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Nurse With Wound

Chance Meeting On A Dissecting Table Of A Sewing Machine And An Umbrella

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Tracked express shipping from Italy, no customs or import VAT in the EU. Shipping costs

This is the long-awaited vinyl re-issue of the timeless Nurse With Wound debut release from 1979. Described by Sounds at the time as a record that "makes The Faust Tapes sound like Carousel," nothing has changed to alter this view over the last 30 years, and to say that this work is the "Sgt. Pepper of the avant-garde" would not be hyperbole. The special box edition will consist of: the double LP, which will be a 2LP set with the extra track "Strain, Crack, Break" (never previously available on vinyl and appearing for the first time in any format in its intended unedited form) on side three and an etching on side four. Also included in this box is a t-shirt with the legendary "NWW list" (a list of 294 bands that accompanied NWW on this album) in luminous ink on a black shirt, and a die-cut enamel badge of the woman from the iconic front cover. The collection will be housed in a beautiful box printed with a matte laminate coating. Only 250 copies of this box will be available at retail level. The regular double LP will be released shortly thereafter. Members include: John Fothergill (synthesizer, guitar, keyboards, wind), Heman (synthesizer, guitar, keyboards, wind), Nicky Rogers (guitar), and Steve Stapleton (synthesizer, flute, guitar, keyboards).
Details
Cat. number: DPROMDLP71, UNITED DIRTER 71, U.D. 01
Year: 2009

Format

Recorded at B.M.S. studio, Wardour St, W1

September 1978

Remastered from original analogue tapes.

Extra Material recorded at I.C.R. studio and mixed at aranos studio September 2001

This album is dedicated to Luigi Russolo. [back sleeve]

These sleeve notes are dedicated to the Nihilist Spasm Band [inner sleeve]

I would like to dedicate this record to John and Heman, wherever you are now; it was a great time and I think we made a beautiful album - Steven [inner sleeve]

At least some copies were sold autographed by Steven Stapleton (images), & an unspecified number came with the signed art print.

First catalog number on spine, second on back sleeve and third on label.

Continuous tracklisting on release.

Pressing/cutting company and cutting engineer are derived from matrix.

"A Little History

I was a frustrated signwriter with a passion for unusual and obscure music.

Heman was Indian and against his family wishes became obsessed by European rock music. Heman was also the only other person I'd ever met who was a fan of Floh De Cologne!

John was a genuinely eccentric intellectual; an aesthete of the avantgarde.

I met Heman at school in North London. He had a similar taste in music and we soon became great friends. Together we started our investigation into the musical unknown with nothing to guide us but a few simple rules:

1. There had to be long tracks.

2. We did't like songs - no vocals.

3. Inspired or drug related cover art.

With this in mind we started visiting all the second hand record shops in greater London and buying on spec any strange looking record that fitted the bill.

It was on one of these trips in the old Record And Tape Exchange in Goldbourne Road where I first came across John. He and his mother were fishing out interesting looking records that I would have liked to buy, he too was into the musical unknown. I asked if I could check out the album under his arm, we got talking and soon became friends. John taught me so much; he became my mentor.

We, as a trio, for the next 5 or 6 passionate years would visit all the second hand stores every week buying hundreds of albums between us. Occasionally we would take in Paris, Hamburg, Milan and other places just for the music, just for the records.

As a signwriter I became employed at B.M.S studio to paint their window. I met Nicky Rogers and we got on well - he was the resident engineer, it was my first time in a studio, it was a big 48 track and it looked amazing - all those buttons and lights. He said if you ever feel like making some noise come in over a weekend when the studio is officially closed. I have a band, I lied.

That evening my head was buzzin' - I rang John and Heman: I've got some studio time, go buy an instrument and let's see what happens. John got an electric guitar with a tremble booster and a ring modulator, which was very disappointing - ring modulators always sounded so great on album credits. Heman brought along an old keyboard and I found a cheap Bontempi organ and as many little noise making items as I could carry.

We arrived at B.M.S. on the Saturday morning. Poor Nicky Rogers, I think he was expecting something a little more professional: I put my junk in one corner, John laid his guitar on the floor, tipped a box of nuts and bolts all over it and started stroking the thing with a toilet brush.

Only Heman looked like he knew what he was doing. So after a 30 second warm up for levels we launched into what eventually would become known as 'Blank capsules...'

Steven Stapleton, Cooloorta, September 2001."

Release notes

Recorded at B.M.S. studio, Wardour St, W1 September 1978 Remastered from original analogue tapes. Extra Material recorded at I.C.R. studio and mixed at aranos studio September 2001 This album is dedicated to Luigi Russolo. [back sleeve] These sleeve notes are dedicated to the Nihilist Spasm Band [inner sleeve] I would like to dedicate this record to John and Heman, wherever you are now; it was a great time and I think we made a beautiful album - Steven [inner sleeve] At least some copies were…

Tracklist
A1Two Mock Projections6:17
A2The Six Buttons Of Sex Appeal13:06
B3Blank Capsules Of Embroidered Cellophane28:21
C4Strain, Crack, Break15:20
Credits
Pathak
Artwork [Categories Strain Original Insert Compiled By], Keyboards, Piano, Effects (A1 to B3)
Fothergill
Artwork [Categories Strain Original Insert Compiled By], Electric Guitar, Effects (A1 to B3)
Stapleton
Artwork [Categories Strain Original Insert Compiled By], Cover [Original Cover], Liner Notes, Organ, Percussion, Performer [Tools], Toy, Tape, Noises
Nicky Rogers
Engineer (A1 to B3), Guitar [Commercial Guitar] (A1 to B3)
Peter Hennig
Engineer [Assistant] (A1 to B3), Piano (A1 to B3)
HL
Lacquer Cut By
Nadine Mahdjouba
Vocals (A1 to B3)