Laura Daengeli. French texts translated by Rip on/off, taken from Leif Elggren's book "Un peu comme voir dans la nuit", Van Dieren Editeur.

Mai Mai Mai keeps carrie on with his travel, bringing us back soundscapes of "Lands" he crossed. "Petra" delves deeper into this journey, as the appendix to the Trilogy about the Mediterranean, that sees "Theta" (LP, Boring Machines, 2013) and "Delta" (LP, Yerevan Tapes, 2014) as the former episodes of this long exploration.In this album everything, from the alchemical artwork by the artist Andreco, silkscreened on the B side, to the inner booklet (a 12 pages photo book), is made up to instill t…

Recorded in Barcelona on 20 May 2013. Thaumatrope: a card with different pictures on either side, which, when the card is twirled rapidly, appear to blend into one. For John Ayrton Paris is the discographic debut of Taumatrop, a duo formed in the year 2013 by Ferran Fages and Eduard Márquez. During the months of March, April and May 2013, Taumatrop worked on the construction of long, dronic pieces (initially with guitar and ultimately with electronic devices), in which the intention was to prod…

"This was my first trip to series of improvised music curated by Sue Lynch at The Horse at Cafe I'Klectik in SE London. What a treat! The evening opened with a sensitive and controlled duo of Hutch Demouilpied (trumpet, flute), Keisuke Matsui (guitar, electronics) this was followed by an intense and beautiful trio of Maggie Nichols (vocals), Caroline Kraabel (alto saxophone) and Charlotte Hug (viola, voice).This I thought a very hard performance to follow. But the trio of Richard Sanderson (ampl…

Live collaboration recorded at Oslo 10, Basel, Switzerland, 31 May 2014 on side A plus a fully new piece by DP (CH) and CG (Peru) on the flipside, based on their solo live sets performed and recorded the same night. Processed and mixed by DP/CG.High bias C30 chrome cassette with white on-body print, housed in printed cardboard slipcase. "…One side of the next tape is a live recording from Basel, Switzerland of May last year by Dave Phillips and Chrs Galarreta, while on the B-side they each have …

Recorded live in concert at iDEALFEST, Fylkingen, Stockholm on February 28th 2011. Heavy, lo-fi, monster drone set, featuring two of Sweden's most engaging performers. Sounds generated from the combination of electric hair clippers and analogue synthesiser are amplified, smashed and ground to a pulp, reformed and catapulted into the stars.

Politics and the dance floor make for uneasy bedfellows, and it is this uneasiness that drives most of the work of Terre Thaemlitz, confronting head-on issues that are usually off limits in electronic music. Thaemlitz is a producer and DJ, also known under his monikers of DJ Sprinkles, Social Material, and K-S.H.E, among others. But she is also a writer, educator and activist of sorts, with very fluid notions of gender, switching continuously between male and female drag. Born in 1968, Terre Th…

PAN presents the first collaborative single from electronic composers Mark Fell and Erik Wiegand, the latter appearing under his Errorsmith alias for the first time in eleven years. Both Fell and Wiegand have contributed hugely to the development of alternative dance forms and are no strangers to collaboration; Fell alongside DJ Sprinkles and as one half of SND, Wiegand as Smith N Hack together with Soundstream and more-frequently accompanying Fiedel as MMM. The seminal Errorsmith albums from th…

On Listening is a unique collection of forty multi-disciplinary perspectives drawn from anthropology, bioacoustics, geography, literature, community activism, sociology, religion, philosophy, art history, conflict mediation and the sonic arts including music, ethnomusicology and field recording. These specially commissioned contributions explore the many ways in which skilled listening can mediate new relationships with our physical environment and the people and other species that we shar…

“I’ve been working on an algorithmic system for live audio visual performance and composition for a few years now. AFEFWAS (3) is a sequence of five fragments of differing lengths and contrasting energies which are recordings of its output. At the heart of this system is a source of random data, in this case generated using the Cauchy probability distribution, which can be shaped by the performer both in realtime and by a careful choice of starting conditions. This data source is used to create …

Pods of Punishment, like parallel collection Seeds of Paradise (Idle Hands), is a journey into tube-amped molten bass and media fragments. It reveals Strategy’s strong science fiction threads and fixation on radio as a musical medium: its ghostly disembodiment, its persistent familiarity, and its spontaneous impact on the sounds around it. "The unstoppable Paul Dickow a.k.a. Strategy shapeshifts between dub, techno and the ambient spaces between on 'Pods of Punishment' for Entr'acte. Covering al…

Boston, Massachusetts-based Matthew Azevedo is a world-class technician, and by day engineers architectural acoustic simulations, teaches students about musical acoustics at Berklee College of Music, and occasionally finds time to master the odd record. It's this rare set of skills that can be heard on Aokigahara, an album made up of two long slabs of low-frequency drone. Aokigahara's focus on bass isn't necessarily anything new -- it positions itself alongside tomes such as Earth's seismic …