A straighter album than some of the early experimental work of Jards Macale – but maybe a greater album as well – and one that really shows the singer coming into his own, and finding a way to nestle his fresh ideas within the best settings of 70s MPB! The shift's a bit like the maturation some of his contemporaries were going through at the time – like Caetano Veloso or Gal Costa – reaching for a new level of sophistication in his arrangements, which might tie him back to older historical modes – yet still with a delivery that marks his willingness to reach for new styles. Elements of jazz, samba, and even some more offbeat qualities show up on the record – and the arrangements are handled by Wagner Tiso, Gilberto Gil, and Paulo Moura. Titles include the weird electronic/vocal number "Passarhino Do Relogio", which has a mad abstract Tropicalia-era sound – plus the tracks "No Meio Do Mato", "Negra Melodia", "Sim Ou Nao", "Sem Essa", and "Black & Blue".