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Albidaya in Arabic means The Beginning, which in the case of Beaini's, might be the return to the beginnings, or the start of the path. The album is conceptually a revisiting of the traditional and early psychedelic Arabic music, all through distorted paths and instruments, remashed and deconstructed sounds, recreating patterns with diverse instruments to give a different perspective of the sound itself. Includes musicians from Upperground Piero Bittolo Bon and Tommaso Cappellato. Commissioned by Annihaya in Lebanon by Sharif Sehnaoui, Raed Yassin and Hatem Imam - includes artwork by Maria Kassab.
'Almost entirely recorded in a day, and featuring cello, saxophone and drums in addition to electronics, Albidaya doesn't attempt to replicate Lebanese folk music. Instead, it articulates a point of contact between various worlds.' Rory Gibb for the Wire
Recorded in Berlin summer 2012, track 3 contains elements recorded in Detroit march 2012, courtesy of Mike Huckaby. Track 6 contains elements recorded in Rome October 2012, courtesy of Donato Dozzy. Mastered at Enisslab Studio [misspelled as Enilssab Studio], Rome. Rabih Beaini appears courtesy of Morphine Records. Design: Hatem Imam, Studio Safar s.a.l. Produced in Lebanon by Annihaya Total duration 46:00 © 2013 Rabih Beaini ℗ Annihaya records For tracks 1 to 7, the…
| 1 | صوء داخل ضوء = Light Within The Light | 2:58 | |
| 2 | حور وصخور = Maples And Rocks | 8:31 | |
| 3 | 1 كسارة = Kessara 1 | 3:01 | |
| 4 | 3000 تارنتا = Taranta 3000 | 4:10 | |
| 5 | يا شاطر = Ya Shater | 12:38 | |
| 6 | 3 كسارة = Kessara 3 | 2:35 | |
| 7 | أغنية الفرح الشديد = Song Of Extreme Happiness | 9:38 | |
| 8 | 2 كسارة = Kessara 2 | 2:32 |