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Brazilian percussionist Naná Vasconcelos’s Saudades album, recorded in March 1979, was the culmination of a dream for a musician who had long yearned to hear the berimbau in an orchestral context. This ‘concerto’ for an innovative player of a traditional instrument was made possible with the creative input of Egberto Gismonti, here the arranger of the material for strings, as well as co-composer and supporting soloist. The Radio Symphony Orchestra Stuttgart was conducted by Mladen Gutesha (who h…
When Circle took the stage in Paris in 1971, they weren't just performing - they were igniting a musical revolution. This extraordinary quartet, featuring Chick Corea (piano), Dave Holland (bass), Anthony Braxton (reeds), and Barry Altschul (drums), represented the cutting edge of jazz experimentation at its most vital.
Fresh from their tenure with Miles Davis, Corea and Holland were eager to push boundaries in an entirely improvised context. They found the perfect collaborators in Braxton - who…
Keyboardist-composer Vijay Iyer’s energized sequence of ECM releases has garnered copious international praise. Yet his fifth for the label since 2014 – Far From Over, featuring his dynamically commanding sextet – finds Iyer reaching a new peak, furthering an artistry that led The Guardian to call him “one of the world’s most inventive new-generation jazz pianists” and The New Yorker to describe him as “extravagantly gifted… brilliantly eclectic. Far From Over features this sextet of virtuoso im…
Following three studio albums (Stoa, 2006; Holon, 2008; and Lyria, 2010) plus a double live album (2012) with his electric band Ronin, Swiss pianist and composer Nik Bärtsch now unveils a new release with his original ensemble, Mobile – whose lineup partially overlaps with the current Ronin formation.
Originally formed in 1997, Mobile (here enhanced on three tracks by a string quintet) represents the foundation of Bärtsch's ritualistic approach to music-making. This distinctive style has been sh…
2025 stock Keith Jarrett and conductor-pianist Dennis Russell Davies have been friends and musicalcomrades for forty years. In the mid-70s the St Paul Chamber Orchestra, under Davies’ directionpresented Jarrett’s chamber music. In the 90s Jarrett recorded the Mozart piano concertos with Davies and the Stuttgarter Kammerorchester. Near the beginning of their association, Jarrett invited Davies to play a composition he had written for solo piano. To listen to Ritual is akin toexperiencing the core…
This vinyl album by Micheal Mantler is new old stock from Ecm archives. For light relief from his darker, more existential works, Michael Mantler assembled two fine ensembles at the end of the 1970s to play music that might be described as the Thinking Man’s Answer to Fusion. Imagine walking into an art house cinema where the projector runs without film - the stories unfolding purely through Michael Mantler's haunting trumpet and the alchemy of his stellar ensemble. That's the experience of Movi…
2025 stock Crystal Silence A cornerstone of ECM’s legendary catalog, Passengers unites vibraphonist Gary Burton with an all-star ensemble: guitarist Pat Metheny, bassist Eberhard Weber, electric bassist Steve Swallow, and drummer Dan Gottlieb. Recorded in January 1976, this album captures a moment of creative synergy and forward-thinking jazz, blending lyricism, subtle groove, and the unmistakable ECM sonic clarity.
