We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
Archival discovery of supremely endearing bedroom electronic msuic conceived in '80s Manchester Andy Popplewell's T.R.A.S.E., or Tape Recorder and Synthesiser Ensemble, is one of the loveliest reissues to have emerged from the Finders Keepers camp in recent times. Due to the diligent research of Andy Votel, it was only recently coaxed out of Popplewell, who is nowadays a renowned sound engineer/editor and vintage tape baker who's worked for everyone from Alpha Brussels to ZZT. This double LP wor…
The dark interpreter Stephen O'Malley ov Sunn O))) presents his towering orchestral composition Guidés, commissioned by French 35-piece improv orchestra ONCEIM -- l'Orchestre de Nouvelles Créations, Expérimentations et Improvisation Musicales -- and released thru Demdike Stare's DDS label. In early 2014 O'Malley was approached by pianist and composer Frédéric Blondy to write a work for the orchestra, which is made up of exceptional musicians from the fields of contemporary, jazz, experimental, i…
Never before published interview with Patti Smith by Michael Köhler from ’77 in which she talks about her influences and the art of performance. As an added extra there is her full performance at P78, in Paradiso. Cover by Harry Hoogstraten. Edition of 100 copies.
'Behind e-SaxBow is Florent Colautti on e-string and François Wong on electrified baritone saxophone. I have no idea what an electrified baritone saxophone is, but in none of this one can easily recognize the horn or anything with a string that is supposed to be the e-string. The latter is played using electromagnetic bows, which he pilots from his computer. The saxophone is also transformed by computer means and thus the five pieces, which last thirty minutes in total, sound like nothing even c…
Recorded in Kuala Lumpur, Malaysia and Nantes, France - between January and May 2015. Mastering BruitBrutStudio, Nantes, France.Goh Lee Kwang : no input mixing board. Julien Ottavi : tamtam (gong), bass drum and computer (Puredata and Apodio10).
"In collaboration with Nigel Cross's Shagrat label, and Glenn's own Snow Star concern, Feeding Tube is tickled to release the 40th Anniversary Deluxe edition of Glenn Phillips's first album released under his own name, Lost at Sea. Originally issued by Snow Star in '75, then licensed by Virgin in the UK, after Peel started playing it, LAS has long been a favorite of people of true refinement. Glenn had joined the legendary Hampton Grease Band while still in high school. He played with them their…
Recorded in Antwerp and on location, "2010 - 2014. Songs Of Gold" are nine small portraits. Five tracks that where featured on the cassette versions PLUS four extra tracks for this vinyl version. Culled from compilations, limited run cassette releases, choreographies, and 7" singles. Some pieces were worked on for a length of time, others materialized in just about one take. All the songs are derived by an encounter with an object, a place or a person. Or by a combination of these. The ev…
(excerpted from Peter's liner notes): "There was a time Han Bennink and I, sometimes with Fred Van Hove, would drive through the Black Forest to get to places like the jazz club in Villingen and Loerrach, to play. At the same time during the end of sixties, beginning of seventies Joachim-Ernst Berendt, chief of the SWF Radio was setting up a yearly meeting and driving through the forest Bennink and I had the idea of just going and playing in nature. We talked to Berendt about the idea an…
Considered to be one of the pioneers of Psychoacoustics, Eric Siday is also acknowledged as a key name in the growth of 20th century electronic music. An important figure in the development of the Moog Synthesizer, Siday's compositions were a testing ground for Bob Moog ideas, in turn shaping the technical advancement of the instrument. An early experimenter of Musique Concrete and extended technique he inaugurated these concepts into the world of television scoring and advertising. Sligh…
"This is the third album recorded by Joshua Burkett. The first, Owl Leaves Rustling, was returned to life by Spirit of Orr. Its CDR follow-up, Life Less Lost, was recently retrieved by Golden Lab. Now it is time for Gold Cosmos to once again bask in the sun. Initially released in 2001, Gold Cosmos (a title I always thought sounded like a Robbie Basho bootleg) featured performances by people like Dredd Foole, Matt Valentine, Ben Chasny, Teri Morris, PG Six, Chris Corsano, and Noah Wall, which wa…
“I am very pleased that this recording is ‘seeing the light of day’ as my memories are of a very friendly and easy going meeting. There was no competition or showing off of licks but rather a general and generous sharing of the playing space by two musicians meeting for the first time. Two different approaches brought together by a common love of all things guitars.” John Russell
“Le pistole non discutono” is a western movie directed in 1964 by Mario Caiano. Ennio Morricone has composed an orchestral score with dramatic passages with an epic main theme reprised through the score and alternated to Cantina tunes for solo guitar and a Mexican Mariachi performed by a female voice.As source, the newly mastered original 1964 mono tapes were used for this reissue. At that time no album or single were planned, so now every Ennio Morricone completist can collect and enjoy …
“Maddalena” is a Jugoslavian-Italian co-production directed in 1971 by Jerzy Kawalerowicz and starring Lisa Gastoni, Frank Wolff, Ivo Garrani, Paolo Gozlino and Lucia Alberti. The score by Ennio Morricone is one of the main protagonists of this motion picture, featuring the hit song “Chi mai” sung in Italian by Lisa Gastoni. Morricone has written a powerful lounge/religious-style soundtrack with psychedelic and erotic elements given by the amazing performance of Edda Dell’Orso and choir I …
A remastered version of Biosphere's debut albumMicrogravity with a bonus album of previously unreleased tracks. From Wikipedia: "Geir Jenssen began releasing his music as Biosphere on obscure Norwegian compilation albums. His first Biosphere releases were the 12-inch single The Fairy Tale and the album Microgravity, both of which were rejected by SSR as unmarketable. Microgravity was released in 1991 on the Norwegian label Origo Sound, and saw wider release via the R&S Records subsidiary Apollo …
Nikos Veliotis - After an initial involvement in the Athens pop/electronic scene during the late 80s as a founding member of In Trance 95, Veliotis later turned to the experimental field (working primarily with cello & video). Since the late 90s he has pushed the boundaries of sound and image using unorthodox cello techniques,silence and multilateral abstract visuals. Collaborations include Cranc (with Rhodri & Angharad Davies), Looper (with Martin Kuchen & Ingar Zach) and Mohammad (with Ilios &…
Beasts in the Garden is the seventh full length record by Midwest visionaries Spires That In The Sunset Rise. Since 2010, STITSR have operated primarily as a duo consisting of long time members Kathleen Baird and Taralie Peterson. After releasing two lush, string based albums Ancient Patience Wills It Again Part 1 and 2 in 2012 and 2013, STITSR have returned with a definitively new direction inspired greatly by two years of exploring improvisation with members of the free jazz community in Chica…
Outstanding!!! Karl Bosmann is a German post industrial electronic innovator. On this LP and Art edition release he works with a curetronic modular system ,a mopho and his Korg MS-20. The Coma theme, while stimulating an outpouring of electronic and sampled creativity, has its origins in a close friend’s post motorcycle accident coma from a few years ago. Karl describes the long drawn out process of observing the coma as both awful and yet fascinating at the same time. The album tracks show the …
Don’t let the title fool you; this is not a record of electronic music, but of twelve tunes performed by a small instrumental combo: three guitars, drums, piano and a double bass. There is a sixth instrument: the sound recording machine, which functions electronically. By amplifying, superimposing, drawing out and reducing the sounds created by the instrumental combo, the electronic recorder imbues each piece of music, be it already well-known or an “original”, with a brand-new, highly unusual a…