Tip! Tip! Tip! The Gotthard is associated with a variety of stories and myths. The passage over the range developed from a mule track in the 13th century to an important road in the 19th century. The first railway line over the Gotthard opened in 1882 – it included the longest railway tunnel in the world at the time. The bridges and galleries soon became known landmarks of Switzerland. Now, as then, the Gotthard is a central link between major political, economic and cultural centers. Now as before, the interplay between imposing alpine summits and the most modern transport infrastructures nourishes the Swiss identity with strong symbolism.
The album Gotthard Transect is the result of a seminar at the Chair of Landscape Architecture of Christophe Girot at ETH Zurich. Applying the transect method, students recorded and collected acoustic and visual samples along a predefined line through the landscape. The footage is divided into four sections, each corresponding to a stage in the crossing over the range. They are reflecting the physical proximity of the students to the alpine landscape. The word Transect, derived from Latin trans (through) and secare (cut), also relates to the Gotthard Base Tunnel that opened in 2016, and is currently the longest railway tunnel in the world. The subtitle "Sight and Sound Observations above the new Base Tunnel" refers to the journey following the tunnel as closely as possible on the alpine terrain. While the landscape disappears for the travelers when they enter the darkness of the tunnel, evidence of the tunnel along the walking path remains mostly hidden. The only exception is a ventilation shaft, which for once brings sounds from the depths to the surface.
Ludwig Berger is a landscape sound artist, musician and educator. In his compositions, installations and performances, he enables intimate and playful sonic encounters with plants, animals, buildings and geological entities. In his musical work, Berger produces sonic eco-fictions with processed and synthetic sounds. He studied electroacoustic composition at the University of Music Weimar and Musicology, Art History and Literature at the University of Eichstätt. As a sound researcher and teacher at the Institute for Landscape Architecture at ETH Zurich from 2015-2022, Berger studied the sonic dimension of Japanese gardens, alpine glaciers and urban landscapes. He has composed sound and music for award-winning films and theatre pieces and curates the landscape sound festival Sonic Topologies in Zurich and the experimental music label Vertical Music.
"Ludwig Berger is breaking the interspecies sound barrier" (Electronic Sound)
"Ludwig Berger is leading the way with his field recording work in so many ways.” (Harry Sumner, Sonospace)
"A musique concrete magician” (Gray Lee, Houdini Maison)
“The professor has a lot to teach, and brings a childlike wonder to his adult pursuits.” (R. Allen, A Closer Listen)
"Berger seems to find unusual pleasure in fairly dull source material” (Daniel Hignell Tully, Toneshift.net)