The repertoire features original compositions from Metheny, Swallow, and Weber, …
*2024 stock* Barre Phillips was the first musician to record an album of solo double bass, back in 1968, and he has always been an absolute master of the solo idiom. In March 2017, Barre recorded what he says will be his last solo album, the final chapter of his “Journal Violone”: it is a beautiful and moving musical statement. All the qualities we associate with Barre’s playing are here in abundance – questing adventurousness, melodic invention, textural richness, developmental logic, and dee…
The repertoire features original compositions and Norwegian folk themes, balancing lyrical melodies with subtle harmonic exploration. Pieces such as “The Circle” and “Stream” highlight Gustavsen’s ability to let themes emerge organically, favoring patient development and deep listening over overt virtuosityWith Opening, Tord Gustavsen returns to the classic piano trio format that has defined his ECM legacy, unveiling a fresh perspective on his distinctive blend of Scandinavian folk hymns, gospel…
2025 stock On his second release for ECM New York-based saxophonist Oded Tzur introduces a heightened sense of urgency and a conceptually augmented approach to his distinctive voice, weaving one underlying musical idea through a series of elaborate and impassioned designs. The quartet’s lineup is unchanged from 2020’s Here Be Dragons and the group’s interplay has grown even more expressive in the meantime. Throughout Isabela the saxophonist and his collaborators – pianist Nitai Hershkovits, Petr…
2025 stock On Once Around The Room ECM recording artists and key jazz musicians from several generations unite in a small ensemble to celebrate the musical legacy of drum icon Paul Motian in a big way. Joe Lovano and Jakob Bro lead a party of seven through fiery originals that recall the idioms and idiosyncrasies which Motian brought to light over six influential decades behind the drums. Lovano and Motian had been intimate colleagues for many years with their most notable collaboration being th…
2025 stock Wolfgang Muthspiel and his trio with Scott Colley on bass and Brian Blade on drums reaches a new creative peak on Dance of the Elders – the group’s follow-up up to the much lauded Angular Blues, which The Times called a “quietly impressive album”. Here Wolfgang’s successful stride continues, with his unique compositional signature on the one hand and the particularly vibrant interchanges with his trio colleagues on the other. The guitarist’s writing and approach to jazz is heavily fol…
2025 stock There is a distinguished tradition of solo bass albums on ECM, but Provenance is the first to be devoted to the electric bass guitar. Björn Meyer, Swedish-born and Swiss-based, has shaped a unique voice for his instrument inside the most diverse contexts, working alongside Persian harpist and singer Asita Hamidi, Swedish nyckelharpa player Johan Hedin, and Tunisian oud master Anouar Brahem. For a decade he was a member of Nik Bärtsch’s Ronin, in which his bass guitar was frequently th…
On Lontano, Anja Lechner (cello) and François Couturier (piano) expand the expressive horizons of the duo format, weaving a tapestry of original compositions, improvisations, and deeply personal interpretations. Recorded at Sendesaal Bremen and produced by Manfred Eicher, the album draws inspiration from a remarkable array of sources-echoes of Bach, the folk laments of Argentina, the lyricism of Henri Dutilleux, the cinematic touch of Anouar Brahem, and the haunting minimalism of Giya Kancheli.
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Widely regarded as one of Pat Metheny's most inspired recordings and now considered a classic of instrumental and improvised music, *80/81* unveiled a bold new dimension of the then-26-year-old guitarist's sonic world. Released in 1980, this groundbreaking album marked Metheny's first collaboration with jazz luminaries from multiple generations, including bassist Charlie Haden, saxophonists Dewey Redman and Michael Brecker, and drummer Jack DeJohnette.
Drawing equally from the freewheeling spiri…
Over the years, Pat Metheny Group's Grammy-winning double live album Travels has earned a singular reputation among jazz aficionados as one of the most distinctive and impeccably recorded live jazz albums of all time. Upon its initial release, it appeared on numerous year-end best-of lists, with The Wire hailing it as simply "remarkable" and "superbly recorded."
The album captures the Pat Metheny Group during their 1982 US tour, a period when Brazilian percussionist Nana Vasconcelos had become a…
*2025 stock* Frozen Silence is the third ECM release from alto saxophonist Maciej Obara’s Polish-Norwegian quartet bringing the story forward from Unloved and Three Crowns – and perhaps its strongest musical statement to date. Alert interactivity is the hallmark of the group’s approach in a programme of new Obara compositions inspired by the starkly dramatic landscapes of the mountainous Karkonosze region in south-west Poland. All four players make decisive contributions to the music. The pieces…
Bordeaux Concert is a special document from Keith Jarrett’s last European tour. Each of Jarrett’s 2016 solo piano concerts had its own strikingly distinct character, and in Bordeaux the lyrical impulse is to the fore. In the course of this improvised suite, many quiet discoveries are made, and there is a touching freshness to the music as a whole, a feeling of intimate communication. Reviewing the July 2016 performance, the French press spoke of hints of the Köln Concert and Bremen-Lausanne in t…
Original 1991 LP edition Stepping into the territory of Gavin Bryars is like coming home, so familiar are the morphemes with which he composes his musical language. One of the most significant recordings in the Bryars catalogue, this disc offers a fine condensation of his spirited and nostalgic sensibilities.
After the Requiem dates from 1990 and follows his Cadman Requiem of the previous year. After completing the latter, which was written for the Hilliard Ensemble in memory of Bryars’s friend…
*2024 stock* "Walter Fähndrich's album "Viola" is a beautiful and captivating collection of works for the viola. Fähndrich's skills as a violist are on full display as he expertly navigates through a variety of pieces, showcasing the instrument's rich and versatile sound. From hauntingly melancholic melodies to lively and energetic compositions, "Viola" takes listeners on a journey through a range of emotions. Fähndrich's impeccable technique and emotional depth make this album a must-listen for…