Celer & Machinefabriek are having a great year. In addition to their  separate releases, they’ve toured, released a download set of the tour, and  completed a trilogy of fine vinyl singles, of which Hei/Sou is the final piece.  Perhaps the most exciting thing about their collaboration is the extent to which  each seems to have been inspired and invigorated by the presence of the other.  By pushing each other into new territories, they’ve each upped the ante, as best  demonstrated on Celer’s latest release for Somehow Recordings, Redness &  Perplexity - a Celer recording that strikes out into bolder and weirder fields.  In order for artists to stay relevant, they must continue to evolve, and that’s  exactly what we’ve been hearing here. 
Take 'Hei' for example. The  opening portion doesn’t sound like either Celer or Machinefabriek, but the work  of some new melodic, beat-driven producer. After setting the pace with hi-hats,  the duo introduces a synth warble and a drone – elements of their individual  productions that seldom appear together. It’s a bold statement, a confident,  in-your-face opening that proclaims, “We’re not what you expect.” Eighty seconds  in, the entire song shifts to the ambient spectrum, while preserving hints of  the opening in the extended support notes. The louder elements are mixed softly,  while the softer elements are mixed loudly, further inverting the listener’s  expectations. When the percussion returns, it seems less a declaration than a  gentle reminder. 
'Sou' rests in more familiar territory, but the melodic  impulses remain, making Hei/Sou the most immediate of the three vinyl singles.  The piece opens with a sound that rests somewhere between backward masking and  morse code, leading to a glistening center of cycling tones. Volume is once  again a noticeable tool, as the primary pattern rises and retreats, trading  places with the similarly active drone. Few artists toy with internal volume so  effectively; 'Sou' reminds the listener that knobs can be just as important as  notes. 
Those who purchase the release will also be given access to two  videos by Marco Douma, completing the 2012 triptych. A box set would seem a  distinct possibility, but at the very least, we hope these fine artists will  continue to work together in the years to come.
Constructed in Tokyo and Rotterdam June 2012.
Limited edition of 250 hand-numbered copies. 
Comes with a postcard which includes a download code with two extra videos.